I was recently interviewed for an article (by commenter Sharon!) in a new newspaper put out by THE BALLROOM DANCE CHANNEL on this topic. Apparently it is controversial and the issue is becoming more pressing with the success of DANCING WITH THE STARS and SYTYCD. I gave my opinion here. I go into it in more detail (not necessarily the Olympics specifically, but the issue of whether Ballroom Dancing is more of an art or sport) in my article on Blackpool, which will hopefully be posted soon on EXPLORE DANCE.
Blackpool Album's Finished!
I’ve written captions for just about every picture, so if you click on the first one and read the caption, then just keep clicking “next” until you get to the end, you’ll find a little picture essay of the festival.
Wow, I’m tired…
Blackpool Pics
I’m having some internet connection problems (Time Warner can’t come out till the end of the blasted week!), but am trying to post as many pictures as I can between crashes. I’m updating (have about 300 in all, but am trying to narrow it down to 100-150), but here is my photo album thus far.
Angel Gets Better Every Year
I don’t mean to make him sound like fine wine or something, but it’s just unbelievable how he gets better and better each time I see him perform this role. I linked to this before, but here’s a YouTube of him doing the first of Ali’s solos. During the second intermission, after the solos, two older women in the cocktail line were saying he’s no different than Baryshnikov. “He’s every bit as good; it’s just like seeing him again,” one declared. Unfortunately, I missed the era of Baryshnikov here, but I can’t possibly imagine anyone better than Angel. I love all three of the solos, but I love the jetes and the fouette sequence of the second two most. I love hearing all the screams emanating from the balcony when he bends his knee and snakes his body up and down mid-pirouette. I only wish he would have done his flying leap of a curtain call. He only came out once, not giving people enough time to pelt him with bouquets! I guess it was Wednesday and the crowd wasn’t as wild as normal, or maybe he was feeling under the weather… you can never tell it from his dancing of course. Oh, and he looks exactly the same as before — same straight charming boyish hair, no longish, wavy Julio-esque perm like in his new headshot 🙂 Anyway, he made the night, obviously!
Along with Jose of course. Jose danced Lankendem, owner of the harem. For those who don’t know this ballet, Le Corsaire, originally choreographed by Joseph Mazilier for the Paris Opera Ballet in 1856 but shortly thereafter re-choregraphed by Petipa for the Kirov / Mariinsky Ballet of St. Petersburg, is cutely corny. It’s about a pirate, Conrad, who falls in love with a slave girl, Medora, and his quest to help her escape and be with him. It’s a favorite among balletomanes because of all its bravura dancing from the two leads, Ali (Conrad’s slave), Gulnare (Medora’s friend), and Lankendem. Jose somehow manages to make his Lankendem so lovable. He’s a bad slave-driver who will stop at nothing to keep Medora in his clutches, and you just want to cry out “noooo,” when Conrad’s pirates surround him on the ground, spears in hand. Poor little Jose! He did brilliantly too with his bravura solo (which is actually my favorite because of the barrel turns 🙂 )
So, Marcelo and Paloma, who were supposed to dance Conrad and Medora, were replaced by Irina Dvorovenko and Cory Stearns, a member of the corps, who I think was dancing his first big part. I always love Irina, and I never see her much since she doesn’t often dance with Marcelo. I guess sometimes it’s good that Marcelo’s out (though I’m not sure why they were replaced last night), because it gives me a chance to see other dancers once in a while 🙂 Irina is probably the most dramatic, the best actress of all of ABT’s ballerinas and I love her for it — she projects to the entire audience, including people up in the nosebleeds, she makes it obvious through facial expressions what her character wants without relying too much on pantomime (with which many newcomers to ballet are unfamiliar), and she’s so expressive with her body, so clear in her intentions. If you’re bringing someone new who’s never seen that ballet before, you want her in the lead; she makes the most sense of everything and brings her character’s dramatic conflict most to life. Well Julie Kent does too, as does Veronika Part (who, horribly sadly, is leaving ABT at the end of this season), but people like to dump on Irina, and there’s no reason to, dammit!
