DWTS SEASON NINE WINNER

 

Okay, okay I know it was Donny Osmond, but in my mind it was Kelly Osbourne! Or Mya. I thought Mya was by far the best dancer on the show this season, but Kelly was the most improved and that’s what this show should ultimately be about, imo. And there was something so relatable about Kelly; even though her father is a hugely famous pop star, she was still so human, and somehow so normal. Which is where she got her fan base, I’m sure. And of course Louis is my favorite dancer on the show, so there’s that for me.

I thought Donny was fine though, and I’m glad someone over 50 won that ball. I do wonder what the demographic was like this season — whether it was different from the rest? Good lord, has Marie lost weight since she was on the show or what?!

 

Anyway, how cool was it that Paloma Herrera (above image from here) was on SYTYCD tonight? I loved her — loved the beautiful tip-toes en pointe. Unfortunately my upstairs neighbor, Godzilla, was making such a heinous racket (the girl / beast has ruined just about every holiday for me for the past two years) that I didn’t get the full effect, and didn’t hear her announcement or her reception, but I wonder how well that classical Don Quixote solo fared with this audience? I guess we’ll see.

I admit I didn’t see last night’s show (I was out at NYCB and taped DWTS; can only record one thing on my recorder), but intend to watch vids if they’re up on YouTube yet. I’d love to see how Victor and Karen fared as a partnership. I mean, obviously those two were kicked off tonight but that doesn’t mean they did badly, just that the audience for whatever reason doesn’t care much for them and perhaps the judges felt like for political reasons they had to go with the audience a bit. I mean, how many weeks can you keep the same dancer on when the audience isn’t voting for them? And how much is that going to hurt ticket sales to the live shows if you actually advance them into the top ten?

Anyway, I liked Karen and thought she brought her own thing to the show and I’m sorry to see her go, and I’m really sorry to see Victor go since he was one of my favorite males. Oh well. I guess I’ll watch for Jakob and Russell from here on out.

WAS THAT THE MOST BORING DANCING WITH THE STARS QUARTERFINAL OR WHAT?

Sorry I’ve been so out of it again with blogging, you guys — I can’t believe how many little errors there are in my book to correct… So stressful!

Anyway, I managed to watch DWTS last night. Thing is, I’m really so not into it; even if I wasn’t busy with my book, I’m so not into blogging about the show this season. I think Mya is overall the best contestant on the show right now, and so she probably deserves to win. But she just doesn’t do that much for me. I liked both her Quickstep and 70s Samba last night — I thought her Quickstep was actually pretty basic and technique-focused so I’m not sure why Len didn’t like it, and the Samba was fun — a lot of people dance Samba to disco music since it’s so hard to find good authentic Samba music around here.

I think overall I like Aaron the most though, even though he’s not as good as Mya. Still, he’s getting less and less fun, for some reason, as the season goes on. His over-the-top-ness is not enough to compel me to watch the show anymore. I liked but didn’t love his 90s Latin routine last night — wait, was it  Jive? I don’t even remember? But I was annoyed with Karina that she didn’t let him do his fun boy-band moves. Why did she cut him off like that — I think it would have been hilarious. And what is with everyone getting sick? (Both Karina and Aaron had the flu at various points this week apparently…)

I thought all the Standard routines were pretty bland last night. I thought Donny’s Viennese Waltz was the best, mainly because Kym was so beautifully fluid. But during the Latin round, his 80s Paso wasn’t all that interesting. The costumes and music (I used to love Spin Me ‘Round) were far more fun and flashy than the actual dancing.

And I feel the same way about Kelly as I do Aaron. I liked watching her learn and grow early on but now it seems she’s stagnating and it’s not that interesting anymore. I thought her 60s Jive was cute and I love that Louis, unlike Karina, let her put her own Monkees-esque moves in.

I feel like Joanna really dances like a paper doll. She has no grounding, no weight, no strength or firmness in her body. You need that for ballroom, even for the Standard dances. You need that for any kind of dance. You need that to do fouettes and pirouettes in ballet. Not that I don’t dance exactly like that — that was always my problem: I looked emaciated and completely substanceless. I used to think it was just about being thin, but it’s not. There are very thin dancers who are very rooted and have a great deal of strength in their bodies. She’s a really really pretty paper doll, but a paper doll nonetheless and I can’t for the life of me understand why the judges fawn over her so.

 

 

I know, as Katrina had commented earlier, that seasons may collide, but I still so want Yankees to be on the show.  Come on, A-Rod can dance with Smirnoff and Derek with … Lacey maybe. The World Series was the most exciting thing to happen since Roberto Bolle (look look, new pic from Weber book!) came to town. I’ve been a bit bored and depressed since it ended… 🙁

One more thing about the Yankees: they had a little dance segment at the City Hall celebration — did anyone watch it? The dancers were teenaged schoolgirls, apparently, from Staten Island, called the LA Dancers — something like that. They were okay, but you know… Why don’t they have a real dancer, like Ashley Bouder? I think she’d be perfect — she’s cute and extremely athletic and would be very attractive to the average baseball fan. And she’s a NYCBallet dancer… Come on! Next year…

 

Photo of Bouder by Gene Schiavone, taken from Bailarinas; photos of A-Rod and Jeter taken from here and here respectively.

