Hey Man, Where Are My Peeps Tonight???

Okay, I guess I should check my local Fox listings more often 🙂 I specifically came home from work early tonight (8 p.m. — eh) to watch my favorite show and instead there are all of these men grunting like beasts and ramming their helmeted heads into each other’s bodies??? Where’s my dance!!!

Haha, it’s funny though, because the advertising is sooo different. Has anyone noticed? I don’t know what the commercials during SYTYCD usually consist of because I’ve never really paid much attention, but I know there aren’t all of these bikini-clad women and Bud adverts that seem to me to appeal to the lowest common denominator! It’s kind of sad; I guess there are real gender differences between men and women, or at least the kind of men and women who watch these respective shows. But also interesting to me is that the Fox people seem to know that most SYTYCD-watchers are women and arty, intellectual-type men, no?

Anyway, I was going to blog about this last night but got lazy and tired and had to go to bed after the show, but I’m just so proud of Pasha. I just think he’s doing so well. My favorite Latin dancer in the world has long been Slavik Kryklyvyy — and during my lessons with Pasha, I’d always bring tapes of Slavik dancing with his former partner, Karina, to the studio and ask Pasha if we could try to re-enact some of their lifts and fancy dips. He’d always be the sport and say sure, but I could tell inside he was kind of rolling his eyes — either because they were far above me and he knew he’d be struggling to hold me up 🙂 or because it’s probably just annoying for any dancer to hear how someone worships another 🙂 Pasha’s so great though for letting me drool on and on over Slavik!

Anyway, last night, during the very beginning of the show when they did their little opening half-of-a-second solos, I just couldn’t believe my eyes. He moved just like Slavik. I really think this competition has improved his dancing so much. He’s worked so hard to master all the different kinds of dance styles and choreography to the best of his ability and he now moves in ways that are just breathtaking, so beyond what he did before. I’m just so floored. And, I mean, last night’s hip hop just looked so cute on him. He’s not going to ever be some down-home, bad-ass, hipper than thou, totally hot African-American guy doing hip-hop, but he did his own cute Pasha thing with it, and it was so him and so sweet and so brilliant. And that’s what dance is all about: interpreting something in your own way, adding your style and technique, doing it to the best of your ability, and just owning it. The waltz, as well, was beautiful, as expected. And his solo: I mean, people are saying it was weird (see the comments to this post), and I totally understand what they mean, but I think it was rather ironic: I think he was saying to the judges, “Okay, you say Latin ballroom dancers suck at solos because we’re essentially partner-dancers, so here, here’s a partner-dance for you — I’ll dance with a damn mannequin.” That’s my take anyway…

And, you just never know how someone is going to hold up under pressure. Ballroom dancers dance to normally relatively small audiences — I think the biggest — definitely at Blackpool — must consist of a couple thousand??? I mean, nowhere near the millions who are scrutinizing his every move now. So, I just worry that someone will just crack under the pressure. But not any of these pros 🙂

Okay, I’m done fawning! Oh, but just one more thing: Claudia sent a link to the Blogging SYTYCD blog to some pics she found of Pasha and Anya — these are the photos of them dancing at Blackpool 2005 that I was referring to earlier! Is Anya not absolutely gorgeous!! How much do I want that black dress! Yes, Anya used to have blonde hair 🙂 She looks just bewitching with any color though, if you ask me.

Okay, in other news: I’m excited because I just received in the mail a flyer for the Martha Graham Dance Company, who will perform at the Joyce Theater in Chelsea in a couple of weeks.

I’ve only seen this company a couple of times, but what is so cool is that on the flyer is a picture of Miki Orihara, a newish contributor to my favorite dance blog, The Winger. I’m so excited to see her perform! I personally think blogs are a great way for dancers to communicate with audiences and make new fans. From her Winger posts, Miki seems so incredibly sweet. So, I can’t wait!

Danny Tidwell Could Use A Bronzed Dance Belt!!!!

Hahhahha! I recently got an email about this earlier post where I was pondering whether I should get Pasha and Luis bronzed dance belts for a holiday gift as an apology for constantly kicking them there during lessons. I’m just so glad, after tonight’s SYTYCD episode that I’m not the only one with that little problem!!

It’s hard to be a male dancer!… What’s up with that look on my face??… Anyway, there we are trying this very cool Karina dip (that I stole from her but can’t do correctly to save my life because, hello, I am NOT Karina!)… This trick is so gorgeous too when done properly IF you can do it properly (when he dips you, it ends up looking similar to the graphic on the top right part of the blog, except of course it should look GOOD, not like that because that is me; I wish I could post a YouTube of Karina and her old partner Slavik doing it because it looks so gorgeous, but they withdrew the clip…) But the trick is so hard because you have to get so close to him and shove your hips into his waist / crotch so that when you arch back you can still hold yourself up and he doesn’t have to throw his back out… And with Rhumba, the beauty of the trick is that you’re coming into him really fast, and with my longish legs, often the left knee that’s kind of humping his back here would be aimed a little farther to the right… He’d shout “hellohellohellohellohello” whenever he needed to warn me. Dancing is so much harder than it looks… Anyway, Argentine tango with all those between-the-legs kicks is just all the worse and I’m sure Pasha is very happy that Argentine tango is not on the International Latin syllabus!