So, Cory. He was good. His dancing was excellent — perfect, grand jetes, great height, great lines, very energetic (though I think he got a little tired by the end). He is a tall man with long legs, kind of David Hallberg-esque, though not as high-waisted. If this was his first time in a big role, I think he did a very good job. My only thing was that I felt his Conrad was a little too severe. He scared me at points, getting a little too aggressive in trying to get Medora away from Lankendem. At times he seemed more like a villain than a hero. But he’ll definitely grow artistically.
Oh and another thing that blew me away — one of the Odalisques was breathtaking. She did a crazy series of chaine turns and pirouettes and really blew me away (as well as my next-seat neighbor who clapped like nuts!) I’m not completely sure whether it was Simone Messmer or Renata Pavam, but one of them knocked me out.
Oh, I’m sad; this is my only Corsaire since I’m leaving tonight. It continues through the rest of the week, the Swan Lake is next week (breaks my heart that I’m going to have to miss Veronika Part‘s Swan; I’ll still be in England — someone tell me how it is!), and the following week is the new Twyla Tharp, which I’ll be back for and about which I’m very excited. If you’re in New York, go here for more info / tickets.
Okay, gotta go finish packing! I definitely plan to mobile-blog from Blackpool, and may computer-blog as well if I can find a secure wireless connection. I’ll post all the pictures when I return!
Dancing With the Stars Finale and Dance Times Square Showcase
I don’t have a lot of time to write since I have a bizillion and a half things to do before Blackpool (which I leave for in two days!), so I’ll be brief. I thought DWTS’s season finale was the best ever. The remaining three are all really good, far better than prior contestants, and they have their own cute strengths.
Cristian has definitely improved the most, of these three and of any contestant ever, I think. He’s 1000% improved from the way he was dancing at the beginning of the season and that is what this show is about — a normal person / non-dancer learning to dance well. At the beginning of the show I remember his limbs looking like spaghetti, totally out of control, no shaping or definition to his upper body, and he was dancing Latin too far up on his toes, had no grounding, and it just didn’t look right. Now all that is nearly gone. His hips are now near perfect, he’s much more weighted, his arms are not flailing out of control, and he has much better definition throughout his body. He’s still not a pro male dancer, but he’s just about the closest thing to a pro without being one, especially for someone who started out so poorly. I’m just so proud of him 😀 I feel like HE won the opening number, not Kristi. And I don’t care if his freestyle lifts were not as fancy as Jason’s; not only did he do extremely well with them, but they were lovely and complemented the choreography and music. Why does he need to raise her above his head just for the sake of showing he can? An overhead lift wouldn’t have added anything to their routine; it would have been out of place in fact since the music was kind of fluid and fast. I just can’t stop smiling whenever Cristian is on the floor.
And, regarding his injury: I know, people say it’s wrong that he’s still dancing, but, honestly, right or wrong, I know many professionals who dance with an injury so they can finish out the season, then have their surgery. And many pro ballroom dancers will dance with an injury if they’ve made a commitment to their student, to do a competition or a student showcase. I’m not saying it’s right, but I feel like in a way his problem is pretty typical and shows what a lot of dancers go through and the risks they take.
I love Jason, but as much as I love his personality both on the dance floor and in the practice segments, he doesn’t do equally well at Standard and Latin the way Cristian does. That’s another huge plus for Cristian — it’s very hard to do well at both. I really liked his freestyle though. Edyta choreographed something perfect for him. Like Carrie Ann said, who knew Jason could be funky like that! It was like a downplayed hip hop and it looked perfect on him.
And, hehehe, he is a ballerino! Those breathtaking overhead lifts were something right out of Petipa! I love it! Soon he’ll be as obsessed with ballet as he is with ballroom! But I think, not being a man and never lifting someone over my head like that, the lifts he did were actually harder than ballet lifts where the danseur carries the ballerina across the floor, because Edyta had him turning in place repeatedly at the same time. That’s damn hard because not only are you lifting, you’re making yourself sickly dizzy by spinning. I know as the girl getting myself into a lift, maintaining a position in the air and then getting spun around like that, you just want to throw up when you land; they’re incredibly hard. So, major kudos to him.
