MERCE CUNNINGHAM HAS DIED

 

My friend Deborah just alerted me to this horrible news. One of the world’s great pioneer choreographers has just died (last night; the news was released this morning). We all knew this was coming at some point; he was 90 (and still choreographing, often from his bed). But I think many thought he was one of those who’d make it to 100 or past. This on the heels of news of Pina Bausch is devastating to the dance world. So, his recent program at BAM is his last…

Cunningham’s work was groundbreaking in its use of technology, its questioning whether dance needs music (he collaborated with music pioneer John Cage and his works were often danced to silence or to sound that the dancers heard for the first time during the first performance), its questioning of what “performance” is (he would often use chance encounters), and in creating an original (and sometimes controversial) movement language.

But others, like NY Times chief critic Alastair Macaulay, knew his work much better than I (Macaulay was a great admirer of Cunningham, as was Mikhail Baryshnikov), so I’ll await his full Times obituary.

How awful.

 

"BRAVO, MR. B.": DANCERS’ CHOICE PROGRAM, NEW YORK CITY BALLET

 

 

I love these Dancers’ Choice programs at NYCBallet! Established to raise money for the Dancers’ Emergency Fund, it’s the one night of the year where the dancers plan everything — the ballets to be performed, which excerpts, and who dances them. One dancer plays artistic director for the night (tonight’s was  principal ballerina Jenifer Ringer), another designs the program graphic (tonight, Janie Taylor, above), and another choreographs a ballet to be premiered (tonight, Ashley Bouder, with costumes by Janie Taylor) Dancers who are visual artists donate their artwork for a silent auction during intermission. And that’s my one and only complaint with the evening — the intermissions are always too flipping short. There’s no way people have time to browse through the special items for sale and make their purchases in 15 minutes. Why don’t they double or even triple the intermission? People can buy sparkling wine and browse and buy, not to mention people-watch (practically everyone shows up for these things — all the dancers past and present at NYCB and even ABTers from across the plaza). And it wouldn’t be more expensive to do that, right — if you’re selling alcohol and art, what’s the added expense? What do people need to get home for by 10:00 anyway 🙂

Okay, that’s my little rant.

The program was excellent. They chose the best parts of some great ballets, and some ballets I’ve never seen before — and ended up loving — and of course Bouder’s new ballet!

I’m not going to go in order, but just write what comes to mind first, which is the new Bouder,

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