Gosh this is like a lifetime ago! And it’s only last September… Pasha is so incredibly sweet — I just came across these pics recently. He’d agreed to have them taken with me in the studio wearing this Winger t-shirt to model for the Winger! Kristin Sloan (Winger founder and NYCBallet dancer) offered to post pics on the site of Winger readers wearing their t’s at their dance studios or dance-related events, so Pasha nicely let me model the shirt with him 🙂 🙂

I look ridiculously scared!


This was Kristin’s favorite. I look downright in pain! The shirt design is really cool though, right!

I miss him so much! And I miss dancing so much. The most worrisome thing is that, we took these pics right after we’d all returned from Nationals last September (which is on my mind since I’m about to book my tkts for this year — yay!) and I just re-looked at some of my posts on that. I was worried about my flabby butt back then… now, that I haven’t danced in a good — geez eight months — it’s so far beyond sag it’s not even funny. I MUST take dance lessons. I MUST find an inexpensive place.

Anyway, speaking of the Winger, Bennyroyce posted some excellent pics of Bad Boys, the troupe I’d posted on yesterday — they’re far better than mine since they’re up close, or from the perspective of … the Wings! Also, here’s an interesting article in a local Berkshires paper about Rasta and his guys. (Speaking further of the Winger, we still do not know for sure if that dance belt model above is indeed Mr. Hallberg. He would never fess up!!! I think it is — look how similar the face… it’s you, David!)

And coming full circle to Danny and SYTYCD, I was being masochistic and looking up photos of Rasta’s wedding 🙁 and I found this from his ballet school’s alumni page. Look who is in the center of the bottom right-hand picture! And who’s above him — is it Travis from last season?

Dance Is For Everyone: David Michalek's Ginormous Public Video Art and Those Midsummer Night Swingers

I’m not a huge social dancer (I mainly take ballroom lessons in order to compete and perform), but I do like going to Midsummer Night Swing to watch the crowd having itself a blast. Midsummer Night Swing is held on the Plaza at Lincoln Center from mid June through July. Each night a different band performs on the bandstand, alternating between several types of danceable music: big band Swing, country western, Salsa (by far the most popular), Disco, and at one point this year there is even to be Samba! At the start of each evening, instructors from various ballroom dance studios in the city give a little lesson in the dance style of that night.

Above are the ever amusing Melanie Lapatin and Tony Meredith, owners of my old studio and 1995 U.S. National Latin Champions, on July 4th, giving the salsa lecture.

Which was followed by this very crowd-wowing demo by a young couple associated with Dance Times Square, Sascha and Oksana.

Always fun to see how people take to the action: some bemusedly learning to dance for the very first time, and others, like this guy above, showing his homeland pride and helping the band out a bit from the sidelines with his maracas.

It was raining off and on on the 4th, so the crowd was unusually small, but it’s normally so packed out there you can hardly move. I just love how they have this immensely popular social dance event located smack in the center of THE institutions of “high art” dance: The State Theater, to the left in the top pic, houses the New York City Ballet, and the Metropolitan Opera House, in the back, the American Ballet Theater, which just ended its Spring Season. For the first couple weeks of Midsummer Night Swing, ABT performances were still happening, though, and I often wondered if any of the social dancers, for example, this cheery Puerto Rican group, noticed any of the several large posters in front of the Met showing scenes from the ballet, and were at all inspired to try a ballet performance. Something tells me likely not.

But tonight, that may well change. It’s the official opening of photographer / filmmaker David Michalek‘s new public art dance exhibit, “Slow Dancing,” also at Lincoln Center Plaza.

Michalek filmed twelve dancers from various styles (including several from ballet), doing a very brief five-second movement, which he then slowed way the heck down, so that each segment plays on film for a whopping 10 minutes. Three giant screens are to be erected on the front of the State Theater, one dancer on each. I’d gone to see him speak about the work at the Guggenheim a few months ago, and blogged about its potential iconic effect on the dancers shown, here.

This public art project is part of the Lincoln Center Festival and will continue through the end of July, when it will travel to other outdoor venues throughout the country.

