Why I’m Happy With the DWTS Finalist Results

So now everyone knows of tonight’s results, and who made it into next week’s finals on Dancing With the Stars: Jennifer Grey, Kyle Massey, and Bristol Palin. I really felt sorry for Brandy as she couldn’t help but cry at the results. And I thought she was a very good dancer. Actually, I think she’s an excellent dancer in general, and a good ballroom dancer.

But it seemed the judges and hosts felt it was Bristol who should have gone home. And last week on Jimmy Kimmel Live, Jimmy asked Kurt Warner and Anna Trebunskaya whether they thought Bristol should still be on the show – meaning did they think it was unfair Kurt was booted when Bristol remained. Both wisely refused to judge Bristol’s dancing. Tonight, when Brooke questioned him about the results, Maks Chmerkovskiy said he believed in the American system of freedom to vote for your favorite, meaning he also thought Brandy deserved to be there more than Bristol but that Bristol had won what was simply a popularity contest.

But, to me, this show isn’t about who’s been the best since day one and remained the best throughout. It’s about who works hard and improves the most. Bristol’s like a Kelly Osbourne, like a Kelly Monaco all the way back from season one. She’s the proverbial underdog – the one with no dance training, no performance background but a modicum of movement ability, enough anyway to work with throughout the rest of the show. And she did work with it. She was just a regular person and now she’s an accomplished ballroom dancer.

I like Brandy too, but to me Brandy was another Sabrina Bryan. She can obviously dance hip hop, and many of her ballroom dances looked a bit hip hop-py to me, which is completely normal since that’s her dance background. Bristol was more of a blank slate. And I think, at this point in the show, she’s more of a natural ballroom dancer than Brandy. And that’s what this show is about.

I think voters voted the way they did not because of Sarah Palin’s fan base for cry eye – please! – but because many felt the same way I did. A lot of this show’s contestants who started out not so hot ended up getting far: besides the aforementioned, Kate Gosselin, Christian de la Fuente (remember what a weightless goof he looked like at the beginning?), and I remember thinking Helio was cute but that he had a long way to go at the beginning of his season, and ditto for Drew Lachey and Emmitt Smith. I don’t think Bristol’s going to win the whole competition – I really think Jennifer’s going to win – but I’m not at all surprised she went as far as she did, as far as Kelly Osbourne.

I also like Bristol for the exact reason the judges keep criticizing her. I like that she’s natural and she “just” dances and doesn’t overact everything. Acting is for the story ballets, not ballroom. Yes, you should show some expression but it shouldn’t be about that. But, who knows, maybe I am just burned out from watching So You Think You Can Dance try-outs for five hours today in Brooklyn, where the judges constantly told the contestants, however breathtaking their movement and excellent their technique, that they either smiled too much, didn’t smile enough, only smiled once, made weird expressions, mouthed lyrics, looked down and not at the judges, danced too far away from the edge of the stage and hence not “to” the judges, etc. etc. etc. – all comments that had nothing to do with dance, basically.

But more on that soon. Anyway, I am happy with the DWTS final three: the Dirty Dancing star, the underdog who’s come from behind, and Mr. Entertainment. So, Bristol’s the exact opposite of the other two. I’m really excited now for next week in a way that I wouldn’t have been if the three finalists all had the same strengths.

“Story Night”: Dancing With the Stars Season 11, Week 3

So tonight is story night, meaning each dance must tell a little story.

First on are Jennifer and Derek dancing samba. Their story is that she’s a teacher and he’s her student. At first she (pretend) disciplines him then turns into hot teacher and seduces him. Wow, I thought that went very well. Samba is the hardest Latin dance (imo, but I think it’s pretty well accepted). Part of her stunning performance is due to her pants with the shimmies – they really do make you look like you’re shaking it more! But she did have the twisting pelvic action down, and she did really beautifully with most of it. She got a bit too jumpy in the middle, especially after they had a little flub. But they put that crazy hard samba roll in shadow position in toward the end, and those are damn hard. They didn’t have many of them, but still. Big kudos to her for not screwing up the hardest part. By the way, didn’t she look like Sarah Palin with her hair in a bun and the glasses?

