I’m still crazy busy but just wanted to point out two things. First, if you haven’t already heard, there’s now a storm of controversy over how much dancing Natalie Portman actually did in Black Swan. Dance Magazine EIC Wendy Perron wants more credit given to Sarah Lane, Portman’s ABT double (whose dancing I love; for image credits above, click on the photos). Portman didn’t mention Lane in her Oscar acceptance speech (though she did mention the dancers in general) but, further, there was apparently also a special effects video produced about the making of the film in which Lane’s face was never shown, though her dancing body was, and in which Lane was never credited. Lane seems not to want to say too much, says she was asked to remain silent on the issue, to not talk about the film, particularly before the Oscars. Lane gave an interview to Dance Magazine in December about her role in the movie, saying she wasn’t “looking for any sort of recognition.” Millepied of course defends his muse, saying Lane did “just the footwork.”
Lane also mentioned in that Dance Magazine interview that Maria Riccetto did some of Mila Kunis’s dancing, which I didn’t know. Both Portman and Kunis must be very petite women!
Anyway, will the controversy surrounding this film ever end? Hopefully not! It’s keeping ballet in the minds of the public, if you ask me…
Thanks to reader Jeff (who I noticed is also mentioned in Perron’s blog, linked to above) for pointing me to the controversy.
Also, this Monday, March 28th, the Paris Opera Ballet will live-stream its Coppelia, via Emerging Pictures’ always excellent Ballet in Cinema series. Curtain is Paris time at 7:30 p.m., which is 1:30 p.m. here on the east coast. In Manhattan, it’s showing at the Big Theater again. For other times and locations, visit the Ballet in Cinema website.
Okay, all I have time for now. Thanks for continuing to read my blog while I remain swamped