Happy Happy Night Tonight At Alvin Ailey

Okay, here is what I was writing last night when my internet crashed:

I’m always so happy when I come out of an AA performance; I could just dance home! Tonight was Maurice Bejart’s Firebird, which was more breathtaking than the first time I saw it last year; Clifton is beyond belief — just this huge guy who’s so amazingly graceful. Ditto for Jamar — the only person who I can imagine being able to lift him, and those lifts at the end when Jamar’s bringing Clifton back to life are so stunning.

(photo by Paul Kolnick).

Then, on second, was the new Hope Boykin piece, Go in Grace, which was kind of a play without words, utilizing the singers — Sweet Honey in the Rock — along with the dancers, the singers acting as a kind of chorus and interacting with the dancers throughout. It told, in expressionistic pieces, the story of a family, the father and mother good, upstanding people trying to keep their daughter and son from going astray. They’re successful with the daughter but the son kind of gets involved with the wrong crowd (namely, Antonio and Kirven!) Eventually he comes back, but only after the father dies, which is really heartbreaking. Amos J. Machanic danced the father and I noticed from last night (which I still have to write about!) and tonight that he is the most expressive, emotive dancer, and such a great actor, he really pulls you into the dance, and creates such sympathy for his characters. He broke my heart both last night as a junkie in Masekala Language, and tonight as the dying father who wanted nothing but the best for his children in Boykin’s ballet.

(photo of Machanic by Andrew Eccles)

And last on was Revelations, which I’ve written about here. Yannick LeBrun blew me away as the second Sinner Man!

(photo of Lebrun by Eduardo Patino)

He was, yes, even better than Clifton! He is definitely one to watch. And Antonio Douthit was mesmerizing tonight as well, as the guy getting baptized in Wade in the Water. Funny though, he had some kind of large tattoo — a cobra or some kind of winged creature perhaps — creeping out of the top of his pants in back, which was kind of funny given his character here 😀 But I love it — & am sure I’m the only one who noticed such a thing… Also, someone’s big church hat flew off and created a bit of a funny nuisance onstage in Rocka My Soul. Always very funny when something goofy happens with a prop :)

Anyway, I have to upload and post pictures from last night and write about the night before — Masekela Language and Suite Otis, but will have to do it when I get back from Pina Bausch at BAM.

4 Comments

  1. I can’t wait till they come to DC this year! The new piece sounds fantastic. They are bringing Sweet Honey in the Rock with them, but only for one of the performances.

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