I love that this project is available for all (there’s no fee to access the Plaza), and I’m really excited to see this unique intersection of ballet and social dance, or, I guess “high” and “pop” art, if you believe in dichotomies. From the sound of it, the screens will be so large that I feel people will be compelled to look. Hopefully, of course, they will be captivated by the movement as well. We shall see!

Two New Champions Crowned In American; Same Ole Same Ole for International: Manhattan DanceSport Championships 2007

Very exciting (but very tiring) weekend, nearly all of which was spent at this, the biggest and best of all local (ie: Mid-Atlantic region) competitions! Thanks to the retirements of the two top couples in American Smooth and American Rhythm, we now have two new champions in those divisions. Above are the new champs of Smooth, Eulia Baranovsky and Steven Doughtery. Below are the newly crowned King and Queen of Rhythm, Joanna Zacharewicz and Jose DeCamps.

So often with Ballroom competitions, the same people win over and over and over again, making the dancing itself always spectacular but the results a complete bore if not outright annoyance (if your favorite happens not to be the one who ad nauseam places first). So this year’s dual retirements (Ben and Shalene Ermis in Smooth, and now permanent DANCING WITH THE STARS fixtures Tony Dovolani and Elena Grinenko in Rhythm), made for a couple of very nail-bitingly intense nights all the way up to the 1:00 a.m. trophy presentations.

Above is, awww, my personal faves for Rhythm, second-place couple Emmanuel Pierre-Antoine and his new partner, Julia Gorchakova. Actually, Rhythm this year was a particularly loony soap opera. Ever since I first began coming to this competition, three years ago now, I’ve noticed the Rhythm championship is by far the most raucous of all four categories. Especially during the last of the Rhythm dances, Mambo, when the crowd is just going wild screaming and cheering on their favorite couples so loudly, you can hardly hear the music.

(If you know nothing of Ballroom, and actually care to know :), let me just briefly lay out the blueprint of an American competition: There are four main categories (each of which includes separate competitions for professionals, amateurs, and pro/ams, where students compete with their teachers — the kind I used to do when I still had a bank account 🙂 ):

1) American Smooth (couples compete in 4 dances: Waltz, Foxtrot, Tango, and Viennese Waltz);

2) American Rhythm (5 dances: Cha Cha, Rumba, Swing, Bolero, and Mambo);

3) International Standard (5 dances: Waltz, Slowfox, Viennese Waltz, Tango, and Quickstep); and

4) International Latin 🙂 (5 dances: Cha Cha, Samba, Rumba, Paso Doble, and Jive).

So, back to the Rhythm drama. The crowd favorite has been, for a long time, this couple (pictured below in last year’s National competition: Emmanuel Pierre-Antoine and Joanna Zacharewicz):


For whatever reason, and I don’t want to get into gossip over who initiated and why, they broke up. And with that break-up, fan loyalties were torn asunder, oh no! Emmanuel teamed up with former, longtime Rhythm champion Julia Gorchakova, who, with her former partner, retired a couple of years ago but apparently came out of retirement just for him. And Joanna managed to snag the very cute and rather celebrity-esque, Jose DeCamps, who formerly danced with probably the most famous of the DWTS pro dancers, Cheryl Burke. I haven’t seen Jose before and I’m thinking he retired after Cheryl began her TV stint, and likewise emerged from retirement for Joanna, but I’m not completely sure; he may just have been partnerless.

Well, my heart was with Emmanuel, for reasons I’ll get to in a second, but I just have to say I can completely see why Jose has the fan base he does. He just exudes safe, strong, warm Latin guy, kinda like a certain favorite ballet dancer 🙂

But my loyalties must remain with Emmanuel! Before he left my old studio, I took a few lessons with him, and he was one of the best, most technique-focused teachers I’ve ever had. I wrote about this before (but it was before anyone ever read my blog 🙂 ), but he used to do this thing where he’d start us out with a completely boring salsa basic. I guess just having seen so much ballet, I’m always trying to “fly” as he calls it; I have no connection with the floor basically. It looks like ballet dancers are connecting with the air, not the ground, especially the ballerinas, so that was my aim of course. “Woman! The only reason you’re still upright is because you’re so light!” he’d cry out in his Haitian accent when I’d try a double spin and nearly fall. “All dancers know where the floor is at all times; even ballet dancers,” he’d rant on. Then, he’d close his eyes take me into a closed hold (guy’s right hand on girl’s back shoulder blade, girl’s left hand on top of his shoulder and free hands clasped together) and tell me to visualize myself connecting with the floor. And the freaky thing is, he’d have this uncanny way of being able to tell how well I was mentally connecting to the floor just by feeling my frame. He could honestly tell, with his eyes closed, whether my mind as wandering (thinking, for ex., ‘can’t we do something beyond a stupid salsa basic’), or whether I was concentrating on the floor beneath my feet. And he was always right on the mark about where my mind was. Weird. Anyway, in addition to being an excellent teacher, he’s a genuinely nice guy. He always goes out of his way to say hello to me at all the big competitions, even though he is really a kind of “star” in the ballroom world, and he’d always tell me I did well in a showcase (though I knew it wasn’t true!) Oh, and he’s also an amazingly awesome dancer! Focused on technique though he is in his own lessons, he really puts on a show like no one else. His choreography is so mad fun, his style so wild, he and Joanna were often called upon to perform showdances, for example, on last year’s America’s Ballroom Challenge, and last season’s DWTS.

