Is Jack Cole the Greatest Choreographer You’ve (Probably) Never Heard Of?

 

On Monday September 10th Turner Classic Movies will devote an evening to the movies of Hollywood jazz choreographer Jack Cole. The presentation will be hosted by my friend, Los Angeles Times dance critic and founder of the blog, Arts Meme, Debra Levine, along with TCM’s Robert Osborne.

Cole was born in New Jersey and actually began his career as a Denishawn dancer. He was an early dancer at Jacob’s Pillow. He choreographed for Broadway (Man of La Mancha, Something For the Boys, etc.) before moving to Los Angeles to choreograph for film. He worked on many huge films, including Gentlemen Prefer Blondes, Some Like It Hot, On the Riviera, the list goes on. Yet, strangely, many have never heard of him. Why?

Here he is with Marilyn Monroe:

 

So, on September 10th, beginning at 8 pm ET (5 PT), TCM will show four Cole-choreographed films: Tonight and Every Night (1945, starring Rita Hayworth), On the Riviera (1951, starring dancer Gwen Verdon, later famous for being Bob Fosse’s main muse), Gentlemen Prefer Blondes (1952, starring Monroe and Jane Russell), and Les Girls (1957, starring Gene Kelly).

I’ve heard Debra give several talks about Cole, the latest of which occurred at UCLA’s Hammer Museum a few weeks ago when the museum showed a rather hilarious film called The I Don’t Care Girl starring Mitzi Gaynor. Several dance sequences, which I found brilliant, were choreographed by Cole. Gaynor was there, looking gorgeous I might add – I have no idea how old she is now – and she entertained the crowd with her tales of working with Cole, of learning to dance, and of her film career, with loads of dirty jokes thrown in. She can be quite lewd! But sweetly so.

Anyway, Debra is hugely knowledgeable on Cole. You’ll learn so much listening to her talk about him on TCM. It’s tragic he’s so little remembered now when he worked on such classic films. I hope she writes a biography of him someday. Please tune in!

Here’s a sneak preview of Debra speaking with Robert Osborne:

And here’s a clip from The I Don’t Care Girl:

Go here for more information on the exact TCM schedule, and go here and here for more info on Cole.

SO YOU THINK YOU CAN DANCE SEASON FIVE FINALE

I know this will come as a surprise to everyone (not!), but I really agree with Mary when she commended Evan for having introduced young audiences to a dance style that was in danger of dying: good old fashion Broadway / classic MGM — Fred Astaire, Gene Kelly and all that. To me that has been the highlight of the season. To me, none of the dancers really had the sort of overall star power that Danny Tidwell, for example, had a couple of seasons ago, but Evan shone for what he excelled at. And I really believe audiences went for that — not for his cute face, as Nigel put it, or his good guy-ness, but for the way he brought that classic Broadway / Hollywood style of the ’40s and ’50s charmingly to life with character and intelligence — and with very good technique.

I don’t understand why all the judges kept harping on him. I actually thought he outshone Brandon in the Laurieann Gibson routine (at the beginning, they both jumped and his was sky high, with better lines than Brandon’s). I thought both he and Brandon did well at the more hip hop-y parts, but Evan outshone Brandon with the jumps and turns. But people will probably disagree with me on that…

And I thought he was technically better than Kayla in Tony and Melanie’s Jive. I thought her arms were way too busy. In jive your arms aren’t supposed to be swinging about wildly; your legs and mid-section are supposed to be doing the work. I feel that if you use your arms too much, it’s like your center and legs are weak — it’s like using your arms to haul your body up during sit ups or something. Outwardly you’re doing the movement pattern, but you’re not using the proper muscles. Anyway, I thought his legs were fantastic — those jive kicks had so much strength. And the lifts were spectacular — I love how they slowed them down mid-air to keep in time with the music. They almost looked like they were in slow motion. Difficult! I honestly thought that jive — and Evan’s performance in particular — was one of the best I’ve seen on the show. And how much do I love the audience chanting for him when the judges were being harsh đŸ˜€