I love Kristi and she was once my idol. I don’t know, I feel like I’m not as impressed with her as I was at the beginning of the show. She’s nearly flawless, but she is not without flaws, and now for some reason I just want to compare her to someone like Karina Smirnoff, and she comes up lacking. It’s well-known by now that she knows how to dance and I think I’m probably just being too hard on her because I want perfection. Her legs don’t come together perfectly in Cha Cha, her lines in her upside-down split lifts were not as perfect as Juliana’s, and she doesn’t have the polish and the perfect technique the pro dancers do and that seems to be all I can focus on. Maybe it’s that Mark is such a show-off and he’s outdancing her. When I heard him talking about trying to do a back flip during practice sessions, I thought, WHY, WHY do you have to go and do something like that! But when I saw it, it wasn’t so bad since he lifted her so many times and made her look great and she had a lot of tricks herself. So, it was even, not like it was all about him. She is the best; it’s just that I relate more to the other two because they’re normal people like me who learned throughout the show to dance ballroom wonderfully…
On a very related note, the Dance Times Square showcase last night was so much fun, I can’t even begin to describe. It’s like seeing a DWTS show live, except with far more student performers of all ages, of all shapes and sizes, of all levels of dance ability, all doing their best. And those are combined with all pro showcases of course. They’re the best studio for putting on these kinds of things for their students.
It was really packed this time. In addition to all the regulars, and the students’ friends and family, there were many many more — either who came to see Pasha & Anya or who were from media outlets. I know there were people from Entertainment Tonight there and Tony mentioned a couple of other news shows too that I can’t remember. There were also talent agents there.
And Sabra and Cameron from So You Think You Can Dance were there! They sat right behind me and Sabra laughed hysterically at Tony and Melanie’s opening jokes and then SCREAMED with applause throughout. She cracked me up. If you’re ever performing you WANT her in the audience!
I sat in the press section toward the front, next to one of the ET crew and he was remarking throughout how amazing he thought this was. And his remarks were genuine. I truly don’t think he’d ever seen anything like it before. You’re sitting down there, the press people are all serious and make you a bundle of nerves even if you are just writing about the event yourself and not performing in it, and then the people up in the balcony (the regulars and friends and family) are up there screaming, wildly cheering on the dancers, calling out their names, making the dancers even laugh at times. And the press people are aghast. “I can’t believe this! This is the most amazing thing I’ve ever seen!” ET guy said.
When a couple of senior amateurs danced a cute little Mambo (this is rare; it’s almost always one pro dancing with one amateur), and they were cute, but obviously didn’t do any spectuacular tricks or quick-footed dancing, the audience all started clapping along with the music and cheering for them. The audience made their own fun time, in other words, by really getting into it.
And Elaine. Whenever she was onstage, Elaine stole the show. I know her and can tell she was nervous at the beginning of her first routine. She stumbled a bit and nearly tripped Jacob, her partner, and someone shouted from the balcony, “Dont hurt him, Elaine!” She laughed and it really calmed her nerves. Completely cracked ET guy up. “I’ve never seen anything like this,” he said for the umpteenth time. Elaine’s so cute and she’s a really good dancer for not learning until well into adulthood and then having the limitations of age. Jacob did several lifts with her — ET guy went nuts — and in one routine she did a series of chaine turns (two-footed traveling turns done in a line) practically all the way across the floor. “Unbelievable, simply unbelievable!” ET guy shouted.
(Elaine is on the right, Claire on the left — I’ll talk about her in a minute. This is on our Dance Times Square outing to see the SYTYCD tour).