Next, Florence and Corky, waltz: They dance to Edelweiss, and interesting – I didn’t know she ever starred in the theater version of The Sound of Music. Their dance is about two people finding a mutual attraction, she’s resistant at first, then they come together. Aw, beyond sweet! The choreography was very basic, but so beautifully executed and so well acted it made you appreciate the simplicity of the steps. I love Corky for doing that! The emotion was subtle and she acted that perfectly, which makes sense of course since she’s an actress. The only thing – and it may be because I’ve recently seen Janie Taylor in Benjamin Millepied’s Why Am I Not Where You Are at NYCBallet, and her character in that is blind at the beginning – but something about Florence’s performance made it seem like she was blind; seemed like she was kind of happy that this guy was sweeping her away, but that she couldn’t see him, was looking through him. I think it was because she kept her head and upper body so still. She really needs to loosen up her back and shoulders and neck.

Next, Kurt and Anna dance foxtrot. Okay, first of all, he says during practice that being 6’2 it’s almost impossible to look good dancing ballroom; he looks like a big tree. Not so! Roberto Bolle, Marcelo Gomes, David Hallberg – Kurt, practically every male ballet dancer I love is huge! Aw, I loved this dance! Story is it’s raining, he has an umbrella, she’s sitting at a bus stop umbrella-less and a bit down, and he cheers her up by sweeping her away. Perfectly done. He was polished, very gentlemanly, had good rise and fall action. Only thing is that he’s still looking a bit stiff in the upper body too. The ballroom frame does feel really unnatural when you’re dancing. Everyone needs to watch videos of pros – like Mirko Gozzoli and Alessia Betti , Jonathan Wilkins and Hazel Newberry, and Katusha Demidova and Arunas Bizokas. The pro dancers on the show should show their celebs more videos! It just helps to have a sense of what you should look like – an idea at least for you to try to emulate. But seriously, he had the rise and fall down pat, he had really good form, he was a good, proper partner, and it was really beautifully done.

Margaret and Louis, samba.

Continue reading ““Story Night”: Dancing With the Stars Season 11, Week 3″

Dancing With the Stars Season 11 Premiere

Oh gosh, I hardly know any of these celebs. Did Margaret Cho mean to trip going down the stairs? Why does Bristol Palin look so frumpy? I guess we’ll find out the answers to these questions and more as the show progresses 🙂

Okay, Tony and Audrina’s Cha Cha: Wow, she looks like a young Marie Osmond. Well, she had no turnout, which, you know always bugs me. And she lifted her feet off the floor too often; you’re supposed to trace the floor with your toe in Latin. And she looked nervous and thus a bit stiff. You can tell she’s not a natural. It looked like she was trying hard to concentrate and remember her steps. But that’s totally normal for a first-timer. But I think she’ll do okay. This was just the first week. I think she can definitely improve. Hmm, her scores (19) were pretty low for the judges’ relatively high praise.

Kurt and Anna’s Viennese Waltz: Aw, sweet how he walked up and kissed his wife at the end. You know, compared to those okay, somewhat hideous rumba and Argentine tango walks in his practice sessions, his VW was really quite nice. He had decent shaping in his upper body, he had a certain debonair (as Carrie Ann said) quality about his lower body movement, and he was a good partner for her and made her look good. He jumped a little in some of those pivot turns, but overall, he did far better than I was expecting. He’s not a natural either and if he doesn’t work hard, he’s going to be out early on, but I do think if he got the waltz down that well after those horrid-looking rumba walks early on, he can work hard and do well. He gets a 19 as well.

Kyle and Lacey’s Cha Cha: I love this guy’s personality! I’ve never heard of him before, but he’s so sweet! Loved that Cha Cha! As does the audience! He doesn’t have dance training because his feet weren’t turned out and his hip motion wasn’t proper, but he totally has a natural sense of rhythm and he’s willing to do anything and really go over the top, and wow, he can just really move! And they work well together because she’s a goof too. Why why why do I always think of Ashley Bouder when I see her?… Even with her new blonde hair. I totally agree with Carrie Ann – he’s my first season crush. The judges are being nuts tonight. He only gets a 23, and he was so much much better than the first two?…

Continue reading “Dancing With the Stars Season 11 Premiere”

DANCING WITH THE STARS MOVIE NIGHT

Here are my thoughts on this week’s Dancing with the Stars.

I was going to post a video of Tiler Peck for all the Huffington Post readers who’ve never heard of her, since she was seen so little on last week’s results show, but sadly — shamefully really — except for a couple of rehearsal videos from last year’s Vail Dance Festival, there are virtually no videos of her on YouTube other than last week’s DWTS.

TILER PECK ON DANCING WITH THE STARS NEXT WEEK IN TRAVIS WALL ROUTINE

 

According to the New York Times, Tiler Peck will appear in next Tuesday’s Dancing With the Stars elimination show in a dance choreographed by Travis Wall. The performance is part of the show’s Macy’s Stars of Dance series; she’ll appear along with 12 others.

