HAUNTED BY CHRISTOPHER WHEELDON :)

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Last night I read from my new novel (which is still VERY much a work in progress) with the Writers Room at the Cornelia Street Cafe, and it actually went okay! Better than I expected! Several of my wonderful friends showed up to give me much-needed encouragement and support (maybe someday I’ll be confident enough actually to post here ahead of time when I’ll be reading…) and they all seemed genuinely to like the piece I read. And several people I didn’t know came up to me afterward — including a filmmaker who gave me her card! — to tell me how much they liked it. One woman said she wanted to read it as soon as it was out! Though she told me the way she didn’t want it to end. I assured her it didn’t 🙂 So, I just have to write the rest of the book now…

But I was so worried because the subject matter is kind of controversial and the character whose piece I read from is a young black man with a certain kind of voice that my face and body certainly don’t in any way fit, so I worried I just wouldn’t be able to pull it off. And I am a horribly sucky reader and always will be — I’m just shy and I’m not an actress and that’s just that. But people still got what I was trying to convey through the actual words, so I am extremely happy about that. That’s all I can ever ask for!

Anyway, funny thing is that there was this guy sitting up front who looked just like Christopher Wheeldon. Seriously, just like him except about 10 years younger. And it really freaked me out because then I started thinking of this. And then I started thinking what if someone reacts to me like that! I mean, you can’t please everyone of course, and there are always going to be people who don’t like you, but, well, all I can say is that the more I write (and the closer my first novel gets to publication), I am feeling a lot less critical, at least of new works 🙂

Anyway, now that this all-too stressful event is over, I’ll blog about the Natalia Osipova / Herman Cornejo La Sylphide at American Ballet Theater Monday night. She was good, he was insanely excellent. It’s like with Kathryn Morgan the other night in NYCBallet Dancers’ Choice — I don’t know if there are words to describe him. If you want to see sheer perfection, go see him in something — anything. I can’t imagine anyone better in all the world. I mean, every great dancer brings something to the stage, and he simply brings perfection, in the Webster Dictionary definition of the word: “an exemplification of supreme excellence.” One of my Twitter friends (who’s a very established ballet dancer) told me he’s a “dancer’s dancer,” which I can totally see. He’s a non-dancer’s dancer too 🙂

Anyway, more tomorrow, I mean later today. I have to sleep now.

"BRAVO, MR. B.": DANCERS’ CHOICE PROGRAM, NEW YORK CITY BALLET

 

 

I love these Dancers’ Choice programs at NYCBallet! Established to raise money for the Dancers’ Emergency Fund, it’s the one night of the year where the dancers plan everything — the ballets to be performed, which excerpts, and who dances them. One dancer plays artistic director for the night (tonight’s was  principal ballerina Jenifer Ringer), another designs the program graphic (tonight, Janie Taylor, above), and another choreographs a ballet to be premiered (tonight, Ashley Bouder, with costumes by Janie Taylor) Dancers who are visual artists donate their artwork for a silent auction during intermission. And that’s my one and only complaint with the evening — the intermissions are always too flipping short. There’s no way people have time to browse through the special items for sale and make their purchases in 15 minutes. Why don’t they double or even triple the intermission? People can buy sparkling wine and browse and buy, not to mention people-watch (practically everyone shows up for these things — all the dancers past and present at NYCB and even ABTers from across the plaza). And it wouldn’t be more expensive to do that, right — if you’re selling alcohol and art, what’s the added expense? What do people need to get home for by 10:00 anyway 🙂

Okay, that’s my little rant.

The program was excellent. They chose the best parts of some great ballets, and some ballets I’ve never seen before — and ended up loving — and of course Bouder’s new ballet!

I’m not going to go in order, but just write what comes to mind first, which is the new Bouder,

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