I’m having some internet connection problems (Time Warner can’t come out till the end of the blasted week!), but am trying to post as many pictures as I can between crashes. I’m updating (have about 300 in all, but am trying to narrow it down to 100-150), but here is my photo album thus far.
Semi Live Blogging DWTS Finale
Grrrr. So mad. Cristian should not have been the first to go; it should have been Jason. Injury or not, Cristian was all-around better, had greater improvement throughout the season, and had a more fun dance persona. Football players have so many fans… As much as I like Jason personality-wise, I feel like there’s no real competition now; Kristi has it hands down.
Am I weird for not having heard of Usher before?
Steve Guttenberg is such a little cutie.
I’m glad Priscilla and Louis did their Tango — that was my favorite dance of theirs.
Shannon was pretty good, but of course she did Standard. Wow, I can’t believe how out of breath she was!
And now that I’m watching Mario and Karina I’m reminded of what some TV commentator whose name I can’t now remember said, “this isn’t a pure dance competition or it would be on PBS; this is in large part a popularity contest.” If it was a pure competition, of course, he’d be in the finals. I still can’t believe he was kicked off so early.
The Rocky music is cracking me up.
Very very very cool of Jason to say, “I hope dancing makes me a better football player.”
Carrie Ann’s right — that was his best performance of the season.
Oh but then he kind of ruins it by saying, “well, I’m still a tough football player,” to all the “oh you’re so elegant” remarks.
Len says to Jason, “Kristi may be the judges’ winner, but you’re the People’s winner.” What does that mean? Who’s it going to be???
I’m honestly really nervous… and I don’t even care who wins.
So, it is Kristi! She breaks the curse!
I did say at the beginning of the season I thought she was the best contestant EVER on the show, so it’s right that she won. Still doesn’t mean I’m in love with Mark Ballas though… maybe he’ll grow on me in coming seasons…
Aw, it’s not on again until September??
Dancing With the Stars Finale and Dance Times Square Showcase
I don’t have a lot of time to write since I have a bizillion and a half things to do before Blackpool (which I leave for in two days!), so I’ll be brief. I thought DWTS’s season finale was the best ever. The remaining three are all really good, far better than prior contestants, and they have their own cute strengths.
Cristian has definitely improved the most, of these three and of any contestant ever, I think. He’s 1000% improved from the way he was dancing at the beginning of the season and that is what this show is about — a normal person / non-dancer learning to dance well. At the beginning of the show I remember his limbs looking like spaghetti, totally out of control, no shaping or definition to his upper body, and he was dancing Latin too far up on his toes, had no grounding, and it just didn’t look right. Now all that is nearly gone. His hips are now near perfect, he’s much more weighted, his arms are not flailing out of control, and he has much better definition throughout his body. He’s still not a pro male dancer, but he’s just about the closest thing to a pro without being one, especially for someone who started out so poorly. I’m just so proud of him 😀 I feel like HE won the opening number, not Kristi. And I don’t care if his freestyle lifts were not as fancy as Jason’s; not only did he do extremely well with them, but they were lovely and complemented the choreography and music. Why does he need to raise her above his head just for the sake of showing he can? An overhead lift wouldn’t have added anything to their routine; it would have been out of place in fact since the music was kind of fluid and fast. I just can’t stop smiling whenever Cristian is on the floor.
And, regarding his injury: I know, people say it’s wrong that he’s still dancing, but, honestly, right or wrong, I know many professionals who dance with an injury so they can finish out the season, then have their surgery. And many pro ballroom dancers will dance with an injury if they’ve made a commitment to their student, to do a competition or a student showcase. I’m not saying it’s right, but I feel like in a way his problem is pretty typical and shows what a lot of dancers go through and the risks they take.
I love Jason, but as much as I love his personality both on the dance floor and in the practice segments, he doesn’t do equally well at Standard and Latin the way Cristian does. That’s another huge plus for Cristian — it’s very hard to do well at both. I really liked his freestyle though. Edyta choreographed something perfect for him. Like Carrie Ann said, who knew Jason could be funky like that! It was like a downplayed hip hop and it looked perfect on him.