I didn’t write about this week’s show. Just couldn’t get into it. Did love how Ochocinco shows us how he talks to himself though 🙂 Just overall, the show is getting boring to me again… Hopefully it’ll spice up soon. I think part of my boredom this week had to with the fact that I just don’t like Paso, or, rather, hate how it’s performed on these shows (loved it in Strictly Ballroom though).  And, then, last night I ended up watching most of the Yankees v. Red Sox game instead. I know Buzz got kicked off. Too bad!

Above photo of Peck by Paul Kolnik.

SAMANTHA HARRIS IS LEAVING DANCING WITH THE STARS

 

MSNBC (via People.com) reports that Samantha Harris is leaving her position as Dancing With the Stars co-host in order to focus on her work on The Insider and Entertainment Tonight. She calls DWTS a “dream job” and says she’s sad to leave. Host Tom Bergeron is reportedly hoping to have her on sometime as a contestant (which could be fun). Season 10 begins March 22nd.

Photo: Kelsey McNeil / ABC

MARIE OSMOND NAMED WOMAN OF THE YEAR BY NEVADA BALLET THEATER

 

Nevada Ballet Theater, which recently held its annual gala in Las Vegas, honored former Dancing With The Stars contestant Marie Osmond as its “Woman of the Year.” Osmond credited her DWTS friend Wayne Newton with convincing her to start her own show in Vegas, and joked that though Donny did better than she on DWTS, he’d never be “woman of the year.” Also at the gala was ABT’s regal Cynthia Gregory, who, apparently recently moved there.

DWTS SEASON NINE WINNER

 

Okay, okay I know it was Donny Osmond, but in my mind it was Kelly Osbourne! Or Mya. I thought Mya was by far the best dancer on the show this season, but Kelly was the most improved and that’s what this show should ultimately be about, imo. And there was something so relatable about Kelly; even though her father is a hugely famous pop star, she was still so human, and somehow so normal. Which is where she got her fan base, I’m sure. And of course Louis is my favorite dancer on the show, so there’s that for me.

I thought Donny was fine though, and I’m glad someone over 50 won that ball. I do wonder what the demographic was like this season — whether it was different from the rest? Good lord, has Marie lost weight since she was on the show or what?!

 

Anyway, how cool was it that Paloma Herrera (above image from here) was on SYTYCD tonight? I loved her — loved the beautiful tip-toes en pointe. Unfortunately my upstairs neighbor, Godzilla, was making such a heinous racket (the girl / beast has ruined just about every holiday for me for the past two years) that I didn’t get the full effect, and didn’t hear her announcement or her reception, but I wonder how well that classical Don Quixote solo fared with this audience? I guess we’ll see.

I admit I didn’t see last night’s show (I was out at NYCB and taped DWTS; can only record one thing on my recorder), but intend to watch vids if they’re up on YouTube yet. I’d love to see how Victor and Karen fared as a partnership. I mean, obviously those two were kicked off tonight but that doesn’t mean they did badly, just that the audience for whatever reason doesn’t care much for them and perhaps the judges felt like for political reasons they had to go with the audience a bit. I mean, how many weeks can you keep the same dancer on when the audience isn’t voting for them? And how much is that going to hurt ticket sales to the live shows if you actually advance them into the top ten?

Anyway, I liked Karen and thought she brought her own thing to the show and I’m sorry to see her go, and I’m really sorry to see Victor go since he was one of my favorite males. Oh well. I guess I’ll watch for Jakob and Russell from here on out.

DWTS & SYTYCD PRETTY PREDICTABLE THIS WEEK, IN MANY WAYS

Wow, I’m so happy Kelly Osbourne and Karen Hauer are staying, on DWTS and SYTYCD respectively, after this week.

Re DWTS: I was really blown away by Kelly and Louis’s Quickstep Monday night and I have to take back what I said last week about her self-esteem not seeming to improve much. She danced that Quickstep with so much intelligence and sophistication and a real inner confidence. She was like a pro. I still think Mya is technically the best, but I’m rooting for Kelly!

I’m not at all surprised Joanna Krupa was booted. I think she tried hard but, as I’ve said before, I thought she didn’t have good enough dancer form and discipline in her body. Interestingly, as I was preparing to record the show, I happened upon the Ellen Degeneres show and saw her and Derrek on, where it was revealed that she’s in Playboy this month. And of course Monday night Hugh Hefner was on DWTS giving his esteemed opinion on why she should win. Anyway, when Ellen asked, Krupa denied using the Playboy cover to try to gain more votes, but I’m not so sure I believe it — even if it’s more the show’s producers who are behind such a stunt and not Krupa herself. So it backfired, unsurprisingly — I don’t think consumers of mags like that and this show come from the same demographic exactly.

