FEVER Boxed Set Discounted for DWTS Finale!

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Hey everyone!

Just letting you know that, in celebration of the upcoming Dancing With the Stars season finale, the FEVER series boxed set is currently discounted to only 99 cents! The price will go back up right after the finale, so if you don’t have a copy yet and want to read the whole series, or you know someone who does, now is the time 🙂

Here are the links:

Amazon, Apple, Barnes & Noble, Kobo

Who is everyone rooting for in the finale, by the way? All of the remaining couples have really grown on me, but I’m still rooting for Bindi and Derek. They were my early favorites and I still think overall she’s consistently been the best in terms of technique, performance quality, and just general endearing personality (which counts for a lot)! So, at this point, that’s who I want to win. But we’ll see 🙂

My favorite dance of theirs. And what an iconic movie!

Is Jack Cole the Greatest Choreographer You’ve (Probably) Never Heard Of?

 

On Monday September 10th Turner Classic Movies will devote an evening to the movies of Hollywood jazz choreographer Jack Cole. The presentation will be hosted by my friend, Los Angeles Times dance critic and founder of the blog, Arts Meme, Debra Levine, along with TCM’s Robert Osborne.

Cole was born in New Jersey and actually began his career as a Denishawn dancer. He was an early dancer at Jacob’s Pillow. He choreographed for Broadway (Man of La Mancha, Something For the Boys, etc.) before moving to Los Angeles to choreograph for film. He worked on many huge films, including Gentlemen Prefer Blondes, Some Like It Hot, On the Riviera, the list goes on. Yet, strangely, many have never heard of him. Why?

Here he is with Marilyn Monroe:

 

So, on September 10th, beginning at 8 pm ET (5 PT), TCM will show four Cole-choreographed films: Tonight and Every Night (1945, starring Rita Hayworth), On the Riviera (1951, starring dancer Gwen Verdon, later famous for being Bob Fosse’s main muse), Gentlemen Prefer Blondes (1952, starring Monroe and Jane Russell), and Les Girls (1957, starring Gene Kelly).

I’ve heard Debra give several talks about Cole, the latest of which occurred at UCLA’s Hammer Museum a few weeks ago when the museum showed a rather hilarious film called The I Don’t Care Girl starring Mitzi Gaynor. Several dance sequences, which I found brilliant, were choreographed by Cole. Gaynor was there, looking gorgeous I might add – I have no idea how old she is now – and she entertained the crowd with her tales of working with Cole, of learning to dance, and of her film career, with loads of dirty jokes thrown in. She can be quite lewd! But sweetly so.

Anyway, Debra is hugely knowledgeable on Cole. You’ll learn so much listening to her talk about him on TCM. It’s tragic he’s so little remembered now when he worked on such classic films. I hope she writes a biography of him someday. Please tune in!

Here’s a sneak preview of Debra speaking with Robert Osborne:

And here’s a clip from The I Don’t Care Girl:

Go here for more information on the exact TCM schedule, and go here and here for more info on Cole.

A CHANCE TO DANCE Premieres on Ovation this Friday, August 17

Reminder: A CHANCE TO DANCE, a new show on Ovation TV, where dancers throughout the US audition for and learn a routine created by Britain’s Ballet Boyz to be performed with the SO YOU THINK YOU CAN DANCE TOUR, premieres this Friday evening. The network sent me an advance preview and I really think this one will be better than many of the current shows — a big reason being that it seems to be more focused on – hello- dance. Most of the footage – at least what I was sent – is of Michael Nunn and Billy Trevitt — the Ballet Boyz, both of whom danced with the Royal Ballet — actually rehearsing the dancers. They talk a lot about the choreography, about what they want from the performance, about what makes a dancer captivate the audience, about all the aspects of a show that really make a performance work, including, very importantly, the right music. Trevitt says at one point that great music can save bad choreography but the reverse is not true, which I found interesting…

At one point, one of the men (I think it’s Trevitt again) tells a dancer he’s focusing too much on technique, not enough on performance, which of course I love! As they rehearse the dancers, they’ll call out the name of the ballet steps, giving the audience insight into the dance, into this rarefied world. The backstage melodramatics, at least from what I was shown, seem minimal.

Here are a few clips.

Meet the choreographers here:

One on Trevitt’s dance tips:

Allison Holker’s dance tips (you’ll remember her from SYTYCD)

And a couple funny ones — Trevitt learning to pole dance:

And the two Brits in a Texas road-side shop trying to find clothes that will allow them to fit in with the locals, and a place to go dancing:

For more info on finding your local Ovation station, go here.

Akram Khan at the 2012 Olympic Opening Ceremony, Which NBC Inexplicably Cut

Here is part of the Akram Khan piece from Friday evening’s opening night Olympic ceremony that NBC inexplicably cut from its American broadcast. Unfortunately, the quality of this video isn’t terrific – and the posters said they’d put up the latter parts of it later this week – but this is the only copy I could find right now on YouTube.