And, hehehe, he is a ballerino! Those breathtaking overhead lifts were something right out of Petipa! I love it! Soon he’ll be as obsessed with ballet as he is with ballroom! But I think, not being a man and never lifting someone over my head like that, the lifts he did were actually harder than ballet lifts where the danseur carries the ballerina across the floor, because Edyta had him turning in place repeatedly at the same time. That’s damn hard because not only are you lifting, you’re making yourself sickly dizzy by spinning. I know as the girl getting myself into a lift, maintaining a position in the air and then getting spun around like that, you just want to throw up when you land; they’re incredibly hard. So, major kudos to him.
I love Kristi and she was once my idol. I don’t know, I feel like I’m not as impressed with her as I was at the beginning of the show. She’s nearly flawless, but she is not without flaws, and now for some reason I just want to compare her to someone like Karina Smirnoff, and she comes up lacking. It’s well-known by now that she knows how to dance and I think I’m probably just being too hard on her because I want perfection. Her legs don’t come together perfectly in Cha Cha, her lines in her upside-down split lifts were not as perfect as Juliana’s, and she doesn’t have the polish and the perfect technique the pro dancers do and that seems to be all I can focus on. Maybe it’s that Mark is such a show-off and he’s outdancing her. When I heard him talking about trying to do a back flip during practice sessions, I thought, WHY, WHY do you have to go and do something like that! But when I saw it, it wasn’t so bad since he lifted her so many times and made her look great and she had a lot of tricks herself. So, it was even, not like it was all about him. She is the best; it’s just that I relate more to the other two because they’re normal people like me who learned throughout the show to dance ballroom wonderfully…
On a very related note, the Dance Times Square showcase last night was so much fun, I can’t even begin to describe. It’s like seeing a DWTS show live, except with far more student performers of all ages, of all shapes and sizes, of all levels of dance ability, all doing their best. And those are combined with all pro showcases of course. They’re the best studio for putting on these kinds of things for their students.
It was really packed this time. In addition to all the regulars, and the students’ friends and family, there were many many more — either who came to see Pasha & Anya or who were from media outlets. I know there were people from Entertainment Tonight there and Tony mentioned a couple of other news shows too that I can’t remember. There were also talent agents there.
And Sabra and Cameron from So You Think You Can Dance were there! They sat right behind me and Sabra laughed hysterically at Tony and Melanie’s opening jokes and then SCREAMED with applause throughout. She cracked me up. If you’re ever performing you WANT her in the audience!
I sat in the press section toward the front, next to one of the ET crew and he was remarking throughout how amazing he thought this was. And his remarks were genuine. I truly don’t think he’d ever seen anything like it before. You’re sitting down there, the press people are all serious and make you a bundle of nerves even if you are just writing about the event yourself and not performing in it, and then the people up in the balcony (the regulars and friends and family) are up there screaming, wildly cheering on the dancers, calling out their names, making the dancers even laugh at times. And the press people are aghast. “I can’t believe this! This is the most amazing thing I’ve ever seen!” ET guy said.
When a couple of senior amateurs danced a cute little Mambo (this is rare; it’s almost always one pro dancing with one amateur), and they were cute, but obviously didn’t do any spectuacular tricks or quick-footed dancing, the audience all started clapping along with the music and cheering for them. The audience made their own fun time, in other words, by really getting into it.
And Elaine. Whenever she was onstage, Elaine stole the show. I know her and can tell she was nervous at the beginning of her first routine. She stumbled a bit and nearly tripped Jacob, her partner, and someone shouted from the balcony, “Dont hurt him, Elaine!” She laughed and it really calmed her nerves. Completely cracked ET guy up. “I’ve never seen anything like this,” he said for the umpteenth time. Elaine’s so cute and she’s a really good dancer for not learning until well into adulthood and then having the limitations of age. Jacob did several lifts with her — ET guy went nuts — and in one routine she did a series of chaine turns (two-footed traveling turns done in a line) practically all the way across the floor. “Unbelievable, simply unbelievable!” ET guy shouted.
(Elaine is on the right, Claire on the left — I’ll talk about her in a minute. This is on our Dance Times Square outing to see the SYTYCD tour).
