Originally uploaded by swan lake samba girl via mobile.
Emmanuel & julia 3rd and carolina & felipe 2nd.

Originally uploaded by swan lake samba girl via mobile.
Emmanuel & julia 3rd and carolina & felipe 2nd.
Originally uploaded by swan lake samba girl via mobile.
Just did the hottest mambo i have ever seen!!!
Reading Dance beat’s coverage of sytycd
Originally uploaded by swan lake samba girl via mobile.
They thought pasha had most versatility though not technically best dancer & anya was booted bc solos can’t showcase ballroom technique.
for the U.S. National Dancesport Championships!!! I’m off bright and early tomorrow morning. Will be blogging from there, hopefully via mobile (assuming I can blast some brain waves into my stubborn T-Mobile; the service actually works better in Europe than the U.S., go figure), though I will probably wait to get back home to post all my real camera pics and longer written entries (I finally figured out my problem with Flickr: it gets all confused and has a nervous breakdown when I type in a long text message; post has to consist of a simple picture with minimal text. So for people who like to make fun of me for being a bit photo-crazed — Counter Critic and Danciti 🙂 — that’s why! Okay, at least in part. I confess, when I really like some dance or dancer, I can’t help it; I just start snapping away!)
Anyway, here are my predictions:
Joanna Zacharewicz and Jose DeCamps will become the new American Rhythm champions;
Steve Dougherty and Eulia Baranovksy will take tops in American Smooth;Andrei Gavriline and Elena Kruyshkova will hold onto their crown in International Latin; and
Ditto for Jonathan Wilkins and Katusha Demidova in International Standard.
Of course, I would so love for Emmanuel Pierre-Antoine (pictured at top of the post with his new partner Julia Gorchakova) to win because I like him so much, but, well, we’ll see…
Another favorite couple of mine, in Int. Latin, the sublime Yulia Zagoruychenko (probably one of most artistically sophisticated of all national ballroom dancers, in what is still seen primarily as sport, not art), and her partner Max Kozhevnikov.
In other news: I was informed today that my old studio, Dance Times Square, has arranged a bus to transport 40 or so students and friends to the So You Think You Can Dance concert tour at Nassau Coliseum on October 9th to see Pasha and Anya! Woo hoo! Will I be on that bus or what!!!

Yesterday I went to the Merce Cunningham exhibit at the New York Performing Arts Library at Lincoln Center. At noon there was a short, live, four-person performance of solos and duets right in the lobby. All dancers — two male, two female — wore blue unitards and the music sounded somewhat like the ocean. At times the dancers looked a bit like they were swimming. Of course it was abstract, but that’s what I got out of it.
I then headed into the exhibit, which was really pretty cool. I’m embarrassed to admit it, but this was my first experience with Cunningham (aside from the time Winger Tony Schultz and I saw him in the audience, wheelchair-bound, at another modern dance performance). Embarrassing to admit since he’s only one of the founding fathers of dance in this country! The exhibit was pretty comprehensive and very entertaining. They had videos of several of his works, all performed in the last ten years, but some choreographed far earlier. Cunningham himself danced mainly in the 40s and 50s. He is still choreographing, but of course no longer dancing.
The videos were my favorite part of the exhibit. They had several screens mounted on the wall, you took a chair hooked up to earphones and selected the music from whichever screen you wished to concentrate on. I actually found all screens mesmerizing and it was hard to focus on only one at a time. Funny thing, though, you really didn’t need to. The music (oftentimes sounds — of waterfalls, birds, people talking, etc.) seemed not to matter at all; you could have selected any soundtrack and watched any one of the screens. This, to me, marked Cunningham the complete opposite of Mark Morris, whose choreography is his rendition of that particular musical piece in motion. Also in contrast to how I personally felt watching Morris’s Mozart Pieces on PBS, Cunningham’s choreography was so engaging, I actually didn’t care what the sound was like.
