A CHANCE TO DANCE Premieres on Ovation this Friday, August 17

Reminder: A CHANCE TO DANCE, a new show on Ovation TV, where dancers throughout the US audition for and learn a routine created by Britain’s Ballet Boyz to be performed with the SO YOU THINK YOU CAN DANCE TOUR, premieres this Friday evening. The network sent me an advance preview and I really think this one will be better than many of the current shows — a big reason being that it seems to be more focused on – hello- dance. Most of the footage – at least what I was sent – is of Michael Nunn and Billy Trevitt — the Ballet Boyz, both of whom danced with the Royal Ballet — actually rehearsing the dancers. They talk a lot about the choreography, about what they want from the performance, about what makes a dancer captivate the audience, about all the aspects of a show that really make a performance work, including, very importantly, the right music. Trevitt says at one point that great music can save bad choreography but the reverse is not true, which I found interesting…

At one point, one of the men (I think it’s Trevitt again) tells a dancer he’s focusing too much on technique, not enough on performance, which of course I love! As they rehearse the dancers, they’ll call out the name of the ballet steps, giving the audience insight into the dance, into this rarefied world. The backstage melodramatics, at least from what I was shown, seem minimal.

Here are a few clips.

Meet the choreographers here:

One on Trevitt’s dance tips:

Allison Holker’s dance tips (you’ll remember her from SYTYCD)

And a couple funny ones — Trevitt learning to pole dance:

And the two Brits in a Texas road-side shop trying to find clothes that will allow them to fit in with the locals, and a place to go dancing:

For more info on finding your local Ovation station, go here.

ARE THE 'BUZZIEST' CHOREOGRAPHERS MALE IN THE US AS WELL AS UK? AND DO CRITICS IN THE UK HAVE MORE POWER?

There’s currently a debate raging in London over Sadler’s Wells (the most important venue there for contemporary dance) and its new season lineup showcasing the work almost entirely of male choreographers. Thanks to Pinballpeople for pointing me to it!

See Guardian posts by dance and culture writers Judith Mackrell and Charlotte Higgins here, here, and here (and read the comments section in that last link; some are by choreographers and are very astute.)

Alistair Spalding, the artistic director of Sadler’s Wells, has apparently responded that he realizes there’s an imbalance but can’t do anything about it; he has to choose the works he thinks best. Spalding posits one reason for the lack of female choreographers as being that women are perhaps not as “assertive” as men, but it’s unclear to me what exactly he means.

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