I don’t have time to go into all of the routines, but my favorites were Susan Washburn (a longtime student there) and Michael Choi’s hilarious “Sex Bomb” (all the routines by the way were medleys — the music consisted of one song but with different musical artists’ interpretations — one slower and more dramatic, one sped up, one hip-hop-y, etc. So, there would be several dance styles within one song — Cha Cha, disco-y Hustle, a slower Rumba or Bolero, etc. — It was really a clever idea for a showcase — Melanie’s of course. At the beginning, Melanie addressed the crowd, explained the theme of the evening, then said, “I know, this is a rather ingenious idea right? I mean, it’s usually me who comes up with the themes of the showcases, but this time I have to say it was … oh, hehe, it was me again,” she said with a faux blush. The crowd was hysterical). Anyway, of the student showcases, I also loved everything David Johnson was in — he’s an older man, and his schtick was to be so taken with his young female pro that he kind of followed her around aimlessly, trying hard to imitate her and be the perfect partner. It was cute and he acted it all so well, the audience was just screaming in applause. I liked a sultry sexy tango cha cha, etc. by Krysta Gonzales, who you can tell has dance background, and Nazarie Salcedo’s infectious smile makes everything she does a delight to watch. I liked so many though, I just don’t have time to go into them!
Claire Gaines (in the picture above) also performed with her teacher, Jacob Jason. She was also in “Gotta Dance” (she is the one with the mike in the second picture here) and she brought her team of NetSationals with her! They did a little swing / hip hop and the crowd ROARED!
Of course Pasha & Anya performed! They did three routines, which made me very happy — I thought they’d only do one at the very end, but they danced throughout. Their first was a gorgeous medley danced to “Indissoluble.” I don’t even know how to describe it. It was by turns sexy, romantic, bone-chillingly intense, passionate, heated. The dance style was based on Rumba and had some Samba (my favorite part was a series of Samba rolls, but with their faces cheek to cheek, so it looked far more sultry and passionate than normal Samba rolls) and even some Tango, but it really was not ballroom. It was more contemporary. It was just beautiful Dance. It was like something I’ve never seen from them and I was really proud of them for pushing themselves and trying something new, outside regular ballroom. It really could have been in a big dance gala, like when you see those tango companies perform in the 21st Century Stars of Ballet galas or something. It made me think ballroom can and will take new directions and become a real performance art.
They also did a gorgeous Paso that took my breath away. Pasha and his cape 😀 And they ended with a beautiful Rumba in which Anya wore her black Blackpool dress from the year they placed second in Rising Star. My favorite dress of hers, EVER… (middle and right pictures here)
Maybe it was just the lights, but she seems to be wearing her hair lighter now, which I like. Now, it’s a light brown. I think dirty blonde is her natural color (and my favorite for her); she’d dyed it for SYTYCD. She also seems to have got a light, wavy perm. Pasha looks the same 🙂
It’s always beyond wonderful to see them again, but I always get so sad, and I left the theater feeling like I was going to cry. I don’t know why.
Oh one more thing, Karen and Matt Hauer, another pro couple who compete in the American Rhythm section at national competitions, performed a few numbers. Karen completely blew me away. She has grown by leaps and bounds in the past couple of years since I first saw her dance. Her movement is so fierce, so fluid, so amazing. Her upper body isolations, which you can really see in the slower dances, the way she rounds her shoulders, contracts her rib cage, you can trace the muscular ripple from her shoulders all the way down to her hips centimeter by centimeter. And she’s dancing with such passion, such intensity. She honestly reminded me of Karina Smirnoff. I was just enthralled.
Here are a couple of pictures I took of them at earlier competitions:
Okay, I have talked too long. I’m never going to be ready for Blackpool!
Yes — My Favorite Three Are in the Finals For Once!
I’m very happy; my favorite three are in the finals, I think for the first time ever. I’m usually disappointed at this point in the show, but not this season! (I know, Katrina, you’re not going to be happy!) I really liked Marissa. Her personality and excitement were contagious and she brought so much fun and spirit to the show. But I do think she was the least technically good at this point and, of all remaining contestants, had improved the least. She seemed like she was halfway expecting it and was completely okay with it, though disappointed of course. I believe her when she promised to show up in the audience next week.
Wow, Brendan and Brittany completely blew me away. That was honestly one of the best Pasos I’ve ever seen. That was technical perfection and just astounding artistry, especially in people so young, as the judges mentioned. They are going to be a force to be reckoned with in the ballroom world.
Also, I loved that little African part in the beginning of Omarian’s Michael Jackson tribute!
Sweet newly ballroom-obsessed Jason, never-give-up cutie Cristian, and dazzlingly spectacular Kristi — I’m so excited for next week!
