So You Think You Can Dance Season Finale

So, first we go through a re-cap of the season – some of the silly try-outs, the judges’ harsh criticisms of certain contestants, Alex’s injury, all the tears, Adechicke’s becoming emotional over being able to dance a routine choreographed by Desmond Richardson, etc. etc.

Okay, first on, Kent and Lauren do a Bollywood routine by Nakul dev Mahajan. Well, that was really high energy and Kent definitely delivered on that, as well as really camping it up. That was a lot of fun. But what I felt was lacking was his styling. He didn’t pay much attention to his hands, to the shapes he was making and so it didn’t have that complete Bollywood look to me. And Lauren DID do all of that. At the end, he had perfect shaping with the hands. I just wish he’d have had that throughout. Also, those spins – both single-footed and on the knees – didn’t quite look that polished. Judges loved him though, had no criticisms whatsoever.

Next are Lauren and Twitch dancing a Tabitha Napoleon hip hop. Cute concept! They’re both politicians starting out behind podiums and then they come out from behind and have their little battle. As for the dancing, I thought he outshone her.

Continue reading “So You Think You Can Dance Season Finale”

SO YOU THINK YOU CAN DANCE WEEK 6 – THE SEASON OF INJURIES CONTINUES

Ok, where is Billy?

Cat announces that this is the 150th episode, so they have a giant birthday cake. Wow has the show really been on for five years?

Kenny Ortega is joining as a judge tonight.

Argh! So, Billy has hurt his knee and, though the doctor says he’s okay to dance, he doesn’t feel he can. He’ll be in the bottom three tomorrow night.

First on are Lauren and Twitch in a Tabitha Napoleon hip hop. This was fun. Loved those somersaults – wow, what form she has! She really had the attitude down, and you can tell she worked really really hard. Every movement was right on the beat, was totally sharp. She actually stood out to me more than Twitch, which is saying a lot with a hip hop routine.

Next are Jose and Allison in a contemporary routine by Sonya Tayeh. Wow, Allison! She is really blowing me away. That was SO Sonya Tayeh; she did that perfectly.

Continue reading “SO YOU THINK YOU CAN DANCE WEEK 6 – THE SEASON OF INJURIES CONTINUES”

SO YOU THINK YOU CAN DANCE WEEK 5, OR POST ALEX, SOB!

 

Photo from Jonathan (which Alex posted on Twitter).

Uh-oh, where’s Ashley? Oh, another injury – a rib problem. So, she’ll be in the bottom three tomorrow night, could suffer same fate as Alex.

First on is Lauren dancing a Tahitian dance with Mark Kanemura. Wow, fun costumes. And music! At first I couldn’t take my eyes off of him, and then I couldn’t take my eyes off of her. It was repetitive movement — knees shaking for the man, hip shaking both side to side and front to back for her. It looked simple but that kind of movement takes precision and concentration to pull off because it is so repetitive and so fast. It’s the type of movement that could look really sloppy if you lose your concentration, you know? Mia says Lauren looked like a “duck in heat.” Hmmm.

Next, Adechike and Anya dance salsa. Wow, some really difficult lifts – I think this is the first overhead one we’ve seen this season, and perhaps even on the show? I mean that was a full-out overhead lift, like you see in classical ballet. And that opening throw and catch with a double twist in the air. It was really exciting to me, but I think the tricks kind of took over and made it difficult for Adechike to concentrate on getting his basic movement right. He was fine and he did all of those crazy tricks right and well, but the hips weren’t all there. It just wasn’t the sexy salsa I’m used to in competitions and in clubs.

Next, Jose and Courtney do a Broadway routine. Well, he did a jump in the air with a multiple turn that was exciting. But that was all to me, unfortunately. He just didn’t have the polish, there was no pizzazz with those jazz hands, the line wasn’t there – his barrel turn was just not a proper barrel turn at all. I mean, he looked like a regular person dancing that. As the judges said, it just showed how little dance training he has.

Now, Robert and Allison do a contemporary routine. Wow, well that’s the first time Allison has really blown me away.

