THE WILIS ARE REAL: THE DANCING PLAGUE OF 1518

I was browsing around in the bookstore yesterday and spotted this. Apparently in the summer of 1518, in Strasbourg, one woman began dancing and couldn’t stop. This “hysteria” spread until a great number of people had literally danced themselves to death. It’s referred to as the dancing plague, which I’d never heard of before. The book is written by medical historian John Waller, and has received pretty good reviews. I’m definitely going to read it.

Of course it reminded me of the wilis of Giselle and made me think, though we moderns love to roll our eyes at some of these “silly” ballet characters — girls being turned into swans, maiden ghosts forcing the men who snubbed them in life to dance to their deaths — it’s interesting to explore their bases in history, myth and literature. The ideas usually came from somewhere.

THE SEPTEMBER ISSUE IS NOT THE DEVIL WEARS PRADA (BUT COULD USE MORE DANCERS!)

 

Over the weekend I went to see The September Issue, the documentary about Anna Wintour and Vogue, focusing on the mag’s — well, the fashion industry’s — most important issue of the year. I found it thoroughly entertaining, but not in the way I expected. I expected it to be a real-life Devil Wears Prada, but it wasn’t that at all. I remember from the book, Laurenย  Weisberger’s main character constantly feeling like a horrid slob amongst all the fashionistas — or fashionista wannabes — who worked at the magazine, and I remember her even being ridiculed by everyone for wearing Ann Taylor, supposedly a cheap designer.

Of course Devil Wears Prada, the film, played up on all of that, having Meryl Streep lecture Anne Hathaway on her decidedly frumpy wardrobe and call her (a size 6) “fat.” But here, everyone who works at Vogue — particularly Wintour and other higher-ups like creative director Grace Coddington (who is really the emotional centerpiece of the film) are pretty mundanely dressed. They seem more like incredibly hard-working women who are far too busy to care much about how they look everyday at the office. No one wears much makeup, hair looks completely unstyled, Coddington munches on a rather bland-looking corner deli-bought salad while enthusing about the photo-shoots she’s designed and her romantic vision for the issue, talking about her past as a model and how she turned to the editorial side of things early on after a car accident ended her modeling career, and bemoaning the wasted money spent on photo spreads Wintour ended up not liking and axing entirely.

But my biggest surprise was how unattractive I found the models to be. And they weren’t — they were all really beautiful. But I think I’ve seen so much dance now that, as much as I used to admire models, I’m now almost horrified at their bad posture, their boney bodies, their completely uncoordinated frames, their sloppy-looking lines. During a shoot, this one model was playing around and she decided to do a kick — a battement — for the photographer and it was just about the worst kick I’ve ever seen. Her knee was bent awkwardly, her foot was doing nothing at all and gave her leg no line, and she almost fell over. The photographer seemed to think it was great though.

Made me think how much better dancers might be at making the clothes look good. I don’t know, maybe most dancers are too short or the fabric doesn’t drape as well over built musculature as it does over basically skin-covered bone.

 

This wasn’t the same model from the film — I can’t find a photo of her — but it’s taken from Italian Vogue. I mean the clothes look good — she’s pretty — but look at her lines underneath…

This in contrast to the New York City Ballet dancers, as photographed with this gorgeous flowing diaphanous fabric for NYCB’s Winter season calendar, which I just received in the mail today.

 

 

 

 

PICKING BONES FROM ASH

My new balletomane friend (who I met this past ABT season), Marie Mutsuki Mockett, has a book due out at the end of September. It’s her debut novel, Picking Bones From Ash (published by prestigious indie house Graywolf), and so far it’s received a couple of great reviews. Go Marie!

It’s the story of two women, a mother and daughter, one Japanese, the other Japanese-American, and it takes place between Japan (past and present) and San Francisco. I haven’t read it yet but can’t wait! I love novels that examine gender across cultures and generations, and it looks like it has a fair amount of suspense to boot.

NO REALLY, ARE YOU THE DEVIL?: ANNA WINTOUR ON LETTERMAN

For those who missed it last night (as I did; was out watching this excellent albeit very disturbing film), here is a clip of Anna Wintour’s David Letterman appearance last night. I love how he gets her to talk about Devil Wears Prada and how real the character is who’s allegedly based on her, when it’s so obvious she really doesn’t want to go there. Hehe, go Dave. No seriously, Ms. Wintour was spotted several times at ABT during the recent Met season so we like her for that reason alone. Plus, DWP is fiction…

She does seem a lot more nervous than I’d expect, and a lot younger.