Dancing With the Stars Semi-Finale … Already?
I can’t believe it’s already the next to last week.
Jason’s Foxtrot was lovely. He was perfectly dashing and his lines are really much nicer than before. Although this routine wasn’t the most thrilling I’ve seen, there was some nice choreography from Edyta — her dip with the kicks and the arabesque with the leg landing on his shoulder into the lunge was pretty. And he put some good character to it. Good performance but underwhelming choreo.
Ooh, I missed last week but got a glimpse of Marissa’s fish — very pretty! Why did they take the lifts out again this week? They were just a one-week thing? Hehe “I can make passionate love to Len before you” — poor Tony; she’s embarassing the hell out of him 🙂 Eh, now that I just saw the routine, I have to repeat, why did they take the lifts out — I found her Quickstep cutely acted on her part, but very bland choreography-wise. The big controversy among the judges was her missed footwork on the runs. But to me that wasn’t that big of a deal; it was the bland boring choreo that made it blah. Len may be right that the footwork was fast and difficult and complicated, but I think a straight ballroom dance with few flourishes only appeals to people like Len himself.
Aw, Cristian is so cute; he’s just so excited when he does everything right, with no mishaps. I thought the Viennese Waltz was lovely, but I’m having the same bland blah ballroom experience with all these routines tonight. What’s up?
I LOVED Kristi and Mark’s tango. I loved the different elements — the fast furious almost flamenco-y taps into the soft slow dips and toe-swirling rondes and just the sensuality of it all. Tango’s usually not very sensual — it’s usually so “I love you, I hate you, I love you again, no I hate you again,” etc. And there was some of that. But when she arched back toward the end and he lowered his head toward her waist and kind of took her scent in, then extended his arm out to hers and traced her line, it was just so beautiful. Something new from him! There was a real stylistic and even a kind of narrative development to their dance; it went somewhere. Best dance so far of the night, IMO!
I think Len might have fixed Marissa’s hips, if the practice session is any indication. We’ll soon see…
I liked Jason’s Paso much better than his Foxtrot. It was very passionate and fiery, and the footwork was excellent. His jumps at the beginning were a little too bent-kneed and awkward-looking but that was my only problem. He really got into it and had fun and it showed.
Len did fix Marissa’s hips! They weren’t perfect, but they were much better, especially in the cucharachas! I totally disagree with Carrie Ann — this was one of the most interesting dances of the night, I thought. Tony peppered her Rhumba with that lovely supported lunge, her one leg wrapping around his back. And she had perfect form in her passe (right leg lifted, crossing the left at the knee, as she leaned into him). I like what Tony did with her arms — having her brush the back of her hair and trace her shoulder before returning her hand to his, after the hip twist. Her arms had been somewhat awkward before so I thought this was a big improvement, along with the hips.
Hahahah, Cristian is so CUTE! That’s probably not what a man wants to hear about his dancing, particularly his Samba — and his Samba was nothing near a professional man’s — but who cares! It was so full of energy and attitude and just … cuteness! His voltas (where the one foot crosses in front of the other as the dancer travels sideways) were adorable! He just really shook his hips and rounded his pelvis and it all just looked so good on him. And same think with the forward-traveling lock steps. The cute classic retro song was perfect for him in a way that a really sexy, percussive contemporary Brazilian song would have showed up his weaknesses. So good choice for Cheryl. I love him! I think he’s this season’s Helio Castroneves. Whether that means he’ll win I don’t know, but I think he has the same kind of charm as Helio.
I was a bit disappointed in Kristi and Mark’s jive. It was cute, and a damn hard routine, and she did very well with it and kept up. But the level of difficulty was so high, it sunk her a bit. It looked like she was struggling and they were out of sync at some points, and it seemed like he out-danced her. His jumps were higher, he had double her energy, his form was better and his lines and footwork more clean, and I felt like for once it showed that he was the pro and she the student. It was uneven and they didn’t look like a real partnership. But then again, with every other single couple it’s always been apparent who the pro is, so is it even fair to make that complaint about them?
Jose DeCamps and the Top 5!
So, eliminations went as I expected. I don’t really think people declined to vote for her because of last week’s histrionics; I think it was that she was just the least good left. Plus the others all have very likable personalities, each his or her own idiosyncratic strengths and charms. I’m glad Cristian is continuing, but worry about his safety. He’d just better not use that arm too much.