Continue reading “SO YOU THINK YOU CAN DANCE WEEK 5, OR POST ALEX, SOB!”

SO YOU THINK YOU CAN DANCE WEEK 4

Ugh, how heartbroken am I that Alex Wong is injured and may have torn his Achilles tendon. If he’s out permanently I’m going to be so upset; he was the main reason I’m so into the show this season. I guess we’ll find out tonight…

I also can’t believe Nigel basically chastised audiences for putting Robert in the bottom three last week. I understand Nigel was only trying to tell people Robert’s not arrogant, as his internet research has led him to believe is why people aren’t voting for him. I’ve never thought he was arrogant but more that he just doesn’t have the expansiveness and breadth of other contemporary dancers. But people don’t like being told what to think and I think Nigel may have just made it more difficult for Robert.

Continue reading “SO YOU THINK YOU CAN DANCE WEEK 4”

SO YOU THINK YOU CAN DANCE WEEK 3: GO ALEX!!!

So, I love that they focused on inspirations this week, allowing the dancers to talk about whom they look up to. It gives America some exposure to some of these great dancers.

Adechicke and Lauren’s hip hop to a Dave Scott routine. First, Adechicke says he’s inspired by Desmond Richardson! Yay! Says he liked him because he’s manly, nothing feminine about him. Well, I love that he loves Desmond since I do too 🙂 I thought this routine was pretty good. He doesn’t completely blow me away for some reason (she didn’t either though – is she a hip hop dancer?), but I thought his form was excellent, he was really fun, had a real funk about him, and those kicks and that turning jump were awesome. Liked his solo – contemporary but with a little bit of breaking movement. It reminded me of someone else’s from a past show – maybe Will.

Ashley and Ade’s Dee Caspary contemporary routine:

Continue reading “SO YOU THINK YOU CAN DANCE WEEK 3: GO ALEX!!!”

MIA MICHAELS' NEW SHOW(S)!

There’s an interview with Mia Michaels in the Wall Street Journal about why she left SYTYCD. In it she reveals that she has not one but potentially three new shows in the works:

Are the rumors that you might get your own show true?

These rumors are very true. I can’t go into details about it, but there are three separate shows we’re working on, and all three of them are very different. One is a choreography show, one is a doc-reality show of a stage show that will be touring the states and the third one was inspired by a Web site called ‘Mia Michaels, Please Choreograph My Life.'”

Wow. Read the rest of the interview here.

JACOBY AND PRONK IN LIGHTFOOT LEON’S SOFTLY AS I LEAVE YOU

 

Photo by Bill Cooper of the mesmerizing Drew Jacoby and Rubinald Pronk in Lightfoot Leon’s spellbinding Softly as I Leave You, which is on both Morphoses programs (currently at City Center) and which I’ve been going on about in my last post, here, and earlier here.

And look — finally an American critic has something good to say about it!!

Says Lisa Jo Sagolla of Backstage magazine, “Lightfoot Leon’s Softly as I Leave You, a stunningly inventive duet involving a frightening coffinlike wooden box, is so fiercely emotional that its impact is universally chilling.”

I couldn’t find any YouTube clips of Jacoby and Pronk in Softly but, if you’re unfamiliar with them, here are a couple of others I found: the first a sexy little music video and the second is of them rehearsing with Mia Michaels.

Review coming soon of Program B, which includes Christopher Wheeldon’s new Rhapsody Fantaisie, which I liked.

SO YOU THINK YOU CAN DANCE SEASON FIVE FINALE

I know this will come as a surprise to everyone (not!), but I really agree with Mary when she commended Evan for having introduced young audiences to a dance style that was in danger of dying: good old fashion Broadway / classic MGM — Fred Astaire, Gene Kelly and all that. To me that has been the highlight of the season. To me, none of the dancers really had the sort of overall star power that Danny Tidwell, for example, had a couple of seasons ago, but Evan shone for what he excelled at. And I really believe audiences went for that — not for his cute face, as Nigel put it, or his good guy-ness, but for the way he brought that classic Broadway / Hollywood style of the ’40s and ’50s charmingly to life with character and intelligence — and with very good technique.