I don’t have time to go into all of the routines, but my favorites were Susan Washburn (a longtime student there) and Michael Choi’s hilarious “Sex Bomb” (all the routines by the way were medleys — the music consisted of one song but with different musical artists’ interpretations — one slower and more dramatic, one sped up, one hip-hop-y, etc. So, there would be several dance styles within one song — Cha Cha, disco-y Hustle, a slower Rumba or Bolero, etc. — It was really a clever idea for a showcase — Melanie’s of course. At the beginning, Melanie addressed the crowd, explained the theme of the evening, then said, “I know, this is a rather ingenious idea right? I mean, it’s usually me who comes up with the themes of the showcases, but this time I have to say it was … oh, hehe, it was me again,” she said with a faux blush. The crowd was hysterical). Anyway, of the student showcases, I also loved everything David Johnson was in — he’s an older man, and his schtick was to be so taken with his young female pro that he kind of followed her around aimlessly, trying hard to imitate her and be the perfect partner. It was cute and he acted it all so well, the audience was just screaming in applause. I liked a sultry sexy tango cha cha, etc. by Krysta Gonzales, who you can tell has dance background, and Nazarie Salcedo’s infectious smile makes everything she does a delight to watch. I liked so many though, I just don’t have time to go into them!
Claire Gaines (in the picture above) also performed with her teacher, Jacob Jason. She was also in “Gotta Dance” (she is the one with the mike in the second picture here) and she brought her team of NetSationals with her! They did a little swing / hip hop and the crowd ROARED!
Of course Pasha & Anya performed! They did three routines, which made me very happy — I thought they’d only do one at the very end, but they danced throughout. Their first was a gorgeous medley danced to “Indissoluble.” I don’t even know how to describe it. It was by turns sexy, romantic, bone-chillingly intense, passionate, heated. The dance style was based on Rumba and had some Samba (my favorite part was a series of Samba rolls, but with their faces cheek to cheek, so it looked far more sultry and passionate than normal Samba rolls) and even some Tango, but it really was not ballroom. It was more contemporary. It was just beautiful Dance. It was like something I’ve never seen from them and I was really proud of them for pushing themselves and trying something new, outside regular ballroom. It really could have been in a big dance gala, like when you see those tango companies perform in the 21st Century Stars of Ballet galas or something. It made me think ballroom can and will take new directions and become a real performance art.
They also did a gorgeous Paso that took my breath away. Pasha and his cape 😀 And they ended with a beautiful Rumba in which Anya wore her black Blackpool dress from the year they placed second in Rising Star. My favorite dress of hers, EVER… (middle and right pictures here)
Maybe it was just the lights, but she seems to be wearing her hair lighter now, which I like. Now, it’s a light brown. I think dirty blonde is her natural color (and my favorite for her); she’d dyed it for SYTYCD. She also seems to have got a light, wavy perm. Pasha looks the same 🙂
It’s always beyond wonderful to see them again, but I always get so sad, and I left the theater feeling like I was going to cry. I don’t know why.
Oh one more thing, Karen and Matt Hauer, another pro couple who compete in the American Rhythm section at national competitions, performed a few numbers. Karen completely blew me away. She has grown by leaps and bounds in the past couple of years since I first saw her dance. Her movement is so fierce, so fluid, so amazing. Her upper body isolations, which you can really see in the slower dances, the way she rounds her shoulders, contracts her rib cage, you can trace the muscular ripple from her shoulders all the way down to her hips centimeter by centimeter. And she’s dancing with such passion, such intensity. She honestly reminded me of Karina Smirnoff. I was just enthralled.
Here are a couple of pictures I took of them at earlier competitions:
Okay, I have talked too long. I’m never going to be ready for Blackpool!
"If You're In the Bottom Two Next Week, I'm Showing My Bum at the Supermarket"
After Len said this of Cristian, Carrie Ann said of Mario and Karina, “that was better than good sex!” — this show is getting out of control… and the other judges are stealing Bruno’s one-liners!
My two thoughts up front: Whoa Cristian! And Kristi was born with clubbed feet???
I thought Jason was excellent at Hip Hop — excellent! I thought wow, he’s really improving. But then when it came to the Cha Cha, it was fine and cute but nowhere near as good as that Hip Hop. It just shows you how hard ballroom dancing is — especially Latin with all that hip action. It’s hard! Jason’s so cute with his self-deprecation. That face he made when Len told him he wanted to see him actually dance more. Then, the “I suck.” Aw!
