BOOK BREAK

Just FYI, I’ve finally managed to reduce my novel’s Amazon price from $17.99 to $14.99. That’s the print price; the Kindle is $9.99. The endlessly wonderful James Wolcott has given me yet another shout-out — thank you Mr. Wolcott! And how sweet is this, and this!

I haven’t participated in a meme for a long time and so thought I’d take the one posted by Laurel-Rain in her Seasons blog (the last link above). The rules are to find the book nearest you, turn to page 56 and write the 5th sentence (and maybe a sentence or two after that for context, if you like). For me, that book is

Bravura! Lucia Chase and the American Ballet Theatre by Alex C. Ewing (Chase’s son), which I received for review purposes. I’m about a quarter of the way through; so review coming soon. Here’s the passage:

“Lucia would have had to be blind not to see that Mordkin was being pushed out of the picture. Yet she was most decidedly not the author of the early plans for Ballet Theatre, nor was she calling the critical shots. Other than providing the seed money for Pleasant to proceed with his grand design, Lucia had made a strict and unequivocal effort to stay out of management.”

So far, my favorite parts have been more about Lucia’s personal life than the details of setting up the company — such as her relationship with her husband, who died tragically young, when the couple’s two children were still babies. For years after his death, she would write him notes, telling him what she was doing, thinking, about her life. A way of keeping him around, I guess. So heartbreaking. Right now I’m reading about her love / hate relationship with Agnes de Mille — delicious fun!

That’s nonfiction. Here is a novel, Picking Bones From Ash, that was just about the same distance away from me. It’s by my friend, Marie Mutsuki Mockett, and I recently finished it and wrote a review of it on Goodreads. I absolutely loved it; I learned so much — about Japanese culture, European culture, Japan itself, Buddhism, classical music, historical artifacts, how to discern the period in which a piece of art was made — just read it, it’s filled with such beautiful detail and the story is so suspenseful you really won’t be able to put it down after a certain point. Anyway, here is page 56’s fifth sentence:

“We continued to spend time together on the weekends and during the holidays when I was home in Hachinohe. In the middle of my second year of college, however, Masayoshi began to act a little bit strange again. It all started when his father had a small stroke around the same time that I was caught up in preparing for the annual Messiah concert.”

One other book I just received in the mail and am currently reading is this:

Anatolia and Other Stories is a collection of short stories by Anis Shivani, whose work I became familiar with in the literary journal Boulevard. According to a quote by award-winning novelist Laila Halaby on the inside cover, the collection “takes us around the globe in stories that juxtapose old and new, east and west, with characters that do their best to navigate the generational / religious / cultural / socioeconomic tensions inherent in our global economy. Shivani’s observations are dead-on, especially when dealing with themes of loss, family dynamics, and subtleties of power.”

Finally, here’s another book related to dance that I didn’t have time to review, but that is getting good reviews.

The Sugarless Plum, by Zippora Karz, details the New York City Ballet dancer’s struggles coping with the dangerousย  and life-altering Type 1 Diabetes, which she was diagnosed with at age 21, while still a corps member in the company. Despite the disease she nevertheless managed to rise through the ranks and enjoy a solid, 16-year ballet career.

If anyone wants to participate in the meme, just link back to this post on your blog, or, if you don’t have a blog, you can write the book’s passage in a comment here.

SWALLOW REVIEWED AGAIN!

Another positive review for Swallow from an Amazon top 500 reviewer! (Scroll all the way down until you see the reviews; the newest is at the bottom.)

This is my first novel and I really value people’s thoughts and reactions — what affected people the most and what affected them the least (because it’s definitely not always what I’d think). I’m so grateful to everyone who’s supported me by buying it and reading it and thinking about it, and then commenting or writing on the Amazon page. So grateful!

PEACE AND HAPPINESS IN THE NEW YEAR

 

You guys, Happy New Year!

…when I promise to be better about blogging ๐Ÿ™‚ I’m sorry about being so lame for the past month– I mean, two posts this week??? Getting this book out has just been so time consuming. Speaking of which, it’s now out in the Kindle version, so if you have a Kindle reader, it’s cheaper than the print version.

Anyway, happy New Year’s Eve, happy New Year’s Day! Will talk to you all again in 2010!

Above photo of Alvin Ailey’s Revelations by Andrew Eccles.

HAPPY HOLIDAYS EVERYONE!

 

Hi you guys. Sorry I’ve been so bad about posting lately. This book –argh! Took me a ridiculously long time to figure out my Kindle conversion! If I wasn’t so computer dyslexic…. Anyway, Kindle version should be up soon on Amazon. Will post when it is.

I have a few blog posts to write — about Alvin Ailey and about Rasta Thomas’s Rock the Ballet which, okay, I admit — I liked!!! — despite (or perhaps of) Roslyn’s almost hilariously scathing review! I liked it, but can definitely see how others wouldn’t.