My favorite video was called “How to Pass, Kick, Fall and Run” which was accompanied not by music but by Cunningham and another man, named David Vaughn, reading bits of text to the audience. At times their voices would overlap so you couldn’t even really make out the words, at times you could and the text was very humorous, and at times you just couldn’t pay attention to the text because the moving bodies were just so mesmerizing, even though they weren’t doing anything tremendously virtuostic. One passage, read by Vaughn, told of a man who gave a lecture on how to attend a lecture. He instructed attendees to listen, which they couldn’t do if they were taking notes. One woman was taking notes. The man next to her told her she was not supposed to take notes. She quickly read over her notes and said to the man, “that’s right. I’m not supposed to take notes; I’ve got that written right here.” The audience laughed like crazy. Throughout the reading of the text, the dancers, wearing colorful sweaters over plain black leotards, would jump, hold each other and bounce, kick playfully, scamper across the stage, then do slower prettier arabesques, sometimes with an awkwardly bent standing leg. The movements kind of did and didn’t correspond to the text. If you watched it a couple of times, it did, in a way. For example, at one point Vaughn began a brief vignette in which two women went to a women’s business meeting, and at that point two female dancers would wrap arms around each other and hop on one leg around in a circle, then let go of each other and both hopped toward the front of the stage. Kind of goofy-looking, but then a man emerged and they began a complicated, serious, lift sequence with him. Is a business meeting silly, serious, or both at times? I don’t know. But I found the process of watching the piece a few times and arriving at different conclusions each time rather fun and invigorating. It was also cool to recognize one of the dancers, Holley Farmer, who was in the David Michalek films.
Then, they had tons of pictures of the company performing, from 1945 up through the present, another film showing an interview with Cunningham, numerous costumes some of which were quite colorful and interesting-looking to put it mildly (one was a leotard with aluminum cans taped to the legs! — wish I would have seen that piece!), a bunch of musical scores and choreographer’s notes (the latter of which looked like heiroglyphics to me and made me wonder how in the world choreographers notate a work to preserve it), and some posters by such great artists as Jasper Johns and Andy Warhol promoting the company on tour and at home.
Top pic is of Carolyn Brown dancing with Cunningham himself in the company’s early days, which was interesting to me since I’d recently seen her speak about her new memoir about dancing with Merce, at Jacob’s Pillow (in that picture that I linked to above, from the previous blog entry, she is the woman in the white dress). It was quite a long time ago that she had danced with him and, wow, was she was a striking beauty back then.
Anyway, for people in NYC, I urge you to check it out. It’s a real history lesson, a fun informative trip through time, since Cunningham is such a foundational figure in dance in this country. It closes on October 13th, so you still have some time.
I recently bought a new camera with more pixels, a more powerful zoom, and motion control (so as to take better photos of all the lovely ballroom dancing I will soon be viewing, like tomorrow!) Hopefully, the pics will be better than before (the picture in this entry is better than previous ones, right!). But I’m having trouble uploading from my new software to my Plogger. Spent a good deal of the day trying to figure it out to no avail. It has no problem uploading the pics from my former camera software (which it seems is incompatible with the new camera). Argh, I HATE technology — just can’t figure things out! So, for the time being anyway, I’m using my Flickr account to upload new pictures. I created a link down at the bottom of the blogroll to my Flickr page, which is likely where I’ll end up putting the pictures from the dance competition I’m about to head off to… Have to go pack!
Oh, and my TAC headache seems to be officially over, for now anyway. Yay! Thank you so much, you guys for your concern 🙂 I really appreciate it 🙂
Merce cunningham dancers @ library
Originally uploaded by swan lake samba girl via mobile.
Crappy cell phone pic of merce cunningham dance company yesterday in the library lobby. Short but intriguing.
Trigeminal sounds like a marathon, doesn’t it. Or a graduate school entrance exam. I wish. Instead it’s a stupid neurological condition I suffer from (whose full name is Trigeminal Autonomic Cephalgia, or TAC) which causes for no apparent reason hideous headaches that feel like someone is stabbing you in the temple repeatedly with a hot poker along with sinus congestion and swelling on that side of your face. (I’d link to a description of it if I could, but the condition is so rare, the only info available on the internet is for medical specialists).
Friday night I came home and was so tired from my work week, I’m embarrassed to say, I fell asleep on my futon while reading. It was only a twenty minute nap, but in that twenty minutes, a TAC headache began to come on (you almost always wake up with them; they happen during sleep, for whatever reason). It was just the beginnings, so the searing pain was not in full radiance, so I quickly downed a couple of Excedrin with a can of Coke. It went away. But then I was scared to go to sleep, knowing full well I’d likely wake up feeling like my head was on fire. So, I sat on my futon trying to force myself to read until 3:00 in the morning, when I no longer could stay awake. I bunched several pillows up against the headrest and tried to sleep sitting up. Something makes me feel like, in part, the problem comes about because of the recumbent position of your head during sleep. I despise sleeping upright but tried it anyway. I was wrong though; I was blasted awake two hours later by the ice pick / fever / mass sinus congestion on the right side of my head.
