Christmas is Coming…

…and it’s getting cold! Which I hate. Cold makes me think of death. Although, I was just skimming my newish Complete New Yorker (which I won by taking one of those New Yorker marketing surveys — people actually do win those!) and I ran across a review from 1988 by Arlene Croce of Edward Villella and Miami City Ballet, which I read with interest since it’s kind of timely (the company will be coming to City Center in January for the first time in a while). Anyway, in explaining why Villella had a bit of a hard time getting his company off the ground, Croce noticed that ballet seems to thrive in cold climates where people wear heavy coats, like Russia and northern Europe and New York. Too much sun, too much natural beauty, and no indoor culture. Anyway, will try to think of winter that way: it’s because I’m freezing my tush off that I have ballet in my life…

(above picture is of holiday decorations at the Time Warner Center, which I took a few days ago)

So, I had my class — first in I don’t know how long, but over a year at least. It was advanced Cha Cha at Stepping Out, with Jules Helm (above, in jeans and black shirt), a very nice, patient, and thorough teacher (we began with 20 minutes of stretching, working just about every part of the body, including the foot, which not many teachers spend time with and which I need because my feet tend to cramp. So I didn’t need my set of ridiculously shallow warm-up plies that I did at home, during which I nearly twisted my hip out of its socket… I am really prone to hurting myself…)

I was sent to the studio to write a review of the class by Explore Dance. It was a very comfy, homey, social atmosphere, not at all threatening, which was good because I’d intended to take the intermediate class, but, long story short, ended up in advanced. The routine Jules taught us was fun and challenging without being too crazy hard and I managed to get the steps down, though my technique was heinous and I’ve once again forgotten how to balance in heels (not that I ever knew). At one point I nearly flew over sideways after a double spiral (two spins in which you put one foot in front of the other and turn a full rotation without picking your feet off the ground) and took my partner down with me. The male students were thankfully very nice though — which was a welcome change from some of the other studios I’ve been to. Anyway, will post to the (serious) Explore Dance review when it’s up.

Oh and my old teacher Luis was there (teaching now at three studios); so fun to run into him!


  1. Oops, correction: January will be the first time Miami City Ballet has EVER come to NY — wow!

  2. AHHH! You went on a night I am not there. 🙁

  3. Oh no, Ginger! Do you normally take that class, with Jules?

  4. No, I am normally only out and about on Wednesday and Friday nights. Lately I have been taking Wed’s salsa with Walter, and then salsa with Ernesto, and Friday’s I have cut out classes temporarily (to save funds) but can often be found at La Nacional.

Comments are closed