I don’t understand why all the judges kept harping on him. I actually thought he outshone Brandon in the Laurieann Gibson routine (at the beginning, they both jumped and his was sky high, with better lines than Brandon’s). I thought both he and Brandon did well at the more hip hop-y parts, but Evan outshone Brandon with the jumps and turns. But people will probably disagree with me on that…

And I thought he was technically better than Kayla in Tony and Melanie’s Jive. I thought her arms were way too busy. In jive your arms aren’t supposed to be swinging about wildly; your legs and mid-section are supposed to be doing the work. I feel that if you use your arms too much, it’s like your center and legs are weak — it’s like using your arms to haul your body up during sit ups or something. Outwardly you’re doing the movement pattern, but you’re not using the proper muscles. Anyway, I thought his legs were fantastic — those jive kicks had so much strength. And the lifts were spectacular — I love how they slowed them down mid-air to keep in time with the music. They almost looked like they were in slow motion. Difficult! I honestly thought that jive — and Evan’s performance in particular — was one of the best I’ve seen on the show. And how much do I love the audience chanting for him when the judges were being harsh 😀

I do think overall, though, my favorite dance of the night was Jeanine and Brandon’s Paso Doble. What a triumph for Louis van Amstel — holy cow! Normally I don’t like non-traditional Paso music, but this (from The Matrix) worked well — can you say intense?! Great razor sharp movement for both of them, he had some gorgeous turning jumps, and what a beautiful jete into an assisted slide for her. I totally agree with Adam Shankman’s comment that the reason this worked so well is because they focused on the transitions  — the movement between the tricks — and not only the flashy things. As my former teacher, Luis, always used to say to me, the actual dancing takes place between the tricks. Nowhere was that better demonstrated than with this Paso. Kudos to everyone involved.

My other favorite moment of the night was Jeanine’s solo — by far the best of the night, I thought. That modern-y tango was so original — part Latin, part American Modern with the staccato, angular movement, the sharp stops, the isolations. And, contrary to Adam, I loved the rose stem held between her teeth. I thought it gave the dance character, and was a bit humorous to boot. And those pirouettes — totally agree with Adam there — WTF! Those were incredible! She began with a group of fouettes to give herself speed, then wound down into a combination of pirouettes that she somehow slowed to a perfect stop at the end, holding her balance after the last one ended, in perfect form. Astonishing — that was like something you’d see from Gillian Murphy and it made me think she’s been holding back all season…

But then … when she danced the Mia Michaels routine side-by-side with Kayla, I thought Kayla outshone her. I thought Kayla had greater height on her kicks and jumps, and overall more precision in her body. I think Kayla has the best modern dance technique of anyone on the show, and it really shows in the way she is able to dance with so much expansiveness, so much breadth, yet still keep such a tight form. In the group routine I found her to be the most expressive, to have the greatest range of movement in her head, neck and torso. And she’s got such stunning leg extensions. That Tyce DiOrio routine she did with Brandon — she really blew me away when she swung her right leg up, held it nearly to her ear, and then he threw her over his head in a split.

I wasn’t as in love with Brandon’s solo this week as I was last (and as the judges were), but I did love how he ended in that sudden straddle split. That is kind of his thing — making these sudden and intense lines. And his solo last week was to die for — so he’s definitely had his moments on the show.

Again, I have no idea who will win tonight. I feel that everyone has something: Kayla’s a great mover, Brandon has strength and intensity and can really blow you away at times, Jeanine excels with original solos and really brought it on this week and did something astounding, and Evan I love for bringing back Gene Kelly. Maybe Evan’s popularity on the show will lead to increased appreciation of Jerome Robbins?… Okay, I can dream 🙂

SO YOU THINK YOU CAN DANCE TOP 8: JANETTE, EVAN AND KAYLA SHINE

Sorry I’m late in posting again. Another problem with Godzilla last night — our run-ins are slowly coming to a head…

Anyway, one highlight to me last night was Mia Michaels echoing my love of Janette! She pronounced Janette “my favorite, favorite, favorite this season”! I of course love Janette too. There’s nothing she hasn’t been able to do. I don’t think she’s really received a single criticism yet on the show. Since this show honors versatility, at this point she is my favorite to win.