JULIETTE BINOCHE IS COMING TO NEW YORK

 

Very excited. One of my favorite actresses will be dancing at BAM’s Harvey Theater from September 15-21 with Akram Khan in their collaborative work, in-i (post-show talk with her and Khan is on Sept.17). I’d actually blogged about this a while back after seeing it reviewed in the English papers, so I’m very glad they are finally bringing this show to the US. Here’s a sampling of how it was received in the UK.

And, to coincide with the dance tour, BAM Cinematek is having a downright mouthwatering retrospective of her films. It begins with her latest movie, Paris, on September 11th. Following that 7pm screening, she’s to give an audience Q&A with the film’s director Cedric Klapisch. (Only prob with the retrospective: BAM doesn’t appear ever to be screening The Unbearable Lightness of Being…)

Also on September 11th, earlier that evening, at 6pm (I honestly don’t know how she’s going to fit all of this in…), she’s scheduled to be in uptown Manhattan at the Barnes & Noble Lincoln Square to talk about and sign copies of her new book, Portraits – In Eyes. (Binoche is currently taking a year-long hiatus from her acting career to fulfill other artistic passions — dance, poetry, and painting). This time B&N is making clear up front seating inside the little glass-encased area is primarily for book buyers.

All of this is exceedingly cool for Binoche fans, like me ๐Ÿ™‚

 

LAURA JACOBS' THE BIRD CATCHER, AND WHY THOSE MARTHA GRAHAM MEN WEAR SUCH SKIMPY COSTUMES

_____

“Well I’ve only been twice,” Margret answered, realizing her mouth wasn’t working so well. “I mean, the one about Oedip … Oedipus.”

The wine was warping her consonants.

Night Journey,” he prompted.

“Is that the one? It was like an Assyrian,” she said slowly, “bas-relief. Those little palms and things in profile.”

Her face was hot. Why did he keep looking at her?

“What I want to know,” Emily said, pointing a pretty finger at Azam, “is why Graham men are always in such skimpy costumes? I mean, really, Azam, it’s jockstraps and loincloths. Do you guys ever, among yourselves, admit she was sexist?”

“Noooo.” He smiled lazily. “She just liked to see men’s bodies. You know the famous line?” He squared his shoulders. “Walk like you carry the seed.”

“What seed?” Nan called from the far end.

“Sperm,” Fred said.

“What are you talking about?” Ollie demanded.

Martha Graham,” Emily, Fred, and Azam said in unison.

______

Above text from The Bird Catcher, by Laura Jacobs.

Photo from Night Journey (with requisite male dancer in loincloth) by John Deane, taken from here.

I’d really liked dance critic Laura Jacobs’ first novel, Women About Town, so I was really excited for her second one to come out. She writes fiction like she writes about dance (for the New Criterion; she also has a collection of her dance writings): lyrically, beautifully, poetically.

The Bird Catcher is the story of Margret Snow, a young New York artist working as a window-dresser at Saks, and her attempts to overcome the grief caused by her husband’s untimely death. She and her late husband, Charles, a Columbia professor several years her elder, had loved to bird-watch together in Cape May, New Jersey. So one of the ways she salvages his memory and pulls herself back into life is to go down to lower Manhattan and collect various birds who, during their migration, were felled by the glass skyscrapers. She retrieves their bodies and performs taxidermy on them — and, really, I never knew how poetic this practice could be, how artistic! And this project of hers eventually figures, rather dangerously, into her job.

There are lighter moments in the novel as well, like the scene above, where she’s at a dinner party and meets this young, sexy Martha Graham dancer named, fittingly, Azam, who ends up figuring rather prominently into things as well.

It’s a really beautiful book. One of those you want to read slowly and really savor the language. And she has a way of making you really feel for her characters. It’s also rather educational. I didn’t know much about different bird species and their migration patterns, or the variety of bird-life passing through New York City and how dangerous those skyscrapers can be to them.

Anyway, Emdashes currently has a contest on, through which you can win a free copy of the book. You have to enter by this Friday. You can do that if you’re on Twitter by responding to @emdashes and giving the name of your favorite bird. If you don’t tweet, then visit James Wolcott’s blog for more details.