I do think overall, though, my favorite dance of the night was Jeanine and Brandon’s Paso Doble. What a triumph for Louis van Amstel — holy cow! Normally I don’t like non-traditional Paso music, but this (from The Matrix) worked well — can you say intense?! Great razor sharp movement for both of them, he had some gorgeous turning jumps, and what a beautiful jete into an assisted slide for her. I totally agree with Adam Shankman’s comment that the reason this worked so well is because they focused on the transitions  — the movement between the tricks — and not only the flashy things. As my former teacher, Luis, always used to say to me, the actual dancing takes place between the tricks. Nowhere was that better demonstrated than with this Paso. Kudos to everyone involved.

My other favorite moment of the night was Jeanine’s solo — by far the best of the night, I thought. That modern-y tango was so original — part Latin, part American Modern with the staccato, angular movement, the sharp stops, the isolations. And, contrary to Adam, I loved the rose stem held between her teeth. I thought it gave the dance character, and was a bit humorous to boot. And those pirouettes — totally agree with Adam there — WTF! Those were incredible! She began with a group of fouettes to give herself speed, then wound down into a combination of pirouettes that she somehow slowed to a perfect stop at the end, holding her balance after the last one ended, in perfect form. Astonishing — that was like something you’d see from Gillian Murphy and it made me think she’s been holding back all season…

But then … when she danced the Mia Michaels routine side-by-side with Kayla, I thought Kayla outshone her. I thought Kayla had greater height on her kicks and jumps, and overall more precision in her body. I think Kayla has the best modern dance technique of anyone on the show, and it really shows in the way she is able to dance with so much expansiveness, so much breadth, yet still keep such a tight form. In the group routine I found her to be the most expressive, to have the greatest range of movement in her head, neck and torso. And she’s got such stunning leg extensions. That Tyce DiOrio routine she did with Brandon — she really blew me away when she swung her right leg up, held it nearly to her ear, and then he threw her over his head in a split.

I wasn’t as in love with Brandon’s solo this week as I was last (and as the judges were), but I did love how he ended in that sudden straddle split. That is kind of his thing — making these sudden and intense lines. And his solo last week was to die for — so he’s definitely had his moments on the show.

Again, I have no idea who will win tonight. I feel that everyone has something: Kayla’s a great mover, Brandon has strength and intensity and can really blow you away at times, Jeanine excels with original solos and really brought it on this week and did something astounding, and Evan I love for bringing back Gene Kelly. Maybe Evan’s popularity on the show will lead to increased appreciation of Jerome Robbins?… Okay, I can dream đŸ™‚

SO YOU THINK YOU CAN DANCE TOP 8: JANETTE, EVAN AND KAYLA SHINE

Sorry I’m late in posting again. Another problem with Godzilla last night — our run-ins are slowly coming to a head…

Anyway, one highlight to me last night was Mia Michaels echoing my love of Janette! She pronounced Janette “my favorite, favorite, favorite this season”! I of course love Janette too. There’s nothing she hasn’t been able to do. I don’t think she’s really received a single criticism yet on the show. Since this show honors versatility, at this point she is my favorite to win.

I also think though that Evan and Kayla are two of the best things to come out of this season. I honestly feel that the past two seasons generally have been duller than the first three, and sometimes I wonder what good this show really does for the dancers who appear on it. American Idol contestants go on to do huge things — acting in movies (and winning awards for their work), going on Broadway and becoming sensations, and of course becoming recording superstars — but I haven’t seen the dancers from this show reap those kinds of rewards. I do think with Evan and Kayla, Broadway could have found some new stars. I could see both of them up there on the Broadway stage, especially if, as Mia Michaels told Kayla, they can sing and act. I thought Kayla and Jasons’ Broadway routine was the hit of the night. The judges didn’t all agree with me and I think Nigel said they were “flat” but I thought it was fantastic. I thought Kayla in particular showed real star potential.

To me, Evan always shows that star potential. Another great Gene Kelly-ish solo from him last night. He reminds me so much of ABT’s Craig Salstein.

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