The Shannon and Derek at the beach so she could ‘get in the mood’ was almost as corny as Cristian and Cheryl’s visit to the sea lion shrink. But I thought Shannon did much better this week. The hips were screwed up during the traditional Latin opening out steps, but she has a ballet body — tall and thin and few curves, and if he gives her more balletic moves — like that gorgeous slow ronde de jambe en l’air in the beginning and that beautiful stretch near the end– she’ll do much better and the lack of hip action won’t be so noticeable.
Poor Marlee! I actually didn’t think the whole thing looked forced, only parts. The worst was the pelvic rolls with him standing behind her. They may not have been connected at the start because she seemed off on the rolls at the beginning, and until she caught up with him, she looked uncomfortable. And that can be a really rather funny (in a bad way) move to look uncomfortable with! But I thought the shoulder shakes were much better — she really seemed at ease with those and really let loose. I thought the basic mambo steps were fine; the hip action wasn’t quite there, but I disagree with the judges that they looked stiff. It is really hard not to be able to connect with the music in this most rhythmic, musical of all ballroom dances. I was hoping she’d be able to connect through other means than simply her partner — maybe floor vibrations she could feel through her feet? Maybe she should have been barefoot? Sorry, I’m just remembering Helen Keller’s telling an audience she could hear their applause through the floor… Anyway, I feel for Marlee and I hope she can re-gain momentum for next week. The judges were too harsh. Fabian was most pleasing though, no?!
“You can just call me Frederico Astaire.” Cristian is so cute. He was wonderful this week. I couldn’t believe it. The water actually helped him this time — the swimming was a good idea on Cheryl’s part. The water slowed those crazy, out of control arms way down. He was, as Bruno said, the perfect dashing gentleman, the way he glided over that floor. His footwork was excellent, not a step out of place, even on those fast intricate grapevines in the beginning, his partnering was perfect, his posture and lines were even good. I do agree with Len — he’d better not be in the bottom tomorrow night!
Wow, I get ridiculously dizzy too; I wish my teacher would have sent me to an aerial spinning class like Tony did Marissa. It looks like they helped. Maybe I’ll look into one. Seriously. Marissa looked really good tonight. She did a couple of lovely arabesques and the ending floor sweep was beautiful.
Kristi was perfect, as always. She really is a pro out there — not even like a pro, but a real pro. Mark is so lucky because he can choreograph the exact same kind of routine he’d do for himself and a professional partner; he doesn’t really need to search for specific strengths to highlight and weaknesses to hide. That was I think the first Jive ever on this show to be danced at full speed, and he gave her some really intricate, complicated footwork. She’s really the best, by far, no competition. But a commenter on one of my Huffington Post pieces said the fact that she was so perfect up front, that she had dance background, ruins it for her. If someone you can connect to because they, like you, are not a star from the get-go, and they can, with practice, be made into a dancer, that makes it possible for you to as well. Kristi is already basically a pro, so it’s not fun to watch her try and struggle the same as the average person would. It’s an interesting perspective on the show.
Mario’s routine was near perfect, but I kind of agree with Len that it was a bit too much about the sex and not enough about the dancing. Before Len made that comment, I had thought, hmmm, very sexy rhumba, but he’s not really doing a whole lot of moving. I don’t think I would have used the same words as Len though — strumpet and gigolo? Eeeh.
The group routine: those were the funniest practice lifts I think I’ve ever seen. I’m surprised Derek didn’t get hurt on that rotating cartwheel. I actually took lessons with Christian Perry, the guy who’s teaching these group dances. He taught at my first studio DanceSport, so it’s always so funny to see him on TV. I think I actually preferred the practice sessions to the actual performance though. All the lifts were the same and it seemed there was more unstylized jumping about than actual dance steps; it was more fun watching them all try to learn.
Oh Louis and Priscilla!