Since my last experience with one of these things, I’ve visited a headache specialist, who prescribed three different medications — I was to try one, if that didn’t work, another, then a third last resort if the first two didn’t work. The old meds, which were prescribed for migraine headache (since that’s what my old neurologist mis-diagnosed me with), either didn’t work at all, or in the case of one — Maxalt — after making me go completely numb from the waist up, took the most brutal edge off the stabs, but kept the underlying duller pain and sinus-like symptoms intact, and then the stabs would return every eight hours like clockwork. A box of four Maxalt pills costs me $25 after insurance copay, and I’d go through an average of eight pills for one headache episode. So, $50 headache. The expense combined with my neurologist’s shrieks when I told her how many of these blood vessel constrictors I’d taken — one to two are supposed to kill a migraine completely and the pills can be potentially dangerous since they work by constricting the flow of blood to your brain — and her inability to look beyond the possibility that my headaches may be something other than migraines, sent me scampering to another doctor, this time a headache specialist at Columbia University’s Headache Center.
So my new neurologist re-diagnosed me, with TAC, and gave me as I said three meds, since there are different forms of TAC and each responds to something different. The first is Indomethacin, and is basically a massive dose of Ibuprofin. I tried that one. Happily, after about an hour and a half it began to kick in. And, unbelievably, it worked completely! The pain and facial swelling and congestion were completely gone; no remnants like with the Maxalt! I was ecstatic. I thought one dose and it’s over! But that was yesterday.
Today I woke up with my head on fire again. According to the package insert, I’m allowed three doses per day, but I’m so not in love with the idea of taking Indo at all. It can cause stroke and heart attack and a whole host of stomach problems. The sword-fight in my skull necessitated another dose regardless. But this time it took two hours to work and then the pain didn’t completely go away. I was so upset. Not my miracle drug after all.
I thought of taking the second med — injectible Imitrex (another blood vessel constrictor, like Maxalt, but faster-working and supposedly more effective for TACs). Freaking out over being able to effectively stab myself in the thigh, I forced myself to assemble the little shot dispenser and study the instructions, only to realize the sample he gave me had long expired. (Since it’s a liquid, I guess it doesn’t last long). And of course he didn’t give me a prescription since he wanted to see first if the sample worked. These headache episodes always happen on long holiday weekend — always! I thought of calling his answering service and leaving a message for the doctor on call to phone in a prescription, but then I also didn’t want to mix medications and it hadn’t been long since I’d taken the Indo. Massive anti-inflammatory and blood vessel-constrictor don’t seem like a good match.
Enough edge was taken off by Indo that I decided to go out and get some fresh air for once this weekend. So, I went to this Brazilian festival in midtown. In celebration of Brazil’s upcoming independence day (the 7th), they had a big street fair replete with food, music, and of course dance.
A televised concert the huge crowd gathered to watch.
I wanted to try something Braziliany for lunch, but all those people eat is carne, carne, and more carne!
If I ever go for Carnival, would I survive?
I finally found these little cheese-filled fried doughy things.
Which I had with a can of this, which tasted like cherry-flavored gingerale. Pretty good!
What would a Brazilian festival be without sambistas! There was hardly any place to dance, though, the streets were so full. They should probably have some risers set up so onlookers bearing cameras could sit down and watch the commotion without standing right in the middle of the band, leaving no space for the dancers.
Another band, on a side street. I really liked this one, called “The Berkshires Samba Group” — very fun percussion. I bought their CD.
I didn’t join the samba mosh pit– my head was hurting too much, but was fun to watch!
Mmmm, dessert! I don’t know if these candy-covered fruits had anything to do with Brazil, but I justified a chocolate-covered banana kebob anyway…
Now I’m home and the dull pain is back and getting stronger. I took another dose of Indomethacin. Pain is abating, but I’m afraid to go to sleep…
Originally uploaded by swan lake samba girl via mobile.
The Borders @ time warner only devotes 2 bottom shelves in back of store to dance – & it’s just blocks from lincoln center!
Each day yet more of the splendid Fall Season’s offerings flood my mailbox. So exciting! But a little nervewracking, given all the things I have to order tickets for! This is why I so love NY though — that unique combination of intoxicating stimulation and potentially migraine-inducing excess… (or in my case, TAC-headache-inducing excess … am trying to tell myself I do NOT feel one coming on, but am armed with meds just in case…)
Well, I guess this is what the holiday is for, to breathe deeply, lounge around, rest up for the happy hubbub to come 🙂 Happy Labor Day, everyone, have a long and relaxing weekend!
ha, I can’t believe it but Barbara recognized me in this picture, in the Times today, accompanying Jennifer Dunning’s article on the “States & Resemblance” piece I blogged about earlier this week. How did you see me, Barbara; I almost didn’t see myself?!! Haha, how embarrassing 🙂 (I’m in back, holding the paper in front of my face, a shiny pink metallic purse at my side, and head cocked and looking all pensive — what a goof!) Thanks for pointing it out to me, Barbara! Okay, this is the second time I’ve been nameless in the NYTimes! 🙂