Very glad they changed the lift policy! Most of them were accidents anyway — e.g. Edyta’s yesterday; I think her foot was meant to trace the floor, but Jason straightened his back and got too much speed on the swing and she went too high and it came off the ground. Shows the ridiculousness of the no-lift policy anyway.
Def Leopard was such a trip down memory lane. I remember seeing them in concert, before the drummer lost his arm! And how happy am I that Jose and Joanna performed! I just love Jose; he moves like no one else. I thought the group Paso to the first song didn’t really fit thematically — the song is sexy in a kind of a laid back, stonerish way — the antithesis of dramatic Paso. The Cha Cha was perfect.
I was kind of disappointed with this season’s Dance Center. I guess there was nothing big to rib the dancers over, so they made up (I hope) that segment about Jason farting. I enjoyed the facial expressions — Mark’s and Cristian’s – -something you’d never notice if they didn’t point it out. Well, you wouldn’t have noticed Mark’s anyway… 🙂
So, the top 5 are Marissa, Jason, Kristi, Mario, and Cristian. My vote’s with Jason, despite the (fake please) flatulence.
Marissa Does Exemplify What The Comp is About: Dancing With the Stars Week 7
I really liked Marissa this week. I agree with Len that her opening Tango was her best dance yet. She had fantastic, sharp lines, perfect frame, never lost connection, lovely Argentine hooks, and great character — it was passionate with, as Bruno said, “a hint of disdain.” Carrie Ann said she’s what this competition is all about and I agree with her — she’s improved greatly, she’s working hard, pushing her own boundaries, testing her limits, really getting into it and making it her own while remaining true to the dance style. As for her rumba: I love the song “Cuando Cuando Cuando” 🙂 It wasn’t as good as her tango; she didn’t do hips, but at this point, I’m no longer expecting them — from anyone. Even though her technique was far from perfect and the moves were mostly basic, I thought she gave her routine great character — there was a lovely romance to it and it was sexy in parts. I love the ending full dip, especially when she dropped her head down all the way to the floor. Dramatic but beautiful!
Poor Cristian. I hope he’s okay. I could tell something was off though from the beginning of his Samba. He seemed confused throughout; I thought he might have forgotten his steps, but as it turns out, he’d hurt himself. I wonder how. He must have caught her weird or had too firm a hand-hold, because it’s more common to pull a leg muscle in a dance like that. Anyway, his Viennese Waltz was nice, but I agree with the judges that it was a little too lacking in control. But I thought it was pretty and romantic. I loved the ending where he spun her around, then let her go, then returned to her. I wonder if that’s where he hurt his arm, in that trick…
I didn’t like Kristi’s use of the umbrella in the opening of her Viennese Waltz. Too gimmicky and it detracted from the dancing. It was too much about that umbrella. Funny, but I thought her continuous chaine turns were gorgeous. I thought it was supposed to look out of control at the end, that she was supposed to kind of swoon, falling into his arms. I thought it was intentional! But the judges thought the chaines were messy and the “falling” into the dip was a mistake. And then, unlike the judges, I didn’t like her Cha Cha. It was cute, but I felt like it wasn’t enough about the legs, like Cha Chas usually are. She looked like she was trying too hard with the hips, shaking her butt, shaking her shoulders. I thought it lacked control and precision. But the judges felt completely the opposite, so it’s probably just me…
Mario’s Mambo was excellent, his Foxtrot not so much so, although it was fine. As Len said (I find myself agreeing with Len a lot), he’s not the most “elegant” dancer and the ballroom needs more definition and muscle control, but he’s still so much fun and he gives it everything he has and he really tries. It looked like they missed a hand-catch at one point, but they fixed it pretty quickly, so very professional. You could tell the pressure was on from being in the bottom two last week. His mambo will probably be enough to keep him from getting the boot this week. He really connected with the music, his flicks were good, his basic was perfect, great hip action — he’s got that down. What did Bruno say — “the devil was in your hips”? Only thing, he’s too turned in at points with his feet, which, for balletomane in me takes away substantially from the line — sorry I can’t help it! — but I’m trying hard to get over it 🙂 Another great Karina costume.
