READ RUSSIA Launch Party at IDLEWILD BOOKS

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Last night Ariel and I went to a launch party for the new online version of Read Russia, a magazine about all things Russian, at Idlewild Books in Union Square. I’d heard about the event through Lauren Cerand’s happening Monday column, The Smart Set, on Maud Newton’s literary blog.

I hadn’t heard of the magazine before, but it looks like a fun, informative read, and just the kind of publication I’d be into, nostalgic Russophile that I am. I say nostalgic because it seems kind of like a zine for Russian expats living here — as well as Americans– but kind of the reverse of the Prague Post and St. Petersburg Times, and all those literary mags founded by members of my generation for Americans living in Eastern Europe in the 90s, right after the fall of Communism. Oh, to be young in the fin de siecle again :S…

And totally fell in love with Idlewild Books. Honestly, best bookstore I think I’ve seen. At least it suits me to a t. They specialize in foreign and “travel books” but I put the latter in quotes because they’re not only the kind of cheesy travel books you’re used to that really might better be called tourist books, but novels, historical accounts, and the like, written by that region’s writers, or insightful visitors, that give you a much richer, deeper sense of the place.

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And, unbelievably, they had this back table of heavily discounted books, which I don’t think I’ve ever seen at a small, independent bookstore before! Books I can actually afford 🙂 I had an armful ready to buy but the cash register was long closed by the time Ariel and I ended our vodka fest (okay, my vodka fest) and got ready to leave.

Yes, they had free flavored vodka, which of course I had to have. Right when I got there, a man had just emptied into his cup the remaining bottle on the table, so a Read Russia editor brought out a new one. But she didn’t open it, and I couldn’t figure out the blasted cap to save my life. A guy must have seen me picking desperately at the thing, then giving up, and embarrased, placing it back down on the table and trying to walk away nonchalantly. He came up, unscrewed it, and without pouring himself a glass, sat the bottle right back down before where I’d been standing and looked at me out of the corner of his eye. How embarrasing.

They also had these delicious Russian candies, but the blasted things were downright elephantine. I unwrapped a cherry-wrapped log thinking it was going to be all squishy and gummy-bear-like so I could tear it apart with my teeth, but no, it was hard candy. I couldn’t bite it apart, so had to put the whole thing in my mouth. It was like the size of a small hot dog — like the kind you use for pigs in blankets! I couldn’t talk without my mouth drooling red syrup, and I kept feeling like I was going to choke, so I nonchalantly wrapped it in a napkin and placed it in an empty, used vodka cup. Apparently it takes practice to be Russian.

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At the end of the evening, they gave us each as parting gifts a “Literary Map of St. Petersburg.” I was so excited — just my kind of thing! I have one of London as well. And even more exciting when Ariel discovered that there were series numbers listed on the bottom right corners. Mine was 25/100 and hers 24/100. Real, original prints! Oh how I love free art!

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How does it look on my wall?

Update: for more info on this lovely little gem, go here.

Facebook Causes Self-Reflection

By posing questions like, “how old am I?” And, “who am I?”

Karina Smirnoff, Blackpool 2006, photo by Tonya Plank
Karina Smirnoff, Blackpool 2006, photo by Tonya Plank

Regarding the first: apparently 10 years old, as I just became ridiculously giddy on Facebook’s pronouncement: “Tonya is now friends with Karina Smirnoff.” My longtime Latin ballroom IDOL 🙂

Regarding second question:  one of my new FB friends asked me, “Hey, what’s up with all this Miami City Ballet stuff? Are you a dance critic?” (My status updates lately have been about going to see Miami City Ballet, where I spent the past two days).

So, hmmm. I honestly don’t know. Do bloggers = amateur (or in some cases pro) critics in this new media world? I guess it depends on the blogger and how s/he defines him/herself.  I guess I want to be taken seriously as someone who gives her honest opinions and assessments of things and certainly don’t want to be seen as a lackey to any dance company, but I also try to make my connection with dance personal in a way that a newspaper critic really can’t. Ie: writing in a bit of a persona, calling dancers I really like by their first names, etc. Makes it more interesting albeit less “objective” I think.

I also want to try to avoid being too hard on an artist. I have been and it’s really upset a couple of them. As someone who’s really trying to segue from a career in law to a career as a writer — and especially a writer of fiction — I can relate to and have a deep respect for how difficult the artistic process is and how much you are really putting yourself out there when you subject yourself to public scrutiny. But then again, we all need to have thick skin if we are doing that. And writers do have to keep in mind that our readers are relying on us for our honest opinions; we’re not writing for the artists but for other dance-goers. I do make a distinction between creators who it seems are primarily interested in entertaining and maximizing profit above all else. That’s why I don’t feel badly about being harsh on the TV show producers 🙂

Oscar Wilde says a critic is a kind of artist.

So, I basically didn’t answer my the second question at all… Anyway, any other thoughts on the roles of blogger vs. critic in the age of new media, or on critic as artist?

Favorites of 2008

Okay, here’s my (late) list of favorites from 2008: (click on highlights to read what I wrote about each dance)

Favorite overall dance of the year:

Revelations by Alvin Ailey. Because the movement language — a unique blend of American Modern with African — is highly evocative, richly varied, and, because it’s set in a specific time and place recognizable to most if not all of us, it’s imbued with meaning and feeling accessible to everyone. And because it speaks to the human condition like no other dance I’ve ever seen. I’m still looking for something to top this and don’t know if I’ll ever find it.

 

Favorite new dances:

1) Nimrod Freed’s PeepDance in Central Park;

 

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