And what a riotious show-down it was Sunday night! Both Jose and Joanna and Emmanuel and Julia really danced their hearts out. As my friend pointed out to me, the judges’ faces kept seesawing between the two, stopping to focus on absolutely no one else on the floor. “How are they going to decide who comes in third, fourth, and fifth?” she said.

The fun / intensity / melodrama — however you prefer to see it — of this competition is that it’s the biggest in the area, and one in which all of the top couples compete. Many see it as a forecast of what’s going to happen — who’s going to take tops — at Nationals in Florida, coming up in September.

No surprises in International-Style.

Andrei Gavriline and Elena Kruychkova won in International Latin.

And the always glorious Jonathan Wilkins and Katusha Demidova in Standard. My favorite Standard couple has long been Victor Fung and Anna Mikhed, below.


But, actually, the more I see of Jonathan and Katusha, the more I hear Jonathan lecture on the art of Ballroom dance at Blackpool and the way his love of the sport / art really shines through, and the more I really watch them closely and realize their technical brilliance, the more he really is growing on me. I think sometimes, Englishmen can seem distant and aloof at first. But he really does seem to appreciate his fans and the applause they get, weaker than that received by Victor and Anna. And his dimpled Ralph Fiennes smile is starting to be a familiar staple of my whole ballroom experience, an essential part of that world that just whisks me away whenever I go to these big competitions. And the more I see them dance, I do see why, though Victor and Anna are the king and queen of charm, the more I understand why Jonathan and Katusha are number one in the country for several years in a row now and practically number one in the world. Some of the things they do, while not so flashy, are very difficult. I love it when he takes her out to the center of the floor during Waltz and they’ll do reverse turns for over a minute. Those are not only absolutely beautiful, but so hard to sustain that momentum and maintain that precise footwork for so long — far longer than the other couples — without getting dizzy, especially for the woman since you really have no way of spotting, and you’re just turning and turning and turning.

Okay, Latin, the other melodrama, this one never-ending:

Above is the eternally second-place couple, Max Kozhnevnikov and the absolutely divine Yulia Zagorouychenko, by far the crowd favorite, which, believe me, becomes all too obvious with the loud, rather nasty boos of disappointment when Max and Yulia are called runners-up. I always feel sorry for Andrei and Elena when that happens, because the crowd is booing, by extension, their winning. Funny thing is: while the U.S. judges continuously mark Andrei and Elena number one, the World judges repeatedly place Max and Yulia well above Andrei and Elena. In fact, Max and Yulia made finals at Blackpool this year. The U.S. judges insist Andrei and Elena’s technique is perfect and will say no more. But the World judges insist otherwise, showing, excuse me, but how full of absolute dog crap ballroom judges can be.

Anyway, for me, my ideal partership (of the American couples anyway) would actually be Andrei with Yulia. I’ve honestly never seen anyone (of the Americans anyway) move the way Andrei does. He is a tall thin man who just flies across that floor seemingly at lightening speed, light as a feather, and his hips, legs, and feet just a blur. He used to give privates at my studio, and before I knew who he was, I saw him show a student a backwards three Cha chas– a very rudimentary, first-level step. I’d never seen anyone do a basic step like that. My heart dropped. I realized then good dancing is not about fancy steps, but about the way the basics are executed. I remember thinking, wow, this guy should compete. Stupid. Then, I saw him on the cover of Dancesport mag and realized, dur, he’s the national champion. My problem with his partnership with Elena (his wife) is that, a former gynmast, she’s so teeny tiny; he must be nearly a foot taller. Not only do they look a bit odd together, but sometimes it throws them off. Last year at the Ohio Star Ball (aka: “America’s Ballroom Challenge” in its televised incarnation), they lost a normally easily-maintained connection, likely because his arm was just too high to hold her properly.