And if you don’t yet have a favorite bird (as I didn’t — I mean aside from the obvious), this site seems to be pretty informative.

GENTLEMEN

 

Today my friend, Michael Northrop‘s, debut novel, Gentlemen, officially comes out!

Published by Scholastic, it’s classified as a Young Adult book, which means it’s geared mainly toward a teenage audience.

I have to admit I never read much YA even when I was that age (was too busy reading books like Valley of the Dolls and Peyton Place and thinking I was ooooh so sophisticated — big laugh, of course ๐Ÿ™‚ ) Anyway, I have flipped through a few recently to see what’s out there and it seems that many of them are kind of about teenage girls and the whole popularity thing, about fitting in, some more serious and about eating disorders and multicultural issues, etc., but many are about girls and by women authors. So, Michael’s is a bit different in that it focuses on boys from a rather tough, working-class background, and is a bit darker. My kind of book! And one of my favorite novels, Dostoevsky’s Crime and Punishment, is at its center. Honestly, I read it quickly and really really liked it. It should be widely available, as of today. Yay ๐Ÿ™‚

BARYSHNIKOV TALK GOOD BUT I AM PISSED AT BARNES & NOBLE

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Last night at Barnes & Noble, Lincoln Square, Mikhail Baryshnikov talked briefly with New Yorker dance critic Joan Acocella about his new book of photos of the Merce Cunningham Dance Company, Merce My Way. (I love the title, by the way).

The talk was brief (about half an hour) but pretty good. But, honestly, I had a very hard time getting over my anger at Barnes & Noble. I arrived early in order to get a good seat up front, knowing (hoping at least) it would be crowded. But on my way in, I was stopped by a B&N employee. She said they were giving “preference” to people who purchased his book, which cost $36. She pointed me to the cash register, set up, conveniently, right next to the entrance.

I was so mad. There was such a crowd already, it was pretty clear “preference” meant that unless you were buying a book, you weren’t getting in. And in this economy, $40 is a lot to spend when you’re not expecting it. Honestly, I found it a really sleazy, unfair corporate practice to take advantage of his fame like that to sell books. A lot of people must have come from a ways away to see him, and you’re not really going to walk away if you’ve traveled. People were standing around looking like they didn’t know what to do, hesitantly withdrawing their wallets and picking up a book. “We’re a couple, can we get in on one book?” I heard someone ask the people at the door.

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I mean, this was advertised as a regular talk / author reading event, which are always free. Nothing in the adverts (at least the ones I saw) said anything about having to purchase a book. As Ron Hogan (of the pub / book blogs Galley Cat and Beatrice) tweeted me (and damn, was I a mad tweeter last night), “seriously. if bookstores want to pull that crap, let them charge $40 IN ADVANCE and include the book w/admission.”

Just as I was getting mad about missing Bill T. Jones (who was giving a talk downtown) for this b.s., I saw my friend Monica Wellington (who I met through Philip). They’d agreed to let her buy the Joan Acocella book instead, which was less expensive. She told them at the door we were together, so they let me in. Thank you thank you, Monica!!

Anyway, the talk was pretty good, albeit short (about half an hour). I’d never heard him speak before, other than giving a brief sound byte on a pre-recorded interview. He is, as expected, charming and smart, though he talks very slowly, thinks hard about his words as if he’s always too far ahead of himself, struggles with English, and digresses frequently. None of which were a big deal, and his digressions often led to entertaining little tidbits.

Continue reading “BARYSHNIKOV TALK GOOD BUT I AM PISSED AT BARNES & NOBLE”

BARYSHNIKOV, JOAN ACOCELLA, BILL T. JONES

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Please excuse the blurry photo; I took it on the escalator last night at Barnes and Noble, where I went after Paul Taylor (review soon!) Thankfully I decided to visit the bookstore; I hadn’t known about this, even though I’m on B&N’s events mailing list…

So, this Tuesday, March 10th, Joan Acocella (New Yorker dance critic) will be in conversation with Mikhail Baryshnikov at Barnes & Noble, Lincoln Square (66th and Broadway) to discuss Baryshnikov’s new book of photos of the Merce Cunningham Dance Company, Merce My Way.

 

But same night same time, Bill T. Jones is giving a talk at Skirball. Now what?