I’ll sure miss Louis Van Amstel, but it’s not like we didn’t know it was coming. For one thing I really really wish they wouldn’t reveal the bottom two each week. I thought they weren’t doing that this season. It ruins the fun and surprise for the audience and it puts so much pressure on the dancers for the entire following week. Stop it, producers! I also think the ‘popularity situation’ with Priscilla was similar to that of Jane Seymour last season: the more mature women, audiences just don’t relate to that well. But I also thought she was one of the least promising left, although she was a classic and I enjoyed Louis’s choreography for her.
Did you guys enjoy Eric Luna and Georgia Ambarian? They compete in the exhibition / cabaret divisions at the big championships. I love watching those; they’re one of my favorite parts of competition … although, oftentimes the routines are too much about the tricks and end up being lift after lift after lift. But here I thought they did a pretty lyrical dance that nicely complemented James Blunt’s lovely song. Oooh, I was last working on a lifty lyrical routine myself when I decided to take my dance hiatus; watching those two makes me want to return…
It's Not Latin Without Proper Hips!
I thought the only good routine on tonight’s Dancing With the Stars was Mario and Karina’s. Ironic because my two favorite dances are rhumba and samba … or, perhaps maybe that’s why I always dislike the weeks devoted to those dances. Somehow Karina was able to teach Mario how to perform the hip and undulating pelvic movements properly, in a way none of the other pros were able to convey to their celebrities. Oh, and, I LOVED the music — “A Tisket a Tasket”! The first time I saw Karina dance (and wanted so badly to be her), she danced a Samba with her former partner, Slavik Kryklyyvy, to that song. Here it is on YouTube.
My second favorite was Marissa, although I wouldn’t really say her movement was Samba; it was more just fun all-out groving. There were no pelvic contractions and expansions at all — the rolling movement that gives the dance that seductively intriguing snaky feel. She said during practice to her Samba was all about shaking your booty, and it’s not. If she saw it that way, then no wonder she looked all wrong. She was cute and her dancing was a lot of sassy fun; it just looked more like something you’d see in a club.
Marlee had the same problem — no pelvic rotations, though she looked cute and gave her routine a lot of pizazz. It just wasn’t Samba.
Priscilla, Jason, and Cristian all tried to move their hips, but didn’t understand that the hips need to be connected to the lats (back muscles). It’s the lats that push down on the hips that make the hips move. If you just move the hip without first moving the lat, it looks like you’re just shaking your butt. It looks superficial and silly. One of my ballroom friends, Juana, once told me that rhumba emanates from the slaves. The quintessential rhumba walks that people now see as being so sexy, actually evolved from the movement one makes while trying to carry a heavy load atop one’s head. Think about it — you’d take a step, then the load would bear down on your shoulder, the weight would ripple down to your hip, the hip would settle into its socket, and you’d move on, taking another step and setting the movement in motion anew. After she told me this, I envisioned myself as such a woman, carrying heavy bottles of water atop her shoulders, and unbelievably it worked so much better than my teacher shouting, “foot, lat, hip, foot lat, hip” over and over again.
Anyway, Kristi and Shannon didn’t even try to move their hips. Shannon complained she had none to move. I used to use the same excuse (see my blog’s tag line), but now that I’ve seen plenty of tall, thin women (Joanna Leunis) do rhumba quite well, I know it’s just that — an excuse. Kristi did a lovely lyrical routine — and she’s definitely a natural and beautiful mover — but I felt that it wasn’t really rhumba without the hips — it was a nice theatrical dance you might see on Broadway, but not Latin ballroom.
Depressed! What did you guys think?
"I Lost 10 Pounds of Fat, I Gained 100 Pounds of Angel"
Awww. That’s the most genuinely sweet thing he’s said all show. I won’t ruin it for you West Coasters, but I think a lot of people will be very happy after tonight. I am not happy though that they’re back to revealing who’s in the bottom two though. And I’m very unhappy with who that other couple was tonight.