And Yulia! Yulia Zagorouychenko is probably my favorite of all female Latin dancers, excepting Karina Smirnoff who (also now a mainstay on DWTS), hasn’t competed in a while. Not to sound silly, but to me, Yulia is like the Alessandra Ferri of Latin — she’s a true artist. She moves in wholly unique ways, creating shapes with her body that are completely her own. She’ll go nearly on pointe in those open-toed sandals in Rumba, thrusting her hips foreward and rounding her shoulder blades so that she looks, cooly, like a cobra or something. I worry that she’s going to get serious bone spurs on her toes by the time she’s in her thirties with that on pointe on a hard-wood floor in open-toed shoes, but right now it looks absolutely gorgeous. I feel that sometimes Max, as much of a little cutie as he is, and as creative as he is with their choreography, just doesn’t really share her artistic brilliance.

So, it’s funny because, well, at one point on Saturday night, the two couples were dancing very closely to one another. I think the dance was Rhumba. I was focused on the couple right in front of me, another favorite, the breathtaking Delyan Terziev and Boriana Deltcheva, when all of a sudden the crowd began going wild. I looked further out onto the floor to see that Andrei and Max had exchanged partners– particularly cute, and demonstrating very good sportsmanship given the rivalry. Max went to dip Elena and she jumped up and wrapped both legs around his back. Lifts are strictly forbidden in non-showcase competition, but of course it was a moment of goofiness, and therefore, forgiven. Silly as she was trying to be, I was amazed at how good they actually looked together; their small bodies were a perfect match for each other. And then I looked at Andrei and Yulia — he was doing this crazy dip with her and it looked so amazingly stunning. Then she stood up and placed her arms around his neck. She’s a lot taller than Elena and they looked absolutely gorgeous together. Powerhouse couple that would be!

Anyway, here are some more highlights:


Delyan and Boriana, as I mentioned above, one of my favorites artistically. They’re a tall, thin, long-limbed couple and their Rhumba looks almost Balletic. She looks like an inky black spider!

They’re at the same level as my dear beloved Pasha and Anya (who didn’t compete, as they are a little busy with something else at the moment!!!), the two usually duke it out for fourth or fifth place — way too low for both couples. Strange how I always seem to champion the underdogs…

A Smooth couple I like, J.T. Damalas and Tomasz Mielnicki. They always dance with a lot of pizazz, and always do a very sexy foxtrot. I think they placed third. She makes her own dresses, and she usually comes up with something just bedazzling. How gorgeous is that color!!! (Sorry for all the zombie-looking eyes, by the way. I need a new camera!)

Matt and Karen Hauer, a sweet, newlywed Rhythm couple. They started off their Mambo routine very cutely: he took one look at her and broke into a series of small jumps, as if to say how wowed he was at her. She watched in amusement, then he grabbed her hand and they took off.

Another shot of Jose DeCamps and Joanna Zacharewicz in Rhythm. Jose really is a charmer.

Katusha’s little sister, Anna Demidova and her partner, Igor Mikushov, who placed first in Amateur Standard. They competed in Blackpool as well, and placed very high there too. Promising future those two.

The always lovely (and very photogenic) Anna Trebunskaya (if name sounds familiar, she too has danced with stars; that sports star Jerry Rice, to be exact). She has a new partner, Pasha Barsuk (oh no, another “Pasha and Anna”!!) and they did very well for a new partnership, placing 5th in Latin. Good for her 🙂

One last thing: the throng of spectators was absolutely huge, as you can kind of see here with onlookers anxiously awaiting Victor and Anna’s slowfox. Latin was about ten times worse than Standard though; you really could hardly move on Saturday night, and I’m sure the crowd standing, of necessity since there was nowhere else to go, around the exit, was a borderline fire hazzard. Blackpool was crazy packed this year too. Attendees at ballroom competitions used to consist mainly of friends and family (and the few students) of the competitors, a crowd that could easily fit at the several tables encircling the dance floor. But the more popular dancesport is becoming, the more of a spectator sport it really is. I think they’re going to need to find a new venue for some of those more popular competitions and put up some serious risers. At least for Latin…

Anyway, here are more photos in the album. It’s not finished yet, as I have yet to match some names with faces, and some names are horrifically misspelled, so please bear with me until the weekend when I have more time for fix-ups.

Oh Good Lord!!!!!!!!

Who saw it last night!!!!! I was DYING! They have studio socials once a month at Dance Times Square (the studio Tony Meredith and Melanie LaPatin own) and for part of the party, they’ll have the professional dancers / teachers take the floor and give a little performance. I swear, Melanie has to be begged and cajoled and pleaded with and begged some more to get her out on that dance floor just to do a teensy tiny little seconds-long routine with Tony (her former championship dance partner — they were the National Latin Champs in 1995). And now to see her have to dance on national TV with Pasha!!!!!