I’m glad Shannon apologized for last week. I feel like the judges were a lot easier on her this week because of it though. Her mambo was cute, and her dress was gorgeous — she really looked beautiful! — but the dance didn’t look right to me at all. It looked like Paulina Poritzkova’s mambo from last season. She was bouncing too much. Her long limbs are a disadvantage for that dance in particular. And the running up and taunting the judges gimmicks at the end of routines are getting tired. Her tango was very nice though. She’s far better at ballroom than Latin — no hips to contend with for one thing, and Standard tends to look better on people who are tall and thin. Her footwork was good and solid, clean swift kicks and hooks, and Derek’s choreography was creative. I like that she slapped him and kept trying to take his hat; I loved the dramatic ending dip. She was like a silent film starlet, as Bruno said.
Jason had probably the two most different dances this week: the light, sprinty Quickstep and the heavy, drama-laden Paso. His legs weren’t straight in his opening splits jumps and it was noticeable and threw off the line to me. I know people like tricks, but dancers need to understand that you have to be careful about the line you’re making; it’s not just about doing something “big”. But the rest of the Quickstep was nice — he was light on his feet, the runs and little jumps were good, his lock-steps were clean and polished, and I liked the little Charleston Edyta put in at the end — cute! It looked like he was having a lot of fun, which is kind of the whole point for amateurs. The football theme — for him at least — of his Paso Doble was fun. I didn’t understand what role she had though — cheerleader? Opposite team member, but female? I just prefer straight Spanish-themed Paso; anytime someone tries to do something more original with it, it just doesn’t seem to work to me. But I love Jason. I love his enthusiasm, his diligence, and, mostly, I love his lack of pompous assery! He said something along the lines of how he can’t believe how ballroom has taken over his life; this is all he does, and he loves it — now he can’t stop! I definitely know the feeling… It does take over your life, it really does.
Oh, I almost forgot: I was alerted to Edyta’s newly revamped website with message board. It can be found here.
Austin & Liza on Dancing With the Stars!
Hehe, weren’t Austin and Liza cute! (the second young pair). I was so excited to see them on the show. They used to dance at my old studio and I feel like I kind of saw them grow. I highlighted them in last year’s Dance Times Square showcase here. I particularly love Austin. I think Liza is growing too fast for him and it’s difficult for him to keep hold on her, but he is an absolutely brilliant mover himself. I’m not surprised the other couple won — they were technical perfection and stylistically beautiful. This is why it’s so hard to become good, or at least do well at big comps, when you’re starting as an adult. These are the kinds of people — when they’re grown — that you’re competing with. It’s just like ballet — ballroom dancers also start as little kids; if you ever want to be a pro, or an advanced amateur, you had to have started at that age, there’s kind of no catching up as an adult.
I totally understand how Shannon felt when she cried. It can be so aggravating when you’re trying so hard and putting everything you have into it and you just get ripped apart (in my case by my teacher, in hers before millions by judges). I did think they were way too harsh on her. She had hip problems, but so did most of the others. Kristi did a lyrical hip-less rhumba last week, so give Shannon a break! I’m glad she ended up making it.
No way, Mario’s in the bottom two??? I didn’t expect that at all.
Well, I guess we were all expecting it would be Marlee this week. I’m so sad. I still feel that they could have done something yesterday to help her with the music — if there was anything they could do?… I don’t know, I just feel like the show kind of failed her in some way. I am happy Cristian made it one more week.
"If You're In the Bottom Two Next Week, I'm Showing My Bum at the Supermarket"
After Len said this of Cristian, Carrie Ann said of Mario and Karina, “that was better than good sex!” — this show is getting out of control… and the other judges are stealing Bruno’s one-liners!
My two thoughts up front: Whoa Cristian! And Kristi was born with clubbed feet???
I thought Jason was excellent at Hip Hop — excellent! I thought wow, he’s really improving. But then when it came to the Cha Cha, it was fine and cute but nowhere near as good as that Hip Hop. It just shows you how hard ballroom dancing is — especially Latin with all that hip action. It’s hard! Jason’s so cute with his self-deprecation. That face he made when Len told him he wanted to see him actually dance more. Then, the “I suck.” Aw!
The Shannon and Derek at the beach so she could ‘get in the mood’ was almost as corny as Cristian and Cheryl’s visit to the sea lion shrink. But I thought Shannon did much better this week. The hips were screwed up during the traditional Latin opening out steps, but she has a ballet body — tall and thin and few curves, and if he gives her more balletic moves — like that gorgeous slow ronde de jambe en l’air in the beginning and that beautiful stretch near the end– she’ll do much better and the lack of hip action won’t be so noticeable.
