THE MARK BALLAS SHOW: SEMI-SEMI-FINALS

Sorry, am compelled to call DWTS the Mark Ballas show now, because whenever he dances, it is so all about him. Mark! Can the man ever learn to be the frame? “Oh baby, what’s wrong?” he says to Shawn in practice, before hugging her. Oh Mark — just melt me. But it’s nice to see a pro not beating up on his amateur, unlike Cheryl, who gave Gilles more hard times this week… Anyway, I thought Mark and Shawn’s Quickstep was great fun, but again, was only watching him. The quintessential ham. Seriously, though, he’s an excellent performer, and an excellent dancer… which is rare I think. And I love that half-Texan half-British accent. Shawn seemed to do very well.

Chelsie’s taking over and making it all about her with Ty isn’t as bothersome, I guess, since the woman is supposed to be the picture.

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America’s Ballroom Challenge

 

 

So, what did you guys think about the show?

I was worried I’d be mad about the new format but I really ended up thinking this one worked better, at least for TV, even if it is fake. For people who’ve never been to a regular ballroom dance competition before, the competition is really the first parts, the group dances (as shown in the picture above) — that they severly truncated here, showing only a small part of one dance for each of the four categories. But I do think the showdances work so much better for TV. On TV the excitement of the group dances is really lost. But it’s so stunning to see, to feel, all these couples whizzing by you, spinning, shaking their hips at lightening speed, to hear the crowds cheer, scream really, while all the couples try to look so glamorous and graceful, the raucous audience making it seem more like a boxing match. I encourage everyone who hasn’t been to go to a real competition.

Anyway, it wasn’t much of a surprise that Riccardo Cocchi and Yulia Zagoruychenko won — they’re second in the world in Latin, and I’m wondering, after watching them in November (which is when this show was taped), if they could overtake the current champs, Poland’s Michael Malitowski and Joanna Leunis, at some point. I loved their Cha Cha tonight (with her in the sizzling red and him in the open tux jacket), their Samba, and their combo routine to the pure percussion (which I love — I love that they’re not afraid to use that kind of music). I love how they vary the rhythms in an often unpredictable way, I love his speed and how she makes original shapes with her body, especially when she tucks in her stomach, rolls her shoulders, and curls her pelvis, looking almost like a cobra. Or is it a python? The snake that lifts its front part and expands its head, ghost-like, before attacking?… (I don’t really want to do a google image search) Anyway, I really really love them– Yulia and Riccardo.

Since the two top Standard couples — Arunas Bizokas and Katusha Demidova and Victor Fung and Anna Mikhed — were at another competition (I think in the U.K.) at the same time as the Ohio Star Ball and didn’t compete, it was really a toss up who would win. I thought Linas Koreiva and Liene Apale would win — I thought they danced the best — though I loved the balletic look to Mikhail Avdeev and Anastasia’s beautiful waltz. I love how in all their routines

— oooh, Oscar Hijuelos (one of my favorite writers, author of Mambo Kings Play Songs of Love) is on Larry King, PBS! He is WAY the hell younger than I thought… —

sorry,  just had to say that. 🙂 Anyway, I love how Mikhail and Anastasia’s dances were all basic, yet so well done, so beautifully executed. Shows how dance is more about excellent technique and lush, expansive movement than tricks. And I love that they used classical music instead of going for the modern and poppy.

Totally predictable of course that Joanna Zacharewicz and Jose DeCamps would win Rhythm — and how much do I love that there are Joses in the world — how hot was that mambo! And that John Travolta! He is truly one of the most charismatic dancers in all of ballroom.

And Jonathan Roberts and Valentina were lovely. I do believe she is the powerhouse of that partnership. She really shines and her form is so splendid. His is less so (and I caught him pigeon-toed a few times), though he is a solid support for her, which is mainly what the man is supposed to be. I liked J.T. Thomas and Tomasz Mielnicki’s snazzy Foxtrot, though I’ve seen both couples in competition before and can see how Jonathan and Valentina took the whole without winning the showdance portion.

Oh, before I forget, what did you guys think of that Swan Lake dance at the beginning of the program, by Mikhail Zharinov and Galina Detkina in the American Smooth division? It was one of the very first ones, if you can remember. If you didn’t notice — and the announcers didn’t point it out — she was wearing a long white glove on her right arm, with a swan’s face and beak painted on the thumb and fingers. So, the way she was holding that arm up and bending her wrist like she did, when you see it up close (as I did at Champions of the Dance recently here in NY at Town Hall), her whole body really does look like a swan, with her hand the head, her arm the neck, and her skirt — when pulled out and held to the back (either by him or by her) — the body. I couldn’t figure out how I felt about it when I saw it live — whether I thought it was cheesy or pretty, and, after seeing it from further afar, on TV, I choose the latter.

Other things: I love my Vaidotas Skimelis 🙂 Dressed as Mozart! Or was it Louis the XVI and Jurga Pupelyte Marie Antoinette? What a big fun charming goof. But an excellent dancer. Their dance was rather humorous but they still had very nice form and some creative choreography and he had some jumps and stylized runs that showed he really could be a balletic, graceful dancer, large as he is.