Very happy Delyan Terziev and Boriana Deltcheva were on! They’re not the “Latin champions” as the announcers called them — more like number three at the last U.S. National Championships, but they are finalists, and so champs I guess. I really like them — they’re a tall thin couple with some really lovely artistic movement, especially in rhumba — which of course they didn’t do. Sexy shaggy haircut, Delyan 🙂 They were Pasha and Anya’s main competitors back before SYTYCD, when P&A were still competing. Everyone always wondered who’d place above whom of the finalists.
And how cute were those kids! But not so cool to have them compete against each other, huh? Couldn’t they just have danced for cry eye? But I finally got my Espana Cani with the Paso!
I wish the opening pro couples would have danced a West Coast Swing to Cheryl Crowe’s “All I Wanna Do Is Dance.” It would have exposed audiences to something new and with the honky tonk flavor of the song, it would have made more sense than a quick, sexy, trick-ridden cha cha.
I was proud of Priscilla for asserting her right to dance as she wished: a routine with lifts. She likes the look and feel of “both feet off the ground”; so do I and I applaud her for her that. The rules are ridiculous; she didn’t do any crazy showoffy tricks, it was simple and classy and fit her routine nicely. Screw the judges, but not in the way Adam suggested…
Blackpool Dance Festival Congress Schedule is Out!
I’m so excited. I just received my Blackpool Festival tickets, and, along with them, a schedule of The International Congress, a series of lectures given by accomplished ballroom dancers that takes place on the first two days of the festival. They’re really informative, and they give you a good chance to see some of your favorite dancers up close — not always possible during the actual competition since it gets so crowded, it’s hard to find a spectator spot close to the comp floor. (All pictures shown here, or linked to, I took during Congresses past; above is former longtime Latin champs Donnie Burns and Gaynor Fairweather from two years ago).
Well, I’m particularly thrilled with this year’s lineup: on day one, one of my favorite dancers, Sergey Surkov, is scheduled to give a talk on Paso Doble with his partner, Melia. I’ve only ever seen them demonstrate steps for other lecturers before; have never heard them lecture themselves. I’ve heard he has a really sexy Russian accent and is very personable. Now, apparently, I will find out for myself 😀
On the second day, giving a lecture will be my favorite American dancer, Yulia Zagoruychenko, and her new partner, with whom she’s expected to do very well, Riccardo Cocchi. Their talk is on my favorite dance — Samba of course!
Later that day, Jonathan Wilkins (who’s a baddie for leaving our Katusha!) and his new partner, former champ Hazel Newberry, will talk on Quickstep, my favorite Standard dance.
And later than day Katusha will lecture with her new partner Arunas Bizokas (you’ll remember them from “America’s Ballroom Challenge”), on the Foxtrot.
And then in the afternoon, the Congress will conclude with an all-star lineup, beginning with current Standard champs (my favorites — if you’re not into Standard now you will be once you set eyes on this pair) the Italian couple Mirko Gozzoli and Alessia Betti, who will talk on Tango (maybe now I’ll have more of an appreciation of that dance…)
Following them is current second-place Latin couple, Michael Malitowski and the amazing Joanna Leunis, who will speak about Rumba. That couple is expected to very possibly take the championships this year (although I’m hoping for Slavik Kryklyyvy and Elena Khvorova.) And ending the lectures are longtime Latin champs who retired last year, Bryan Watson and Carmen along with Standard couple William Pino and Alessandra Bucciarelli, whose lecture topic is entitled, “The Instinctive Dancer.”
There’re tons more; those are just the dancers I know well.
I just bought my plane tickets too this weekend and now can’t get that “Manchester England England” song from “Hair” out of my head…
Pretty Much As I Expected…
So, Monica and Penn are the first to go. Pretty much as I expected, though I’d thought Adam might be first, but also suspected people might vote for Julianne Hough, which it appears may well be what happened. Unless you guys think Adam managed to redeem himself after the Carrie Ann cursing incident? Well, I’d definitely be happy if people were starting vote for great pro dancers instead of only the celebs!!