Poor Marlee! I actually didn’t think the whole thing looked forced, only parts. The worst was the pelvic rolls with him standing behind her. They may not have been connected at the start because she seemed off on the rolls at the beginning, and until she caught up with him, she looked uncomfortable. And that can be a really rather funny (in a bad way) move to look uncomfortable with! But I thought the shoulder shakes were much better — she really seemed at ease with those and really let loose. I thought the basic mambo steps were fine; the hip action wasn’t quite there, but I disagree with the judges that they looked stiff. It is really hard not to be able to connect with the music in this most rhythmic, musical of all ballroom dances. I was hoping she’d be able to connect through other means than simply her partner — maybe floor vibrations she could feel through her feet? Maybe she should have been barefoot? Sorry, I’m just remembering Helen Keller’s telling an audience she could hear their applause through the floor… Anyway, I feel for Marlee and I hope she can re-gain momentum for next week. The judges were too harsh. Fabian was most pleasing though, no?!
“You can just call me Frederico Astaire.” Cristian is so cute. He was wonderful this week. I couldn’t believe it. The water actually helped him this time — the swimming was a good idea on Cheryl’s part. The water slowed those crazy, out of control arms way down. He was, as Bruno said, the perfect dashing gentleman, the way he glided over that floor. His footwork was excellent, not a step out of place, even on those fast intricate grapevines in the beginning, his partnering was perfect, his posture and lines were even good. I do agree with Len — he’d better not be in the bottom tomorrow night!
Wow, I get ridiculously dizzy too; I wish my teacher would have sent me to an aerial spinning class like Tony did Marissa. It looks like they helped. Maybe I’ll look into one. Seriously. Marissa looked really good tonight. She did a couple of lovely arabesques and the ending floor sweep was beautiful.
Kristi was perfect, as always. She really is a pro out there — not even like a pro, but a real pro. Mark is so lucky because he can choreograph the exact same kind of routine he’d do for himself and a professional partner; he doesn’t really need to search for specific strengths to highlight and weaknesses to hide. That was I think the first Jive ever on this show to be danced at full speed, and he gave her some really intricate, complicated footwork. She’s really the best, by far, no competition. But a commenter on one of my Huffington Post pieces said the fact that she was so perfect up front, that she had dance background, ruins it for her. If someone you can connect to because they, like you, are not a star from the get-go, and they can, with practice, be made into a dancer, that makes it possible for you to as well. Kristi is already basically a pro, so it’s not fun to watch her try and struggle the same as the average person would. It’s an interesting perspective on the show.
Mario’s routine was near perfect, but I kind of agree with Len that it was a bit too much about the sex and not enough about the dancing. Before Len made that comment, I had thought, hmmm, very sexy rhumba, but he’s not really doing a whole lot of moving. I don’t think I would have used the same words as Len though — strumpet and gigolo? Eeeh.
The group routine: those were the funniest practice lifts I think I’ve ever seen. I’m surprised Derek didn’t get hurt on that rotating cartwheel. I actually took lessons with Christian Perry, the guy who’s teaching these group dances. He taught at my first studio DanceSport, so it’s always so funny to see him on TV. I think I actually preferred the practice sessions to the actual performance though. All the lifts were the same and it seemed there was more unstylized jumping about than actual dance steps; it was more fun watching them all try to learn.
Oh Louis and Priscilla!
I’ll sure miss Louis Van Amstel, but it’s not like we didn’t know it was coming. For one thing I really really wish they wouldn’t reveal the bottom two each week. I thought they weren’t doing that this season. It ruins the fun and surprise for the audience and it puts so much pressure on the dancers for the entire following week. Stop it, producers! I also think the ‘popularity situation’ with Priscilla was similar to that of Jane Seymour last season: the more mature women, audiences just don’t relate to that well. But I also thought she was one of the least promising left, although she was a classic and I enjoyed Louis’s choreography for her.
Did you guys enjoy Eric Luna and Georgia Ambarian? They compete in the exhibition / cabaret divisions at the big championships. I love watching those; they’re one of my favorite parts of competition … although, oftentimes the routines are too much about the tricks and end up being lift after lift after lift. But here I thought they did a pretty lyrical dance that nicely complemented James Blunt’s lovely song. Oooh, I was last working on a lifty lyrical routine myself when I decided to take my dance hiatus; watching those two makes me want to return…
It's Not Latin Without Proper Hips!