And why do I have no problem envisioning Boriana Deltcheva as a cat! She’s so feline already; I love the way she climbed on Delyan’s back and wrapped her legs around his waist. She’s such a tall, thin thing, she looked just like a sleek black catwoman. She has the ideal body. She put a note up on Facebook a while ago advertising that she was selling some of her costumes and I had to laugh — like everyone the planet over wishes they could fit into them 🙂

Another highlight: Gherman Mustuc and Iveta Lukosiute’s Carmen tango in the Standard. They always come up with such creative showdance ideas. Such great music, and her red dress was gorgeous.

Pavlo Barsuk and Anna Trebunskaya: how insanely intense was that Paso! I love intense Pasos! And he is the ultimate in the intensity department, believe me – -if you even see him dance live, he does this thing where his eyes grow really wide; he looks like he could devour you for lunch — or his competition anyway. Such a funny contrast to her sweet face and toothy chipmunk smile.

And of course Eugene Katsevman and Maria Manusova — sorry, I’m really into the Latins, obviously. They recently danced at the Dance Times Square showcase and I totally fell for them. He is so damn fast and slick and precise. And they ended one of their dances at the DTS show with that ending trick they did tonight in the Cha Cha, if you remember it — where he flips and drops her, catching her right before she’s about to hit the floor, face down. DTS audience went WILD.

Anyway, enough from me. What did you guys think?

Superstars of Dance Finale

Well, I was going to say it didn’t bother me this week as much as last, but then I watched the first 15 minutes (I had a legal seminar tonight and didn’t get home until after the show had already begun, so had to watch the first 15 after the rest). The Flatley number was horrendous. What was up with that girl in the bikini walking around playing Yankee Doodle Dandee with a flute at the beginning? What is this, a boxing match? Soft-core porn? I actually thought this whole show was kind of porn-ish — generally more about flaunting bodies than artistry.

Except for Maria Kochetkova — the Russian ballerina who competed — and WON thankfully! — in the solo category. I think that’s probably why I liked tonight better than last week — she was on, just about the show’s only saving grace. And I’m not just saying that because I’m a ballet fan. I would really have loved to have seen some wonderful ballroom, but, I’m sorry, I’m just not into that Australian couple. I thought the same of their Jive tonight as I did their Samba last week — fast footwork but just lacking in precision and clarity with an overall sloppy look. At least compared to the Latin I’ve seen at the big competitions.

I liked Victor DaSilva and Claudia Sawides  — the South African duo — tonight better than the last time we saw them. The routine was still about the lifts — those exhibitions always are — but this one had a bit more narrative and emotion, passion to it. I felt like they connected better this time than last. I also liked the Argentine couple. Their Tango was very polished with sharp footwork. Lovely! I pretty much agreed with the couples results.

And I agreed with the solo results too, but only because I liked ballet. I’m sure Robert the popper is excellent at that kind of dance style, as was the Indian dancer at classical Indian dance. As I and others have said repeatedly, you just can’t judge these wholly different styles of dance next to each other.

I’m again annoyed at camera guy though. Camera person, I should say — don’t know why I think it’s a guy. S/he kept homing in on the Indian woman’s face and we couldn’t see some of her beautiful hand and foot gestures. You don’t dance with your face! I felt like she must have been going very fast with her feet at one point because of all the applause, and I think I heard the sound of the bells she wore around her ankles, but I’m not sure because the show’s acoustics weren’t so great. I also think I saw Maria Kochetkova do continuous fouettes with some double pirouettes thrown in, and at one point changing feet right in the middle — which is marvelous! But because of the camera panning in and out, then down to her feet, then a faraway shot, etc., I’m not exactly sure if that happened.

Sorry, by the way, to keep calling most of these dancers by their nationalities and dance styles. The show’s website doesn’t seem to have their names, only those of the judges and team leaders.

I didn’t think any of the group routines were anything to write home about, and both the intro to the American team and that silly Yankee Doodle Dandy number by Flatley and crew up front were ridiculously chauvinistic (I mean in a nationalist way). Why the need to celebrate America and proclaim it the nation with no boundaries, encompassing all the world, etc. on a supposedly international show like this? And is anyone surprised that our team, and our country, won the gold? The whole thing was just so corny. When Flately said at the end to his co-host, “I know, I’ve never seen anything like this on television!”, it looked like he was trying hard not to burst out laughing. At least he should have been.

And what happened to Pasha and Anya? Who knows. According to the website, team Russia was supposed to have two soloists from the Bolshoi, one pair of ballroom dancers, and a Cossack team. I saw two pairs of ballroom dancers and one soloist from San Francisco Ballet. But I missed the first night, so I might have missed the “other” Bolshoi soloist? I don’t know; I’m not a huge fan of the show’s website.

I think the idea behind this show is a good one. I like having dancers from a variety of countries dance different styles — some native to their country, some not, giving audiences wide exposure to the art. But there were just so many cheesy, corny, porn-esque moments, the camera work seriously frustrated my ability even to see what I was supposed to be seeing, and the judging was downright ludicrous.