If you didn’t see it (SO YOU THINK YOU CAN DANCE that is), what happened was Jesse, Pasha’s partner, became very ill (she actually fainted) yesterday morning and couldn’t perform with him last night. So, in order for Pasha to remain in the competition, Melanie (whom the announcer called Tony’s “Assistant”!!!!!! — I’m sure she just LOVES that title 🙂 🙂 🙂 ) sweetly took Jesse’s place and danced with him! On national TV! Oh good lord, I was screaming, literally screaming at the TV! Did you see it, Parker? Where are you, Parker??? When they did that lift, I had to hold my hand up to the TV! And scream some more! And then cover my mouth so I’d stop screaming… I’m surprised my neighbors didn’t knock to see if something was wrong (or tell me to shut up).

Anyway, if you didn’t see it, my friend Michele sent me this link from SYTYCD website– to see Pasha and Melanie (just scroll down to Pasha). Thanks, Michele!

Aw, Melanie came through for him 🙂 And Pasha was so cute! He’s just so, he’s just such a great Latin dancer, especially Cha Cha! And his smile is so infectious! I just love him 🙂

I hope Jesse’s okay though. They said she had some kind of “heart abnormality” I think is the way (judge) Nigel put it? That doesn’t sound good at all…

First Ever Reading Survived!!!

Hahahahhaha — I look SO intense!

Tonight I had my first ever public reading of my novel at the Cornelia Street Cafe. I read as part of the Writers Room Member Reading series, which takes place there every third Tuesday of the month from September through June.

Hehe, so much fun. I was so nervous, but once I got started, I was fine… at least that’s what my wonderful friend, Evangelina, told me 🙂

Here I am with Evangelina, my good old trustworthy friend from my writing class days. She’s known (main character) Sophie and all of her nutty problems since her inception so it was PERFECT to have her in the audience! I would have invited more people, but I was really nervous going into it and didn’t know how well I’d do, so I wanted to minimize the number of people to see me screw up!

But as it turned out, it went fine, and now of course I can’t wait to do it again. When I do, I promise to invite everyone I know in the NYC area 🙂

Here’s playwright and Writer’s Room Reading Series host, the hilarious Stan Richardson, about to introduce me.

Hehehe, I’m such a goof. I actually wrote out my intro to my piece that I was reading. I always do such silly things — whenever I give an oral argument in court, I absolutely MUST write at the top of my outline the words, “May it please the court. I am Tonya Plank and I represent (client’s name)” … my friends like to make fun of me — because what, am I going to forget my name?? — but I’m always so nervous approaching a podium, I just must have those words on my paper in order for me to get myself actually talking.

All in all it went really well. Like I said, I was very nervous and shaky-voiced at the beginning — which I felt and Evangelina confirmed — but after I got into it, it got much better. After I read, Stan said my reading made him think and there were a lot of things that he really wanted to talk about but there was no time — how sweet! And then later, he made a couple of jokes about Freud and everything in this post-Freudian universe being sexual, which was a riff on my first couple of lines 🙂

Then, after all readings were over, a writer, Jim Story, approached me and told me he thought I did well and my work sounded interesting but that I read way too fast and needed to slow down. Evangelina agreed, but said I only read how I talk (which is way too fast!). She also said that I need to learn proper comic timing — when I have a funny line, I need to PAUSE afterward to give the audience time to get it and respond. I know, I know, I know, but eeek, I just feel so weird doing that; I feel like I am begging for laughs, basically telling the audience I want them to think this is funny and to laugh by pausing in certain places — no??? I guess maybe just reading slower in general would do the trick…

Hehehe, also Stan asks everyone a question or two when introducing them. For mine, he asked me what I liked best about my website. I was thinking he was going to ask something like when did you join the Writers Room and / or why, what publishing house would you like to publish your book (questions he’s asked others), but instead I got this one and I couldn’t think quickly. I said the first thing that came to mind which was the graphic! I do really like the graphic designer my web builder, Gregory Tomlinson, hired, and those couple of little outlines he did of me and Pasha dancing in my first showcase, one on the main blog, and one on the home page. And then I started vomiting on (when I’m nervous I just start blabbing incessantly; it’s really just BAD), about how I used to take ballroom and, oh can you believe the guy in my graphic, my former dance teacher, is now on “So You Think You Can Dance” and woo-hoo a famous person on my blog, who knew Pasha would make it so big, and how awesome, and blah blah blah… have no idea what else I said; it’s just a blur now! Well, Stan had no idea what I was talking about — he’s like, So You Think You Can Dance, is that American!? I’m such a goof, I have to remember not everyone is as obsessed with dance as I am … And, hello, what kind of writer says their favorite thing about their website is the graphic!!!!!!!

Anyway, it was all so much fun and such a great experience and I so want to do it again. I could totally get used to this writer life 🙂 Thanks to Stan for being his humorous self and easing my nerves, along with my two co-readers tonight Dan Klein and Lauren Yaffe, and Evangelina, friend extraordinaire for her never-ending support :), and to Cornelia Street Cafe and the Writers Room (the most awesome of all urban writers colonies!) — as well as the Jerome Foundation, NYC Department of Culture, and National Endowment of the Arts for underwriting the WR Reading Series — all for giving new writers such a wonderful opportunity to be heard and to engage in the writing life in this way. Happy night!