I thought the only good routine on tonight’s Dancing With the Stars was Mario and Karina’s. Ironic because my two favorite dances are rhumba and samba … or, perhaps maybe that’s why I always dislike the weeks devoted to those dances. Somehow Karina was able to teach Mario how to perform the hip and undulating pelvic movements properly, in a way none of the other pros were able to convey to their celebrities. Oh, and, I LOVED the music — “A Tisket a Tasket”! The first time I saw Karina dance (and wanted so badly to be her), she danced a Samba with her former partner, Slavik Kryklyyvy, to that song. Here it is on YouTube.
My second favorite was Marissa, although I wouldn’t really say her movement was Samba; it was more just fun all-out groving. There were no pelvic contractions and expansions at all — the rolling movement that gives the dance that seductively intriguing snaky feel. She said during practice to her Samba was all about shaking your booty, and it’s not. If she saw it that way, then no wonder she looked all wrong. She was cute and her dancing was a lot of sassy fun; it just looked more like something you’d see in a club.
Marlee had the same problem — no pelvic rotations, though she looked cute and gave her routine a lot of pizazz. It just wasn’t Samba.
Priscilla, Jason, and Cristian all tried to move their hips, but didn’t understand that the hips need to be connected to the lats (back muscles). It’s the lats that push down on the hips that make the hips move. If you just move the hip without first moving the lat, it looks like you’re just shaking your butt. It looks superficial and silly. One of my ballroom friends, Juana, once told me that rhumba emanates from the slaves. The quintessential rhumba walks that people now see as being so sexy, actually evolved from the movement one makes while trying to carry a heavy load atop one’s head. Think about it — you’d take a step, then the load would bear down on your shoulder, the weight would ripple down to your hip, the hip would settle into its socket, and you’d move on, taking another step and setting the movement in motion anew. After she told me this, I envisioned myself as such a woman, carrying heavy bottles of water atop her shoulders, and unbelievably it worked so much better than my teacher shouting, “foot, lat, hip, foot lat, hip” over and over again.
Anyway, Kristi and Shannon didn’t even try to move their hips. Shannon complained she had none to move. I used to use the same excuse (see my blog’s tag line), but now that I’ve seen plenty of tall, thin women (Joanna Leunis) do rhumba quite well, I know it’s just that — an excuse. Kristi did a lovely lyrical routine — and she’s definitely a natural and beautiful mover — but I felt that it wasn’t really rhumba without the hips — it was a nice theatrical dance you might see on Broadway, but not Latin ballroom.
Depressed! What did you guys think?
"I Lost 10 Pounds of Fat, I Gained 100 Pounds of Angel"
Awww. That’s the most genuinely sweet thing he’s said all show. I won’t ruin it for you West Coasters, but I think a lot of people will be very happy after tonight. I am not happy though that they’re back to revealing who’s in the bottom two though. And I’m very unhappy with who that other couple was tonight.
Very happy Delyan Terziev and Boriana Deltcheva were on! They’re not the “Latin champions” as the announcers called them — more like number three at the last U.S. National Championships, but they are finalists, and so champs I guess. I really like them — they’re a tall thin couple with some really lovely artistic movement, especially in rhumba — which of course they didn’t do. Sexy shaggy haircut, Delyan 🙂 They were Pasha and Anya’s main competitors back before SYTYCD, when P&A were still competing. Everyone always wondered who’d place above whom of the finalists.
And how cute were those kids! But not so cool to have them compete against each other, huh? Couldn’t they just have danced for cry eye? But I finally got my Espana Cani with the Paso!
I wish the opening pro couples would have danced a West Coast Swing to Cheryl Crowe’s “All I Wanna Do Is Dance.” It would have exposed audiences to something new and with the honky tonk flavor of the song, it would have made more sense than a quick, sexy, trick-ridden cha cha.
I was proud of Priscilla for asserting her right to dance as she wished: a routine with lifts. She likes the look and feel of “both feet off the ground”; so do I and I applaud her for her that. The rules are ridiculous; she didn’t do any crazy showoffy tricks, it was simple and classy and fit her routine nicely. Screw the judges, but not in the way Adam suggested…