But why did NBC cut it from the US broadcast? Here’s a short BBC article on Khan’s disappointment and his explanation of the piece. The journalist interviewed NBC but the network still didn’t give a reason for its decision to air a Ryan Seacrest interview instead of Khan. Do they think Americans are too dense to appreciate high art? That we could only appreciate the names and faces we’d recognize from Hollywood? I wonder what else they denied us. I only knew to look for Khan’s piece from the UK-based dance bloggers in my Twitter feed, who tweeted about the performance as it happened, earlier in the day. Because of them, I was so excited to go home and watch it Friday night. Then I became so disappointed by NBC that now I really want to boycott the network. Thank god for the internet. It just makes you realize how biased and incomplete was the news we used to receive in this country.

Here is the Guardian’s Judith Mackrell on Khan’s work and what he added to the ceremony.

A CHANCE TO DANCE Premieres on Ovation August 17

A few weekends ago, I was invited to participate (via Skype) on a Dance Critics Association panel about dance on television (read a detailed write-up in Dance Magazine). Moderator Lisa Traiger mentioned this new show, A Chance to Dance, produced by the Lythgoes (Nigel, and son Simon) that was set to premiere soon. So I was really excited when Ovation network sent me more info. It’s going to premiere August 17th on Ovation (an arts and culture cable channel), and appears to be a more arty version of the popular shows like So You Think You Can Dance, or perhaps a kind of combination of that show and Breaking Pointe.

It will follow the formation of a dance company, helmed by Michael Nunn and Billy  Trevitt, the duo behind the well-respected U.K.-based Ballet Boyz. In the first few episodes, they will choose their dancers – and this will be the dance competition aspect of the show. Then, once the company is formed, they’ll begin choreographing and preparing for their first performance. This will take place at the esteemed Jacob’s Pillow, which, if you’ve ever been there, you know it’s the complete antithesis of Vegas, or Hollywood. I love it! The company will then tour with the SYTYCD tour.

Below is the flyer:

I have high hopes for this one; I like the Ballet Boyz. So, mark your calendars. More reminders as the date approaches…

Breaking Pointe Premiere

So, did you all watch the premiere of Breaking Pointe this week? Thanks to Jeff (who commented on my earlier post complaining that the new TV show Bunheads was unrelated to Sophie Flack’s novel) or I wouldn’t have known about it. I don’t regularly watch the CW network so missed the commercials for it.

I don’t want to judge it yet until I’ve seen a few more episodes. But one thing that surprised me in this first week was how one of the dancers (the clip above introduces them) remarked on how the thing they all strive for is that one perfect moment onstage. It made me think – yikes – was Darren Aronofsky right? Is the end of Black Swan accurate, when Nina’s shrieking, “It was a perfect performance! It was a perfect performance!” that that’s what dancers actually dream of attaining?

I hope not. I hope they know perfection is ass boring. Nureyev was far from perfect. Fonteyn was far from perfect. Natalia Osipova isn’t perfect, Veronika Part isn’t perfect. None of my favorite dancers are technically perfect.

I don’t know. I’ve obviously never been in a ballet company but I’d think a dancer would have deep admiration for a star dancer, say with ABT or the Bolshoi or POB or what have you, and would aim to be like her, would strive to attain her passion and her intensity and her artistry. I didn’t see that at all. But they are probably showing what the producers think will most appeal to a general audience: the competition, the jealousy, the typical boyfriend / girlfriend disputes. Ha, I love the guy with the motorcycle. How Ethan Stiefel 😀

Anyway, will definitely keep watching. It’s on the CW network on Thursdays. Check your local listings for times.

BUNHEADS

When I first saw the poster for this new ABC Family show a couple weeks ago I got so excited for Sophie Flack, thinking her young adult novel of the same name had been made into a TV series. But as I read more about it, I realized the plot was completely different. Still, the series looks interesting. It follows the path of a ballet-trained Las Vegas showgirl who’s kind of returning to her origins. It’s written by Amy Sherman-Palladino, who studied ballet as a child and created the hit TV show Gilmore Girls. There’s lots of good info about it here. It premieres June 11.

I do think it would be awesome though if there were a TV series that followed pro ballet dancers in a New York-based company 🙂

Pasha Gets His Own Show!

 

With my move, I didn’t have time to keep up with it, but this season Pasha Kovalev was a professional dancer on the British TV show Strictly Come Dancing (which our Dancing With the Stars is modeled on). He danced with British celeb Chelsea Healey (photo above).

It’s just been announced that he and another pro dancer from that show, Katya Virshilas, will get their own tour this spring. They’ll be performing in various theaters in England. Local dancers will join them, but they’ll be the headliners. Hope it’ll eventually come to the U.S.

Makes me so happy to know that Pasha’s doing so well with his career. I wonder what Anya Garnis is up to these days. I don’t know of Virshilas. Any of my ballroom peeps familiar with her?

