Freedom To Be Who You Are: Isn't That What Dance Is About?

My favorite part of Dancing With the Stars last night was watching Tony Dovolani and… Kim was it?… dance to Josh Groban’s live singing. I was getting a bit bored with the show since it was a lot of singing and not a lot of dancing and so was focused on my computer until I peeked up at the screen and saw the lovely lyrical number they were doing — which is why I didn’t get the name of the female dancer; just know she was one of the blondes… Anyway, I just love that kind of dance; it was closest to a Waltz I guess but resembled more of a lyrical contemporary piece with the beautiful ballet costume (light-colored underlying leotard with diaphonous chiffon pieces strewn about for the skirt) and pretty bare feet.

Funny, I’d wanted to do the exact same thing — balletish costume with leotard and chiffon and dance in bare feet — for my first showcase (our music was Take My Breath Away, Jessica Simpson version — so a soft, lyrical rhumba that would easily lend itself to that kind of style), but my then teacher pronounced emphatically, “NO. BARE FEET AND BALLET CLOTHES ARE NOT BALLROOM.” Okay then. Rules and labels and narrow-minded thinking. Love them all; can’t get enough of them. Sorry, not to be cranky, and I did wake up with a bit of a headache today… I know that dance instructors are excited about teaching us the rules that they’ve taken such pains to learn. But I wish they would understand that when you’re a lawyer and you deal all day with Rules, you want to come to your dance studio at night and just bask in the atmosphere of creative freedom that surrounds you there, or that should. I’m a lawyer all day; let me be meeeee in the evening please please…

Anyway, the second contestant to go was, as I expected, Shandi — just because I know people didn’t like her. I actually thought her Jive was quite good. Those Jive kicks are HARD. It’s very difficult to get that bounce, kick, bounce, kick just right, and she did pretty well with them, especially for a beginner. I was also kind of disappointed to see Leeza in the bottom two since I thought she improved so much from the first night. I guess people have their favorites from the get-go. I also think people just love to judge others; couch potatos are probably the best at that. Dancing is frigging hard; I’d love to see the most judgmental of the spectators (I think Sylvia Plath called such people “the peanut-munching crowd”) get off their lazy butts and try.

Rocka My Soul!

Alvin Ailey performance at City Center

It’s Christmas time in the city! Which means, in addition to shopping till you drop … Alvin Ailey season! They opened last week, but I was still in North Carolina for their opening night gala, so today’s matinee was my first Ailey experience this season. And, as always, it was an amazing one. Above is the cast following Revelations — a ballet that for me, no choreographer will ever outdo. It will always be my favorite, will always bring tears to my eyes. And, really, you know you are a crazed, obsessed nutter of a dance fan when you are neither black nor have ever lived in the south, yet you know all of the words of the ‘negro spirituals’ sung to that ballet by heart, and can’t seem to help yourself from unconsciously singing along during the performance 🙂 … and you cannot then sit still and refrain from at least bopping your head all about during the last song, Rocka My Soul! Everyone was clapping along to that one, so my nuttiness wasn’t so noticeable 🙂 Clifton Brown is definitely my favorite (he’s from Arizona 🙂 ), and Matthew Rushing and Glenn Allen Sims (whom I’ve noticed before) both really impressed me as well this time in a lovely little pas de trois called “Solo” set to a staccato piece by Bach, and choreographed by the dutch choreographer Hans van Manen. Very playful but very lyrical and beautiful. I also saw for the first time Tharp’s The Golden Section, a very fast-paced piece much like The Upper Room, with some very difficult jumps and lifts — some jumps directly into a lift, and set to some great David Byrne music. The dancers got a standing ovation for that one, which they definitely deserved. And the final piece this afternoon was Witness, another of Ailey’s spiritual pieces. Renee Robinson gorgeously danced this solo, which was set in a church pew with a candlelit background. I’ll be seeing Revelations at least twice more this season, as well as Ailey’s other classics, and Pas de Duke, a piece that was originally choreographed for Baryshnikov and Judith Jamison and that is being revived, I think for the first time since then. Can’t wait!

After I left the theater, prompted by an H&M ad on the back of Time Out New York advertising a dress that looked very cute and very me and was discounted only today, I headed over to their store on Fifth Avenue. There, I found exactly what other bloggers have been talking about — the insanity of the New York Christmas crowds, which I hadn’t yet seen since returning from N.C.

Christmas crowds on Fifth Ave.

It was true madness. And many of the buildings are decorated. Here’s Cartier, wrapped with red ribbon, like a giant present:

Cartier building

Ugh. Glad I braved the crowd though, because, amazingly, the Fifth Ave. H&M actually had the dress in stock, which I bought 🙂
H&M sale dress

The one advertised was gold with a brown lacey overlay, but this one looked better with my coloring. Okay, it’s not Chanel, but hey, not bad for $24.90 right?