Just skimming this week’s New York Magazine and saw this — look at top right corner! It’s the exact pose from Robbins’ In G Major that I was going on about in my Dancers’ Choice post! I loved that piece and loved Danchig-Waring and Krohn in it. I thought no one else would really like it since it was a bit slower-paced and less flashy than some of the other pieces performed that night, but someone else apparently did!
I love these Dancers’ Choice programs at NYCBallet! Established to raise money for the Dancers’ Emergency Fund, it’s the one night of the year where the dancers plan everything — the ballets to be performed, which excerpts, and who dances them. One dancer plays artistic director for the night (tonight’s was principal ballerina Jenifer Ringer), another designs the program graphic (tonight, Janie Taylor, above), and another choreographs a ballet to be premiered (tonight, Ashley Bouder, with costumes by Janie Taylor) Dancers who are visual artists donate their artwork for a silent auction during intermission. And that’s my one and only complaint with the evening — the intermissions are always too flipping short. There’s no way people have time to browse through the special items for sale and make their purchases in 15 minutes. Why don’t they double or even triple the intermission? People can buy sparkling wine and browse and buy, not to mention people-watch (practically everyone shows up for these things — all the dancers past and present at NYCB and even ABTers from across the plaza). And it wouldn’t be more expensive to do that, right — if you’re selling alcohol and art, what’s the added expense? What do people need to get home for by 10:00 anyway 🙂
Okay, that’s my little rant.
The program was excellent. They chose the best parts of some great ballets, and some ballets I’ve never seen before — and ended up loving — and of course Bouder’s new ballet!
I’m not going to go in order, but just write what comes to mind first, which is the new Bouder,
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