DANCING WITH THE STARS: NICKELS IN BUTTS AND OZZY OSBOURNE EYES

It could have been because I’ve had a crazy last few days — computer crashing, iphone dropping calls like mad, internet access intermittent, possessed cursor on computer I’m momentarily using, and now serious fights with upstairs Godzilla and her monster mother — we’ll call her Grendel or Mother Grendel rather — it ALL happens at once! Anyway, I watched DWTS last night but I honestly can’t remember much — just too much on my mind. 

Generally, I just can’t stand the Paso Dobles done on these group shows. I love the Spanish dance elements — the flamenco taps and the matador posturing and the cape and all — but I can’t stand it “modernized” and danced to pop music. People just go too crazy with it and it doesn’t make any sense.

Still, my two favorite moments of last night’s show (besides the costumes and wigs used in the group Hustle) were Kelly and Louis’s Paso to Ozzy Osbourne’s “Crazy Train” and Michael and Anna’s more traditional version of the dance (thank you Anna Demidova!) What I liked about Kelly and Louis though was mainly Louis’s eyes. They were done up to look like Ozzy (of the y 80s of course, not now) along with the hair. He was once so serious (Louis that is) and he looks like he’s having a lot of fun with dance these days, so good for him. He really makes me laugh. The dance though — she tried hard and he of course is excellent at everything he does, but you could tell she kept wanting to jump up and down and pound her fist into the air, mosh-pit-like. And who wouldn’t — “Crazy Train” is not Paso music! I understood why Louis chose it — and Ozzy in the audience looked like he was about to burst into tears of pride (what is happening to the world?)- but still. 

And I loved Michael’s attempts to attain correct Paso posture by placing a nickel between his butt cheeks (at Anna’s suggestion). And I agree with Len that it worked! It is a really odd posture — pushing your hips so forward like that and standing up so straight from the waist down but then with kind of rounded shoulders. It seems so unnatural — like you’re ultra aware of your shaping — unlike with the other Latin dances. And it ended up being Michael’s best dance.

I wasn’t that impressed with much else. I thought Mark’s Paso was strong and his movements sharp but something didn’t look quite right, and I’m not sure what it was. He looked too dainty or delicate or something even though he was trying hard not to. And did Lacey blow out of a cannon or something? What was that entrance about?

Oh — I also really liked Karina and Aaron’s Argentine  Tango. Really nice choreography and really intricate hooks with those legs. And complicated lifts with her legs wrapped every which way around his.

I thought it was rather funny when Joanna tripped in her A.T. I honestly thought it was Maks’s fault (who she danced with since Derek’s sick with flu, as is Mark Ballas — what’s up with those two?) Anyway, they recoverd nicely (Joanna and Maks that is) and seemed to score okay. In fact, I actually thought she did better after the flub. Her legs straightened and she had nicer lines and a really gorgeous ronde en l’air — whereas the first one was bent-kneed and rather blah.

Louie and Chelsie had some cute lifts but I think someone else needs to choreograph for them. Judges loved it but I think she’s not giving him  enough to do and he ends up being more like her escort around the dance floor than a dancing partner.

And Mya’s A.T. was really gorgeous, expectedly. I honestly can’t remember the other two blondes or much of Donny’s though I remember thinking Donny’s was decent. 

I’m sorry I’m so out of it you guys! No sleep in quite some time! What did you guys think?

Judges seemed to like everyone; I have no idea who’s going home tonight.

DANCING WITH THE STARS BRINGS ON THE NEW DANCES: LAMBADA, TWO-STEP, CHARLESTON AND BOLERO

I’ve never really learned any of these dances (other than some Charleston in Lindy Hop class) so I’m not sure if I can judge them properly, but I’ll try.

Chuck and Anna’s Two-Step: I thought he did well at some of it– particularly when he kicked in back and slapped opposite hand to opposite foot — but other than that, it seemed like he was walking most of the time, while she was giving her steps more flair. Social dancing is basically walking with attitude but much of his performance here was just walking.

Mark and Melissa’s Charlie Chaplinesque Charleston was absolute brilliance. Wow. That was her best dance by far. Her steps were so perfect, her little bounce spot-on, her character acting perfect, and even the lifts were marvelous. Often non-pro female dancers’ difficulty with the lifts stems from not being able to hold yourself properly in the air, not having the correct shaping (since you don’t realize how hard it is to maintain proper shape with no floor beneath you), but her shapes up there were excellent. I’m so impressed!

Natalie and Alec’s Bolero: Well, given their angst-filled practice it went a lot better than I was expecting.