SO YOU THINK YOU CAN DANCE Winner Melanie Moore Explores Reasons for Her Success

 

On Friday, I was invited to participate in a press conference, via phone, with Melanie Moore, the 19-year-old contemporary dancer from Marietta, Georgia, who just won season eight of So You Think You Can Dance. I thought I’d share some of what she said, especially what she attributed at least some of her success to.

She attributes it to discipline and work ethic, unsurprisingly. She said she and Marko, her partner for the first half of the season, were the only couple to rent studio space outside of the regular rehearsal space they were given by the show’s producers. She and Marko would go to the studio and rehearse for a few hours after hours at the regular rehearsal space were over. They’d stay until about a quarter til midnight and practice over and over again their routine for that week. She’s thankful to Marko, who allowed himself to be pushed so, and said he was a wonderful partner.

She was surprised she’d won. She really thought it would be Sasha, she said, mainly because the judges kept telling her throughout that she was a favorite, and usually favorites don’t win. Plus, Sasha had improved a great deal throughout the show, and audiences love that. They love to root for someone. Another thing she attributed her success to was not allowing herself really to be affected by the judges’ continuous praise of her performances. She knew they could easily jinx her or that she could let their praise all go to her head, but she didn’t allow either to happen. She just took every week as it came, didn’t think about the judges’ comments from the former week, and just tried her hardest to do as well as she could with the new choreography.

Asked what’s ahead for her in the near future, she answered that she’s just going to relax for a couple of weeks. Her boyfriend is returning to school in Georgia and she sweetly said she’s going to help him, let it be all about him for a change. She was nice and polite, and sweet, by the way, without being overly giggly. She seemed very sophisticated and mature.

As for her professional future – she’s currently enrolled at Fordham University as an art major. She may re-think that and major in dance instead. She’d chosen the art major (she specializes in oil paintings, and likes portraiture) after lengthy conversations with her mother. She realized a dance career could be short – she could be injured – and wanted something else to fall back on. After she tours with the show, she’ll move back to NY and likely continue at Fordham, though she’ll also try out with various companies. Her goal has been to dance in a company, since that is what her movement style is most suited to and that is what her dream has been. She’d really love to be able to sustain a living dancing though. She said she’d also love to tour with someone like Lady Gaga (Gaga had made that suggestion when she guested on the show), and she’d love to be in a movie, like Dirty Dancing (director Kenny Ortega had also suggested she might be cast when he guested on the show). She has no formal offers for tours or movies at this point, though. She may want to choreograph at some point. She’s never considered herself much of a choreographer, though she’d like to get more exposure to that, and try. She definitely wants to return to SYTYCD as an all-star. She laughed when she said she told the producers many many times, since making it into the top ten, that she couldn’t wait to return.

The dances she struggled most with were the American-style tango, because of the closed handhold, which was so unnatural to Marko and her. She also struggled with hip hop since it’s so far from her style. But tWitch really helped her when he partnered her. She was extremely grateful to him.

When asked what she planned to do with the award money, she laughed and said she really didn’t know but thought she’d buy a really nice piece of luggage since she expected to do a lot of traveling. The rest she’d probably put away. One of the media participants asked her if she planned to buy something big, like a car, and she quickly said, “No, no. I don’t want to drive. I want to go to New York!”

Pasha Will Be a Pro Dancer on Britain’s STRICTLY COME DANCING

Pasha Kovalev is going to be a pro dancer on this season’s Strictly Come Dancing, the British version of our Dancing With the Stars. Apparently, he’s replacing an American dancer, Jared Murillo (whom I’ve never heard of), because Murillo, at 5’9″ is too short to partner most of this season’s taller ladies. Pasha’s only 5’10” but that seems to make all the difference. Go Pasha! Hmmm, wish I had access to British television…

(Photo above taken by me, when he and Anya first appeared in Burn the Floor on Broadway).

Jose Carreno in “Swan Lake” on Dancing With the Stars

Did you guys see it last night? I don’t know who choreographed but it’s obviously a version created for fans of Black Swan the movie, showing both black and white swans vying for Prince Siegfried’s attention, and shortened for the allotted time. Lorena Feijoo from San Francisco Ballet and her sister, Lorna, from Boston Ballet, danced the white and black swan. Interesting that they didn’t have Jose in tights. I hate it when male ballet dancers don’t wear tights. You can’t see the movement at all; it just doesn’t look like ballet. Still, I think our Jose looked better than Jose Martinez in pants.

Also, regarding yet more Black Swan controversy: E! is now positing that because Sarah Lane and Isabella Boylston are both in ABT, Lane’s statements to Dance Magazine about the amount of dancing she did for the film were motivated by sympathy for Boylston. This is becoming just a little absurdist.

Dancing With the Stars

 

Oh no, did I miss it last night? I don’t even know what night — or day — it is anymore. Still working on this project… Anyway, maybe I’ll catch the good parts online. What did you guys think? Was anyone good? How was Ralph Macchio? Sugar Ray Leonard? The first day is usually my favorite since you can get a pretty good feel of who’s going to do well and who’s not.