I saw Spanish choreographer Nacho Duato’s Compania Nacional de Danza last night at BAM and had an absolute blast — both during the performance and afterward at BAMs audience dialog with the choreographer, which was nearly as well attended as the dance performance — something I don’t think I’ve EVER seen before. Anyway, I have lots and lots and lots to say about both the dances (in particular about the second piece performed, “Castrati,” a gorgeous work about Italian male sopranos) and the talk (the latter not so much for what the choreographer said but for the audience’s scintillating questions and how he responded to them … or not!) It was a thrilling evening, and I don’t know how long it’s going to take me to get the post up and I don’t get a lot of readers on late Friday afternoons, so I’ll just say now that I highly encourage everyone in NY to go out to BAM and see this show: it’s only on tonight and tomorrow. Go here for info.
A couple of other things: experimental choreographer Clare Byrne sent me a couple of videos she put on YouTube in response to chief NYTimes dance critic Alastair Macaulay’s writings (and some of his remarks recently at Barnard), which I think are quite funny, especially the second one (which can apply to some other people I know as well ). I once saw a piece at PS122 about the choreographer’s excitement over a cool pair of shoes he saw Gia Kourlas wearing, which was pretty funny. Interesting when critics become the subjects of the art they critique…
And here is something else I found really interesting. JP Morgan is apparently running a writing contest for students. The subject is which non-profit organization do you think is most deserving of funding, and the winner gets a $25,000 grant given to their subject organization. Chris Elam of Misnomer Dance Theater is encouraging students to enter the contest in support of dance.
Finally, Doug Fox is going to be giving a talk downtown next Wednesday on the internet and the future of dance. He found classical music writer (and blogger) Alex Ross’s article in the New Yorker about the internet’s promotion of classical dance thought-provoking. I’d skimmed that article but started to get discouraged because many of the things he highlighted seemed largely inapplicable to dance because of the way music better records than dance (shades of Paul Parish here). Anyway, read Ross’s article and Doug’s post on it yourself and if you have any thoughts write to Doug and he’ll hopefully address it all next week.
And (NYers) don’t forget to go to BAM this weekend (and read my enormous upcoming write-up on castration and female genital mutilation and gender and masculinity and femininity and beauty and drag and all the other deliciously sexy thoughts Duato’s work and discussion of it provoked!) Dance can really be so much fun