Tag: race

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Misty Copeland on Tavis Smiley

 

Apropos of our recent discussion on race and ballet, ABT’s Misty Copeland was recently on the Tavis Smiley show. She talks about race, ballet, elitism, her training, her recent appearance onstage with Prince, the immense difficulty of ballet, and of course, Black Swan. She’s very well spoken. Go Misty!

Also, speaking of Black Swan, here’s an essay by former NYCB dancer Toni Bentley in the Daily Beast. Bentley has more guts than anyone else in the industry, that’s for damn sure. Go Toni!

Above photo of Copeland taken from Martini Pink.

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IS SO YOU THINK YOU CAN DANCE "CULTURALLY RADICAL"?

Here’s an interesting perspective from the Huffington Post’s Miles Mogulescu on So You Think You Can Dance:

“Here, the culture wars of the past 30 years appear over, at least for an hour or two, and the progressive side–which has stood for racial equality, gender equality, and gay rights–is the undisputed winner, without the need even to overtly comment about it. I’m not sure what Glenn Beck, Sarah Palin, or the editorial page of The Wall Street Journal would have to say if they were watching. But then, Rupert Murdoch has never been known to let his conservative political views get in the way of making a buck.”

I’m not sure that I agree with him that the show represents a huge but unspoken triumph for women’s or gay rights but I find the race issue interesting because I’ve had several people comment on my own Huffington Post pieces on the show saying how great it is that blacks and whites and Asians and Latinos are all dancing together without issue. I guess I never even noticed because it’s so ridiculous to think that it should be any other way. And it’s not, in New York. Is it still in other parts of the country??? I mean, really, both on the concert dance stage and in social dance clubs there just doesn’t seem to be a race issue, unless I really have my head up my butt…

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One-Sided

I was riding the Brooklyn-bound 2 train during evening rush hour when suddenly a man sitting across from me collapsed onto the woman next to him. The man was white, mid-forty-ish, with oily hair and lines of black under his fingernails and in the crevices of his hands. His jeans and jacket bore caked dirt and his pants were very worn. He may well have been homeless.

Of course people often fall asleep on the subway, and their head ends up on the next person’s shoulder. But they usually wake up, embarrassed and apologetic. This man didn’t budge. And I remembered him appearing fairly alert; when I boarded he’d made eye contact with me.

The woman next to him tried to inch away. When his body trailed hers as she went, she tapped his shoulder. When he still didn’t move, she took both hands and tried to push him upright. When she let go, he lurched slightly left, then fell forward, straight to the floor, crashing head first into the metal gear box under the seats.

Everyone in the car heard the thud and gasped. He remained motionless and I started to worry he’d had some kind of seizure or stroke.

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Blacks Acting "White" is Hilarious, But What Would the Reverse Be?

…and other questions I had after seeing Young Jean Lee‘s The Shipment, a very compelling off off-Broadway play about Black identity in America by a Korean-American playwright, starring an all-black cast.

 

Warning: if you’re in NY and you plan to see this, you may not want to read this yet!

I’d been really excited about seeing this play for a while and it definitely didn’t disappoint. Also made me think. A lot. And methinks this “review” may be all over the place because of those thoughts.

The play is divided into three sections, or acts. The first consists of a foul-mouthed Eddie Murphy-type stand-up comedian who says he’d love to spend all his time telling jokes about pooping (his very favorite subject of comedy) but is being forced to talk about race instead (because he’s black, because it unfortunately affects him as a black American). He remarks on some of the differences between whites and blacks: whites obsess about their weight throughout their lives, blacks — once they get married, forget about that shit. Occasionally, he’s confrontational but in a funny way, and, though I think he made many in the mostly white, mostly young, very liberal audience somewhat uncomfortable at points, everyone laughed. This was my least favorite section, mainly because I wish Lee would have been more specific at times and also because she overlooked class differences a bit. For example, the comedian says that whites love to accuse blacks of “whining,” but look at what whites whine about: “Ooh, I just don’t know what to dooo with my life!,” he says in falsetto, or “Ooh, am I too fat?!” It’s funny — because that’s exactly what a lot of whites do whine about — but upper-middle-class whites. Believe me, poor whites are not worried about how they look; they’re worried about putting food on the table, about how far they can stretch their next paycheck. Just visit any small working-class town in the south or the mid-west.

But also, I don’t really know what whites accuse blacks of whining about. Historical oppression? The disproportionate rates of incarceration? Racial targeting by the police? I’ve never heard any whites accuse blacks of whining about any of these things. Most whites don’t even want to think about those things.

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