Continue reading “DANCING WITH THE STARS BRINGS ON THE NEW DANCES: LAMBADA, TWO-STEP, CHARLESTON AND BOLERO”

BAZ LUHRMANN SHOULD REPLACE BRUNO ON DWTS

No, I shouldn’t say that. Not after tonight, when Bruno actually behaved for once! Baz was sweet. And young! He must have been 20 when Strictly Ballroom came out?… I’m glad that movie’s mention received the most cheers by the audience. Makes me feel like viewers really do respect ballroom; like this show’s not all about celebrity.

Anyway, I thought all of the dancers did a little better tonight than last week; some — like Melissa — were greatly improved. I think my favorites overall were still Donny Osmond and Kym — he’s just too much fun and so cute! He had all that fast footwork in the Jive so down, from the tricks, the flicks, the kicks, the slides, the character — all of it.

Other favorites were Mark and Lacey’s Quickstep — wow, he can really dance: that high jete in sync, that leapfrog over her head, the runs, the footwork. Very polished, and very athletic. I didn’t expect that from a chef…

I also liked Mya and Dmitry’s Jive. I think she is a natural. She did those turns like a pro

Continue reading “BAZ LUHRMANN SHOULD REPLACE BRUNO ON DWTS”

DANCING WITH THE STARS SEASON 9 PREMIERE: THE WOMEN

Very excited to see Baz Luhrmann guest judge next week!

 

My favorites last night were Kelly Osbourne (and loved that her dad was on and that he became genuinely emotional over her splendid Viennese waltz! — as did her mum), Mya, and Macy Gray. What I really found endearing about Kelly was how blasted hard she obviously worked. She did not look so hot in practice sessions. And she was pretty down on herself. And then she came out there and did that gorgeous waltz with all that poise and polish and grace and watery fluidity. I almost cried for her — and I never watched her show!

I know, I know — overall, young swimsuit model Joanna Krupa was the best — her salsa alone showed that she’s rhythmic and used to moving her hips and, surprisingly her foxtrot showed she could be graceful and even delicate as well — but, I don’t know, I personally don’t find her as endearing as, say Macy. And Joanna’s full of confidence, which may not go down that well with the largely female voting public. I think she’ll be on for a while, but she may be the Sabrina Bryan of this season rather than the Brooke Burke.

I can’t help but love Macy’s ‘this is gonna be fun and I’m gonna work hard but I’m not getting caught up in all the competitive bullshit’ attitude. Love those facial expressions too! The judges were right on when they said she won the audience over with her magnetism. Not so good (I can’t bring myself to say ‘bad’!) as she was, I couldn’t take my eyes off her during that Viennese waltz. And I didn’t realize she was so tall — she’s got several inches on Jonathan Roberts!

I thought Mya was just so fluid in the Viennese waltz, and so killer in the cha cha. I disagree with whatever judge criticized the kick — I thought that kick was mad!

I like Debi Mazur a lot and she obviously isn’t a natural and doesn’t have training, but I want to see her improve. That’s what the show is about — working hard toward a goal and being able to do something you couldn’t before. I think she has the ability to improve. And she’s someone I can relate to and think others probably can too. So I really really hope she’s not the woman to go tonight. Bruno tells her she can’t dance but it doesn’t matter because she has great boobs. These kinds of comments are really not funny but clearly he’s not keen enough to realize that. Interesting how Maks covered Debi’s ears when he said that — I thought he was doing that to be funny but judging by the look on her face, it looked more that she was truly annoyed at Bruno and may haul off and sock him one.

I have to say Melissa Joan Hart didn’t leave much of an impression on me. I can’t really even remember her Viennese waltz to be honest. And I didn’t see her cha cha. Mark was kind of the star of that little routine 🙂 Oh Mark — you’re a hopeless show-off and we will always love you for it…

Kathy Ireland (whom I would never have recognized!) was like Paulina Porizkova all over again. Same problem with the lack of groundedness in the salsa, the bouncing around. Bruno told her there was no “sex,” and without sex there is no salsa. So, according to him, since she didn’t get down on the ground and practically perform a sex act with Tony Dovolani, she didn’t actually salsa. She did much better with the foxtrot I thought, though the judges thought she did only marginally better.

I feel like I shouldn’t be too angry at Bruno or Len for their comments though. It seems the producers have told one to lust all over the women and make as many sex-laced comments as possible and the other to spend the season doing his best impersonation of Dana Carvey’s old SNL character, Grumpy Old Man (or whatever that character was called) and piss on and on about the way no one is adhering to basic ballroom.

I personally thought Dmitry’s Viennese waltz for Mya was choreographically the most engaging routine of the night. Louis van Amstel is a master choreographer too and he’s largely the reason Kelly shined as she did.

Who did I leave out?… Oh, Olympic swimmer Natalie Coughlin. Wow, beautiful arms — particularly in practice. The judges seemed to like her salsa, but I thought it had the same problem as most of the others — not grounded enough and too hop-py. I knew she was going to nail the Standard though — with those feathery arms! — and she did with the foxtrot.

I’m looking forward to tonight — particularly the Patrick Swayze tribute.

Photo of Louis van Amstel and Kelly Osbourne taken from Louis’s DWTS thread.