Front of Cornelia Street Cafe, where Evangelina and I had dinner and caught up with each other after the reading. And, across the street, we noticed this very happening restaurant, Petra or something like that? Hmmm, will have to check it out someday…

Stoppit!!!

First Time Out New York touts this as a way to … get your jollies watching sexy people or something or rather in its annual “Horny” issue, or whatever it was called, and now Anthony Ramirez from the New York Times is on the bandwagon. Can everyone please stop broadcasting!!!! If I ever go back to Quenia Ribeiro’s Samba class, I am going to have to ensure beforehand that it is held in the UPSTAIRS studio! Seriously though, what is it that draws passersby to Ailey’s windows like this? I think it’s those rhythmic, pulsating Afro-Cuban or Samba drums and the beautifully snaky, undulating, hip-py, exotic-looking (to us) movement. Methinks people are drawn to the exotic and rhythmic in dance right now…

Pasha and Anna on So You Think You Can Dance!!!!!!!!

I missed “So You Think You Can Dance” last week since I was in Blackpool, and now I’m just catching up and seeing that Pasha Kovalev and Anna Garnis were indeed on the show 🙂 Pasha’s sitting in the front row in the wait room 🙂 So exciting seeing my friends (and most excellent former teacher!!) on TV! Reminds me that I forgot to post pics of them in Blackpool. Sorry they’re so crappy — see what I mean about how crowded it was that I could not get a decent seat from which to take decent up-close pics?… Argh!

As you can see, she is wearing a wig in these pictures. Originally a blonde, she is now wearing her hair long and dark, but she often wears wigs for the comps.

I’m so psyched that they are on TV!!!!!

Did anyone see ballet dancer Danny Tidwell? Was he as pompous and arrogant as the judges are saying he was?

Pasha and Anna Return to the Stage!

I know it is near impossible to see, but here is the great, the amazing, the beyond talented, the bewitching, the captivating, the truly wonderfully incredible — not enough superlatives to describe her! — Anna Garnis, taking her bow after performing in the pro part of the Dance Times Square pro / am showcase last night in Hunter College auditorium. Pasha Kovalev, my former teacher, who is of course all of the same and more(!), is to the left of her.

It was actually really nice not to perform, to just sit and relax and watch everyone else — especially them. My studio friends and I — a bunch of us sat together up in the balcony — were worried they weren’t going to show. Pasha’s just coming out of a long, weird illness, but is finally, thank Heaven, fully recovered. They didn’t appear until the last quarter of the show. When Pasha walked out onstage, my heart fluttered, and my friend grabbed my arm and squealed, “that’s him!”

I don’t know what it was, but tonight — just like after the first time I ever saw them perform, at the first DTS showcase two years ago, before I actually began my lessons with Pasha — I just felt this huge lump in my throat watching them. After they left the stage, I felt like I couldn’t concentrate for the rest of the night — all I could do was stare into space. After the show completely ended, I just felt like crying, but not out of sadness, out of … I don’t know what. My friend tried to get me to go to the studio, to the after-show party, but I hadn’t planned on it since I had to get home and get rested up for my hectic work week ahead. But even if I would have decided to go just for a little while, I knew I wouldn’t be able to have fun and be social. I don’t mean to sound ludicrously melodramatic; I just felt like I have when I’ve just finished a novel or seen a movie or play that drove me to tears, that I could only come straight home and just … be. I don’t know what it is — it’s definitely not jealousy — I know I’ll never be Anna and I can definitely appreciate her greatness without thinking how horrible I am; it’s something else entirely … just like something you just can’t talk about for a while.

Anyway, it’s also so amazing, just such an experience, to watch people being exposed to dance for the first time witness truly great dancers. I hardly recognized any of the student performers from the studio, and, since I’ve spent so much time there over the past two years, I knew many of them were new. Being primarily a student showcase, most of the audience was comprised of students’ families and friends, who were, judging by their comments about dance, likely similarly inexperienced in the ballroom scene, or any other dance scene for that matter.

Before Pasha and Anna danced, the crowd was laughing and cheering on the students, having a great time and really enjoying themselves. One of the professionals, Lauren, did a three-quarter splits in her Rhumba routine, and I guess because she went down so quickly — speed being a key element in Latin — this guy up in our section who was being pretty vocal throughout, shouted, “Whoa! Man!” like it was the coolest thing he’d ever seen! The theater’s small and everyone heard him and laughs abounded — Lauren couldn’t help but be affected by his hilarious enthusiasm herself — and she even cracked a smile up there on the stage.

