"BRAVO, MR. B.": DANCERS’ CHOICE PROGRAM, NEW YORK CITY BALLET

 

 

I love these Dancers’ Choice programs at NYCBallet! Established to raise money for the Dancers’ Emergency Fund, it’s the one night of the year where the dancers plan everything — the ballets to be performed, which excerpts, and who dances them. One dancer plays artistic director for the night (tonight’s was  principal ballerina Jenifer Ringer), another designs the program graphic (tonight, Janie Taylor, above), and another choreographs a ballet to be premiered (tonight, Ashley Bouder, with costumes by Janie Taylor) Dancers who are visual artists donate their artwork for a silent auction during intermission. And that’s my one and only complaint with the evening — the intermissions are always too flipping short. There’s no way people have time to browse through the special items for sale and make their purchases in 15 minutes. Why don’t they double or even triple the intermission? People can buy sparkling wine and browse and buy, not to mention people-watch (practically everyone shows up for these things — all the dancers past and present at NYCB and even ABTers from across the plaza). And it wouldn’t be more expensive to do that, right — if you’re selling alcohol and art, what’s the added expense? What do people need to get home for by 10:00 anyway 🙂

Okay, that’s my little rant.

The program was excellent. They chose the best parts of some great ballets, and some ballets I’ve never seen before — and ended up loving — and of course Bouder’s new ballet!

I’m not going to go in order, but just write what comes to mind first, which is the new Bouder,

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TWO WORLD PREMIERES — QUASI UNA FANTASIA AND TOCCATA — AT NEW YORK CITY BALLET GALA

 

 

 

Last night I went to New York City Ballet’s Spring season gala. I always love galas but they’re especially exciting when they showcase world premiere dances. In this case, there were two such premieres, along with the world premiere of a new piece of music set to one of the ballets.

First things first: I missed most of the red carpet events, unfortunately, since the program began early (so as to make time for the after-show dinner, which I am far too poor to attend). And shame on me for mismanaging time like that — that Waiting For Godot experience from two years ago was too much fun. I did get there just in time to see the paparazzi flashing away at (Sex & the City author) Candace Bushnell and (NYCB principal) Charles Askegard. Sweet Charles soon stepped aside to let his wife bask in the glory all on her own. She looked radiant. I was jealous.

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