EVIDENCE

 

I’ll write more after I see the second program, but I want to highly recommend for people in NY to go see Ronald K. Brown’s company EVIDENCE, at the Joyce Chelsea now through February 15th. His work is by turns serious, sobering, thought-provoking, humorous, celebratory, exciting in a makes you wanna stand up and dance yourself way, and always spiritual. His movement style is a beautiful blend of African and American modern, danced to music ranging from percussive African drums (played live) to Duke Ellington, Sweet Honey in the Rock, and Fela Kuti, and, unlike with the majority of dance companies I’ve seen, the women (who are, gloriously, all shapes, sizes, and ages) really stand out!

On Tuesday night (opening night), the audience was so into it, applauding and cheering on the individual dancers throughout: “You go, girl; Okay, Clarice, tell it!”, etc. I don’t know if I’ve ever seen that level of excitement at concert dance.  Usually everyone’s so quiet and “well behaved” 🙂 My friend Alyssa and I were cracking up. If you can, do go!

Go here for more info and to see a video.

Favorites of 2008

Okay, here’s my (late) list of favorites from 2008: (click on highlights to read what I wrote about each dance)

Favorite overall dance of the year:

Revelations by Alvin Ailey. Because the movement language — a unique blend of American Modern with African — is highly evocative, richly varied, and, because it’s set in a specific time and place recognizable to most if not all of us, it’s imbued with meaning and feeling accessible to everyone. And because it speaks to the human condition like no other dance I’ve ever seen. I’m still looking for something to top this and don’t know if I’ll ever find it.

 

Favorite new dances:

1) Nimrod Freed’s PeepDance in Central Park;

 

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