Also, hehe, this appears to be a picture taken by none other than dumbass moi of Fabian Sanchez at the U.S. National championships two years ago when he and his partner won the Mambo championship. I call myself a dumbass because Sharon had written me when this season’s “Dancing With the Stars” pro dancers were first announced asking if I’d heard of him and I said, “Hmmm, Fabian Sanchez, no, no, never heard the name…,” when in fact I’ve actually seen the man dance, and had written his name right on my photo page… And thanks to Mig for reminding me 🙂 Haha, that’s the year I’d so wanted my teacher Luis Grijalva and his partner Anya Fuchs to win, or, barring that, Emmanuel Pierre-Antoine and his then partner Joanna Zacharewicz. So even though Fabian was excellent and he and his partner were tremendous fun, I was probably honestly just too sad at that point to think much of the winners.
Maks Chmerkovskiy’s DWTS Thoughts, and Blackpool!!!
Since my two posts for the weekend were quite sobering (and long — that’s what 8 hours’ worth of testimony looks like, folks), I figured I’d end the Easter weekend with something a bit more upbeat.
So here it is.
Thanks to Sharon for this. It’s former “Dancing With the Stars” pro Maksim Chmerkovskiy‘s thoughts thus far on the show, most of which I agree with:
“Hey ‘KIDS’!
Just wanted to check in and say that I am proud of you watching the show and not doing the whole…..boycote…thing, because I’m not on it.
I will be back to share with you what I thought about the dancers/couples in couple of weeks. Simply because I need more time to evaluate everything and give you my opinion.
To give you a taste:
Kristy was AWESOME!!! (as expected). Let’s see if she would be able to pull off a latin dance with hip-action and everything (after all gliding in Foxtrot and gliding in skating may not be so different)
Jason Taylor was very good. He is the new Emmit Smith, but younger and (in my heterosexual opinion) sexier (sorry Emmit )
Christian DeLa….whatever WILL be better! I think that Cheryl is pacing herself and just letting Christian turn into the dancer that he should be instead of forcing him to become something unnatural.
Mario …..Not enough given his natural talent and ability. Will be the front runner later in the season.
Marlee…..GREAT! Fabian (not because he is my friend) did an amazing job catering to her needs and supporting her in every way while highlighting her strong points.
Marisa….HILARIOUS!!!, but that’s all for now
On the other hand…..
Shannon Elizabeth……… NOT what I expected and I’m hoping that Derek can get her to be what she is looked at as: Stacy Kibler of season 6, because for now she is not!
That’s all for now!
Behave you all,
ME!!!
Also, on a Maks-related note, I ordered my tickets this weekend to the Blackpool Dance Festival, the largest, most prestigious ballroom festival in the world! I’m so excited. This will mark my third year at the festival. And, it’s Maks-related because I always see him there 🙂 If not in the actual comp, then in the Italian restaurant across the street from the entrance to the Winter Gardens, where the festival is held. Above, in fact, is a surreptitiously-taken paparazzi photo, by moi, of him watching Valentin compete in amateur Latin two years ago. (Thankfully I now have a better camera…)
I’m so excited! Can it be the end of May now please!!
Here are a couple more pics from my first year at the festival:
Down the street from the entrance to the Winter Garden, where the comp is held.
At the lovely boardwalk. Unfortunately late May is still way too cold there to go in the water.
Inside the Garden.
A crowded street near the WG, where my trusty internet cafe is! It was like 40 degrees Fahrenheit outside on that day, by the way. English people are nuts!
Goddess Karina Smirnoff and her old partner Dmitri Tibouken.
Riccardo Cocchi, dancing for his homeland of Italy, with his old partner. This year he’ll be dancing for the U.S. with our wonderful Yulia Zagoruychenko, pictured below with her old partner, Max Kozhevnikov.
They performed this routine at America’s Ballroom Challenge this year as well, if you remember.
T
The brilliant, longtime Latin champs, Bryan Watson and Carmen, retired last year, leaving the Latin championship wide open. So, that’ll mean new champs. Extremely exciting!
As will be … the fact that my good friend, Mika, is finally competing in the amateur championships!
I’m so excited for her. I wish I was competing, but oh well. It’s far less stressful (and expensive) to watch anyway 🙂