I also think though that Evan and Kayla are two of the best things to come out of this season. I honestly feel that the past two seasons generally have been duller than the first three, and sometimes I wonder what good this show really does for the dancers who appear on it. American Idol contestants go on to do huge things — acting in movies (and winning awards for their work), going on Broadway and becoming sensations, and of course becoming recording superstars — but I haven’t seen the dancers from this show reap those kinds of rewards. I do think with Evan and Kayla, Broadway could have found some new stars. I could see both of them up there on the Broadway stage, especially if, as Mia Michaels told Kayla, they can sing and act. I thought Kayla and Jasons’ Broadway routine was the hit of the night. The judges didn’t all agree with me and I think Nigel said they were “flat” but I thought it was fantastic. I thought Kayla in particular showed real star potential.

To me, Evan always shows that star potential. Another great Gene Kelly-ish solo from him last night. He reminds me so much of ABT’s Craig Salstein.

Continue reading “SO YOU THINK YOU CAN DANCE TOP 8: JANETTE, EVAN AND KAYLA SHINE”

SO YOU THINK YOU CAN DANCE WEEK FIVE: GO JANETTE!

Fun seeing Pasha and Anya again, huh!

Janette is really becoming my favorite dancer. I love her because I don’t think there’s really anything she can’t do (except maybe a ballet routine on pointe, assuming she’s never had training in that, and I don’t think she has). She doesn’t seem to have any real training — she’s just Cuban, just born with dance in her blood and is working her butt off and excelling at every blasted thing that gets tossed in her way. I always like rooting for the underdog 🙂 And we haven’t had a female ballroom winner on the show yet, right? It’s time, it’s time!

Okay, so I obviously loved both of Janette and Brandon’s routines — that kickass Argentine Tango (were those lightening fast, razor sharp kicks and flicks and hooks and gauchos not to die for? Not to mention her gorgeous lines in all the lifts and poses and just the power and passion of it all); and that killer Wade Robson Jazz dance (I love how both were very loose and rubbery but still had very solid form; it was very Rich Man’s Frug and now I see what we missed last week with Evan and Randi’s performance).

My other favorite couple is Melissa and Ade. That disco! Can Ade move or what?

Continue reading “SO YOU THINK YOU CAN DANCE WEEK FIVE: GO JANETTE!”

DESMOND RICHARDSON ON SO YOU THINK YOU CAN DANCE

 

 

What a nice treat to see Desmond Richardson dancing with Complexions‘ Patricia Hachey on So You Think You Can Dance tonight. I do so love him. I do wonder though whether that very adagio piece, choreographed by Dwight Rhoden, with all its slow, sharp, angular movement was right for this audience. Well, I loved it, and it’s always good to expose audiences to new things, right?

Anyway, pissed that Vitolio went instead of Kupono. I really don’t understand what the judges — and I think it’s particularly Mia Michaels — see in Kupono. I think he’s fine but nothing more. And when Nigel criticized his solo tonight, saying he’s got to do more than just stand there and smile, I wanted to shout, but that’s what he always does; not just in tonight’s solo. I don’t get it. Vitolio had stage presence, and good movement quality. This is the second time I feel Kupono’s stayed on and someone better has left. I haven’t been in love with Phillip’s work on the show, but I have to admit, his solo was astounding. He’s a real original; he really brought it tonight.

I guess I agree with the judges regarding the women. I thought Karla’s solo was sweet, and original if not earth-shattering. I agree that Kayla just kept kicking — what WAS up with all those kicks? But I also agree that she’s excelled so on the show, she shouldn’t have been kicked off for one crappy solo. And Jeanine really did a lovely solo tonight, although she did almost lose balance at one point and had to check herself. Still, her solo had a lot of depth, movement range, and passion, and choreographically it was very good, and executed almost perfectly. As for their work on the show, probably a toss up between Karla and Jeanine. So, I could see how they chose to axe Karla.

Since Vitolio and Karla went, there won’t be a new couple for next week.