PAUL TAYLOR: DREAMS AND FUNNIES

 

So, Paul Taylor season is currently underway at New York City Center. I’ll be going several times next week and will be writing more then, but last week I saw three dances: Funny Papers, De Suenos (Of Dreams), and De Suenos Que Se Repiten (Of Dreams That Keep Recurring) — the third a continuation of the second. The first is a humorous piece from 1994 based on newspaper comics, with sections entitled I’m Popeye the Sailor Man and I Like Bananas Because They Have No Bones. The two Dreams pieces, from 2007, like real dreams, ranged from funny to nonsensical to ominous, then back to funny again and were populated by characters like a faun (above), a “golden girl” / angelic character tiptoeing around with a golden crown / halo atop her head, righting all the wrongs created by a devil, peasant women selling flowers and the women or men who buy them, and some underworld urchins who go to battle. I didn’t find any of these pieces tremendously profound, but they were funny and entertaining and often contained surprises both in movement and character-type — not at all cliched.

Paul Taylor is of course one of the masters of American modern dance, loved by most critics and dance fans. My experience with his work thus far has been limited mainly to American Ballet Theater’s production last season of his Company B, which I loved. So I greatly look forward to seeing more next week. The company performs through March 15th. Go here for more info and tickets.

Two Big Ballet Companies Begin Their Winter Seasons

Last night marked the start of Miami City Ballet‘s New York City Center season, which is very exciting because, not only is this that company’s Manhattan debut, but it marks the return of the company’s director, the famous Edward Villella, to the stage on which he began his career as a ballet dancer, in 1957, with Balanchine’s company — New York City Ballet. NYCB’s current home, the State Theater (now known, after recent renovations, as the David H. Koch Theater) wasn’t yet built then so City Center was the company’s main stage. I’ll be going to a couple of their performances later in the week and can’t wait. I especially can’t wait for Tharp’s In the Upper Room, one of my favorites. So psyched they’re doing it!

Last night was also San Francisco Ballet’s opening night gala. The co-founder of Twitter was there and he mobile tweeted that the event was like an unofficial Twitter headquarters. Most cool! Hopefully, we’ll be getting a full report of the evening from Jolene.