Uptown Women Have No Bodies

Very annoyed. Many of my friends and family are crazed Dancing With the Stars watchers. So, I figured I’d let them know about the PBS special America’s Ballroom Challenge, a televised event that occurred at the Ohio Star Ball in November last year, in Columbus Ohio, which I attended and in which my teachers competed (and made the finals!). Anyway, the first half of it aired a few days ago. I asked everyone what they thought. One person exclaimed that obviously Dancing With the Stars must have unearthed the best-looking dancers and it was really hard to watch such homely people, even if their costumes were lovely. Another remarked that the beautiful ballroom gowns often conflicted with the dancers’ not so beautiful faces. Another said she couldn’t believe how fat most of the Latin dancers were and she’d never wear such a tiny costume. Another said she thought when the Latin dancers “squoze” their back muscles, the fat protruded, and she wouldn’t do that so much if she was them. (Because Latin dancing isn’t about really moving your body or anything…) I honestly have yet to hear one person tell me what they thought of the DANCING.

A few weeks ago, I attended a panel discussion on representations of the body in contemporary dance at the Dance Theater Workshop in Chelsea. All of the panelists, who were either choreographers or dance scholars, were total theory heads and I understood about a half of one percent of what they were saying. But one female scholar, was all too clear when she snidely remarked, “Well, up until recently dancers didn’t even have bodies, not to mention brains, and uptown they still don’t. Instead they have anorexia and bunions and nicotine addictions, since there’s no way you can remain 108 pounds without one.” Of course she was talking about ballet, and I don’t think she was talking about Jose or Marcelo or Angel. It was hard not to laugh at the way she said it, but the comment stung since I’m such a ballet lover, not to mention a petite woman. I assume the audience was filled with modern dancers, DTW being a modern dance theater, and I felt like everyone was looking at me as the representative of bodiless, brainless, male-dominated women – none of which I am just because I’m thin.

After thinking about it, I remembered that this scholar was tiny herself – couldn’t have possibly weighed over 108, if even that. And many of the critics of my fellow Latin dancers are large themselves. I guess it’s a form of female self-criticism to be most harsh on other women who seem to embody the physical problems we find in ourselves. Still, it bothers me that a female dancer’s worth seems to revolve around her body. It makes me feel like, what’s the point of working so hard on contracting and expanding my pelvis in Samba and my upper back and hips Rhumba if I’m just going to be the little spidery-limbed Balanchine girl.

My Duty to Perform

Okay, just received about the biggest back-handed compliment ever. Last night at my studio, we had a party, and my Cha Cha teacher wanted the class to perform the routine we’ve been working on. There are several “students” in the class who are professional jazz and ballet dancers who are learning ballroom so that they can eventually teach it. I was really nervous, especially given that I’m the worst in the class, but figured it would be good experience for my upcoming theater showcase in March, and there didn’t seem to be that many people there, so I thought I’d try. But, while I was resting in the lounge between class and party, another student apparently thought I was trying to calm my nerves, and sat down next to me. “Hey,” she said, “you must be really nervous. I know, we’re the only non-professionals in the class. But, really, I think it’s very good for other students to see someone who’s obviously not a professional trying hard and yet not giving up. Shows them how hard it is to be a real dancer…” Ugh. Can’t wait to get on that stage in Long Island now!

Jonathan Roberts stole my song!

Ugh, the nerve of him. Just kidding:) I’m set to perform my very first student / teacher showcase on March 11th and I worked so hard to find the perfect Rhumba song and help my coach and teacher to choreograph a very cool routine, only to turn on Dancing With the Stars last night and see Jonathan and Giselle have already had their way with Jessica Simpson’s remake of Take My Breath Away! Which is a problem for me of course because anyone who will be in my audience likely will be a ballroom fan and thus have religiously watched DWTS, and because Giselle is so gorgeous and such a wonderful dancer – especially for having studied it for like, two days… ugh, they will know how it’s really supposed to look! This is my first time performing on a real stage (albeit a small one) before a real audience (albeit a very small one) since I was about 9 years old and was in a school production of Swan Lake at Phoenix Symphony Hall. My adult stage fright seems to be about 300 times what it was then.

Oh well. Our routine will be different, to be sure, because, in my quest to fulfill my goofy dream of pretending to be ballet goddess Alessandra Ferri, I managed to coax the studio-owner coach (who does the choreography) and my poor teacher (who does the dancing) into putting several pretty lifts into ours – which the DWTS contestants were forbidden from doing. Why was that? Because they’re significantly harder for the male amateurs than the females, or because of age differences in the contestants? That’s my favorite part, man.

Anyway, I have to laugh at myself because over the past several months that I’ve been so immersed in the world of dance, I’ve heard ad nauseam complainants like, so and so stole my costume design, so and so stole my choreography… And, I’m always like, jeez, calm down. At work, we have a brief bank and continuing legal education meetings; we constantly borrow argumentative strategies and ideas from each other. And now, my first reaction upon seeing J & G’s routine is to have a nervous breakdown over the song!