Well, Lauren and Fred, her partner, finished and Pasha walked out. I heard vocal guy say, understandably, “Who’s he?” Every other pro had been on at least once already, if not a few times. My friend and I exchanged glances and giggled. We both wondered if vocal guy and the rest of the crowd would recognize that these two were on a completely different level than everyone else up there. You never really know with a crowd that’s new to something, if they will recognize greatness, you know? A guy in orchestra called out, “Pashaaaaa!” Women down below began cheering. My friend and I clapped. After their music began and Anna took about two Rhumba walks toward him, the crowd went completely still. And remained so throughout. After they finished, slowly the crowd came to its feet. Vocal guy screamed “Oh my God, oh my God,” and several others started a chant of “Bravos” — the first I think I’ve EVER heard for a ballroom performance. It was the most breathtaking Rhumba I’ve ever seen. I really felt like crying. My friend squeezed my arm ever harder. I guess when you’re out for a while, sick and recovering, you just naturally come back with a bang. A huge one.

It’s well known in the studio and the ballroom world in general now that Pasha and Anna tried out for and got pretty far on “So You Think You Can Dance” — the TV show. They’re sworn to secrecy now and cannot reveal what happened in the final cuts until the show airs at the end of this month. I hope so much they did well. They so deserve it. They are true performers. And this is the cruelty and travesty of ballroom. They’re currently stuck in fifth position in the U.S. National Latin championships and basically will be until the four above them retire. Because that is The Rule of the ballroom world: The Rule is that couple number one is Andrei Gavriline and Elena Kruyshkova, couple number two is Max Kozhevnikov and Yulia Zagorouychenko, and so on down the line, and the judges never forget it, those are The Ranks, set in stone. Perhaps I’m being unfair and Pasha and Anna don’t really do that well in competition; perhaps they just excel in performance. Some dancers are like that. And when I see other dancers competitively ranked above them do a solo showcase, they’re nothing compared to Pasha and Anna. But maybe that couple is just better at competition. Maybe competing and performing take two completely different sets of talents, who knows. But I do know that Pasha and Anna deserve to be better than Number 5 in the country for the rest of their careers.

Anyway, here’s my friend Parker taking her bow. Yes, that’s the same Parker from the previous night’s bellydance showcase — this one does practically every kind of dance imaginable 🙂 ! Yes, she’s actually worse than me in that department 🙂 She did a very sweet, very fast fun cha cha, and got a lot of applause!

And here’s the whole “cast.”

Of course I’m sad I didn’t perform as well. But on the other hand, I saved about $2,000, and I got to see Pasha and Anna’s emotionally moving return, from the audience, from their perspective, instead of cramped in the wings.

And … Just one week — ONE WEEK NOW — till my other favorite returns to the stage!!!!!!

Bellydancing Birthday

Last night, my friend Alyssa and I went to see my friend, Parker, dance in her first student bellydance showcase at the Lafayette Bar and Grill in Tribeca.

Parker is third from right.

So much fun, and TOTALLY made me want to take up bellydancing!!!

Here, Parker is in middle, in blue. She was soooo good!


Alyssa and me. For some reason I’m looking a bit drunk. I’m not, I swear — only had one glass of Greek wine!

Lafayette Bar & Grill, in addition to having a great dance space, had amazing food. Best moussaka either of us had ever had — and I’m a total Greek foodie!

It happened to be my birthday — well, later in the week, actually but who wants to celebrate on a weeknight! I am SO not a center-of-attention person, so it was PERFECT for me to celebrate at my friend’s dance showcase 🙂

Parker and me, after show!

Here are a few more pics: the rest I’ve put in a separate album on the photo page here.

“Heather” I think was her name. She was great — and beautiful costume!

This one rocked! She kept doing these amazing back arches…


Parker’s second number — a contemporary piece that Reyna Alcala, the group’s director, named “567,” for May 6, 2007, ha ha!

Another beautiful costume, and she did really lovely things with that gorgeous scarf.

One of the band members was going around the audience with his wind instrument (which resembled a flute), playing for people who would dance. This little girl was so adorable.


At the end, everyone took to the floor. Very fun night!

I’m seriously thinking of taking bellydancing lessons. It looked so fun and so beautiful and SO inexpensive, compared to ballroom. Partner dancing is lovely, but not when you have to pay $95 per hour for your teacher to dance with you… Plus, some of these costumes were gorgeous and loaded with stones, but some, like that used in Parker’s contemporary routine, consisted of jeans, a t-shirt, and a practice belt — a far cry from the $500 to $1500-ballroom costume…

In other news, as Ariel pointed out to me, he’s back 🙂 Right in time for my birthday 🙂 🙂 And his as well…