Re SYTYCD: I really like Karen and think she’s so versatile and has such immense performance quality in her dancing. So I’m glad the judges decided to keep her this week and let Channing go. I kind of knew when both dancers ended up in the bottom three, the judges would do that. Karen’s different; she adds something unique. Channing’s like a slightly less compelling version of Mollee, who, with Nathan, surprisingly ended up in the bottom three as well. Well, maybe it’s not that surprising though, after what Nigel said about Nathan last week — I think his cutting him down and telling him his head was too big and he was only staying on because of his female teeny-bopper fans made all of the non-teeny-bopper watchers weigh in with their votes.

At any rate, this week Nigel told Nathan he was glad he seems to have listened to him and learned his lesson because he is truly one of the best dancers ever to be on the show. I was like “HUH???” Has he forgotten about Danny Tidwell, and don’t they keep saying Jakob’s by far the best this season? I mean, come on — what’s Nigel trying to do? Nathan is fine — he’s not a jerk and he’s not the best dancer this show has ever seen; he’s just a decent dancer and a regular contestant — stop trying to create drama.

Anyway, I do really like Russell too and he and Noelle’s Foxtrot was I think overall my favorite dance last night. That was so enjoyable. They both just floated over the floor, seemed to have perfect ballroom technique though he’s a krumper and she a contemporary dancer, and they gave it even more umph than regular ballroomers do. Excellent excellent job. I like Russell so much, I’ll even be happy if he wins over Jakob — so long as Jakob is in the finals 🙂

I also thought Victor came to life for the first time this season last night. I didn’t much care for Tyce’s kooky birds breaking out of their cage routine but I thought Victor really made the most of the movement, hitting every line right on and making very bizarrely intriguing shapes with his body.

I think overall my favorite moment of the show was when Tony Meredith asked Legacy if he knew what Paso Doble was and Legacy said dramatically and humorously, “No! I know that it’s pronounced Paso Doble (and of course he said that with a perfect Spanish accent), but other than that I know nothing!” For some reason that comment just really cracked me up; I couldn’t stop laughing. I thought the routine was okay but I really didn’t think he and Kathryn looked like professional ballroom dancers the way Russell and Noelle did. Still, I like Legacy’s personality — well, I like both of them personality-wise, and want them to go far.

I loved Jakob and Ashleigh’s hip hop and thought they completely nailed it and it was one of the best hip hops I’ve ever seen on the show. The contemporary and ballroom dancer — that shows you just how remarkable they both are.

I liked but didn’t love the other two routines. I did like Ryan in Travis Wall’s contemporary but I just didn’t feel the passion there, unlike the judges. The judges were going on and on about him, saying he was the best Latin dancer ever to dance contemporary and I felt like saying, “Hey, you all said that about Janette last season!”

I have to say I really got upset about the judges’ remarks to Karen last night — at least Nigel’s (and Mary always says whatever he says; it’s like she’s afraid to disagree with him; Adam not so much so, though he does defer). Nigel’s said each week that she’s the sexiest dancer ever on the show — the sultriest, the most sensual, the most sexual — how many ways are there to say it? And she just kind of smiles at him, not flirtatiously but like she’s a woman who knows herself too well to let his words pierce her. So he puts her into this box — she’s the official “sex goddess” — and then this week he tells her that when she’s given a routine where she’s supposed to play “cute” — when she can’t be his said “sex goddess” — then her dancing doesn’t do anything for him. I love her expression when he said that — another wholly self-contained smile. But he really made me so mad for that. It wasn’t like she did the wrong thing — it wasn’t like she did a cutely girlish character like a sexed-up vixen. She performed the character right. I’m glad Adam stood up for her and said he liked it when she could show other sides of herself — which she did, and she did so well.

I saw Billy Bell in line yesterday morning at Starbucks. I didn’t speak to him (I’m shy) but wanted then to tell him how wonderful I thought he was and how much I want to see him on the show next season. But after last night, I wanted to tell him to finish Juilliard and try to get a good job with a great ballet company instead. Now, I don’t know. I feel a bit better about the show after tonight, after they didn’t dismiss Karen and gave as their reason for not dismissing her that she was a great performer and a quality dancer and not that she made Nigel hot.

Ugh, these shows. I mean, what is dance? It kind of breaks my heart that these shows tend to make it more about selling women’s bodies than about creating art.