And Alvin Ailey — they’re in the midst of their City Center season (which ends January 3rd). I’ve loved most of their season premieres — there are several — namely Hymn and Divining by Judith Jamison, and Dancing Spirit by Ronald K. Brown (photo above of Matthew Rushing in Dancing Spirit, photo by Paul Kolnik). Hymn is a really breathtaking tribute to Alvin Ailey — the man himself. It was made in 1993 right after he passed away. It’s with spoken word by Anna Deavere Smith, based on her interviews with Jamison and the company dancers from that time, and on Ailey’s words themselves; choreography is by Jamison. And, Divining and Dancing Spirit are both part African, part ballet / modern. Dancing Spirit starts slowly, then builds to a really beautiful crescendo. Audience went nuts with applause after it premiered, and justifiably so! Definitely do try to go see it before the season ends.

The “20 years” tribute to Jamison’s time with the company is also a great program. Exposes you to excerpts of many of the ballets she commissioned over the years, which I now want badly to see.

Oh, interesting tidbit: one of my friends told me she sat next to SYTYCD’s Tyce Diorio at one of the Ailey perfs, and he highly recommended to her Hymn and Divining. So, see, I know what I’m talking about ๐Ÿ™‚

I also need to blog about Nine, the film, which I saw yesterday. Thought it was okay, not as good as I was expecting. The musical numbers were excellent — especially those led by Kate Hudson, Judi Dench, and Fergie. But the story line is rather boring and slow-moving. And I hate to say this but this is the first thing I haven’t loved Daniel Day Lewis in. He just didn’t become the character to me, like he normally does; just couldn’t inhabit this role. Weird because his Unbearable Lightness of Being character had many of the same flaws, and he was so much more believable as Tomasz than he was here as Guido. Anyone else seen it?

My website (and, thus, this blog) is going to be up and down a bit over the next couple days because I’m having some of the pages re-done. But I will resume blogging very soon. In the meantime, get thee to Alvin Ailey!

Oh, and happy holidays ๐Ÿ™‚

JUDGING A BOOK BY ITS COVER

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Sorry posting has been kind of lame over the past week. I’m working really hard on finishing the final read-throughs of my novel and, as always, it’s more involved than I expected. I have several exciting Fall For Dance programs still to write about — a puppet-performed Petrushka, Bronislava Nijinska’s Les Biches, the fabulous Trocks, Dance Brazil’s unique capoeira / samba / modern blend, Tiler and Gonzalo ๐Ÿ˜€ , the best Afternoon of a Faun (involving two fauns actually) I’ve ever seen — this is by far the best FFD Festival I can remember — and I plan to write about it all at the end of the weekend or early next week; after, hopefully, I’ve finished my rewrites.

In the meantime, above is my final cover. Took me forever to okay something I was happy with. At first I was going to go with this one:

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But then I had dinner with a gay male friend, who said of this bottom one, “Okay. This looks like it’s about a girl who goes around New York giving blow jobs.”

Which my novel is NOT about! I sought others’ opinions — nearly drove all of my friends crazy — and most people agreed that, since it’s about a young woman with a disorder, the cover should indicate that. It’s just that the disorder she develops is due in part to her moving into the city — a city she feels largely alienated by — and so it’s partly about her ability to make her own home here. Which is why I thought an arty cityscape would work.

But apparently not with this title!

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I’d gotten the idea for the arty cityscape cover from my favorite Breakfast at Tiffany’s edition.

I also love this cover, for Charles Jackson’s The Lost Weekend:

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This is as large as I could blow it up, but it’s one of my very favorite covers. I’d asked my design team to come up with something similar (with a woman looking into the abyss), and they couldn’t. I showed a friend and she kind of burst out laughing and told me I’d need to hire an artist to make me something wholly original if I wanted something approaching it. I have that Lost Weekend edition (which I found at a rare bookstore in Durham, NC) and the cover is an actual piece art — it’s actually painted onto the cover, which is made of a sturdier material than regular covers — the result being that once the years go by and the cover ages, you literally can’t open the book without breaking it. So, the irony is that that book is unreadable; it must simply sit on my bookshelf facing out, to showcase the piece of visual art that it’s now solely become.ย  In any event, even if I did want a book that could only be enjoyed for its cover, I don’t have the money to hire my own artist.

But I think my design team came up with something that works anyway.

My biggest problem with having a photo of a woman on the cover is that I was afraid it’d be taken for Chick-lit, a moniker I think every female writer has some kind of issue with, or at least thinks about. I thought an illustration would make it look like it’s about art — which it partly is: one of the protagonist’s friends is an artist and he’s an important character. And I thought a photo of a woman would alienate male readers. But then a friend who works as an artistic director of a magazine said illustrations don’t sell; you gotta have a photo, which she insisted was pertinent to books as well as magazines (and she has two published books of her own out). She’s one of four or five people (as I said, I drove all of my friends stark raving nuts) who helped me come up with the idea for my final cover.

…which I’m happy with — I think it hints at what the book is about and is dramatic and somewhat provocative without being over the top. I just hope it doesn’t alienate potential male readers. But then, as practically everyone I know (of both sexes) have told me ad nauseam, men don’t read anyway — especially fiction; women read and Chick-lit sells. So just embrace it.

Anyway, there are many other issues involved in the whole Chick-lit quandary, and in book cover art, but I’ve blabbered for too long. Have to get back to my rewrites… And I need to go out for my Friday cupcake.

Have a good weekend everyone!