Tag: Alvin Ailey American Dance Theater

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ALVIN AILEY'S DENISE JEFFERSON HAS PASSED AWAY

I received word yesterday that Alvin Ailey American Dance Theater’s Denise Jefferson passed away over the weekend. She was one of the three women (along with Judith Jamison and Sylvia Waters) to whom Mr. Ailey had entrusted the future care of his dance company at the time he passed away. She was currently heading the Alvin Ailey School. She died of ovarian cancer. She was 66. How sad.

Click on the link below to read AAADT’s press release.

(Above photo by Andrew Eccles).

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ALVIN AILEY DANCERS TO PERFORM ON SO YOU THINK YOU CAN DANCE THIS THURSDAY

I’ve just received word that Alvin Ailey dancers Jamar Roberts and Rachael McLaren (photos above by Andrew Eccles) will be appearing on this Thursday’s results show of So You Think You Can Dance. They’ll be performing an excerpt from Ulysses Dove’s Bad Blood. I don’t think I’ve ever seen that dance but have always found Dove’s work very captivating. Plus, Jamar’s one of my favorites. Exciting!

Also, for New York audiences, Alvin Ailey will be performing in Central Park’s free SummerStage series on July 23rd and 24th, both nights at 8pm. By the way, this year marks the 25th anniversary of SummerStage.

Also for NYers, the Ailey Extension is offering a buy five get one free deal on classes through the end of July in celebration of the school’s 5th anniversary. Go here for more info.

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ALVIN AILEY BEGINS THEIR 20 CITY TOUR IN DC AND VP HOSTS A CELEBRATION IN THEIR HONOR

 

The luckiest dancers in the world, I swear, are those in Alvin Ailey. That company seems to tour more cities in more countries every year than any other performing arts troupe. It’s like, become a dancer and see the world! Anyway, they began their current U.S.-wide tour last night in Washington DC, where the Vice President and Dr. Biden hosted a celebration in their honor. Vice Pres Biden apparently admitted he was never a fan of ballet until he and his wife witnessed Mikhail Baryshnikov years ago. Read more at Sister to Sister Magazine.  And go here for AAADT’s tour schedule.

Photo of Judith Jamison’s Divining by Nan Melville.

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PEACE AND HAPPINESS IN THE NEW YEAR

 

You guys, Happy New Year!

…when I promise to be better about blogging 🙂 I’m sorry about being so lame for the past month– I mean, two posts this week??? Getting this book out has just been so time consuming. Speaking of which, it’s now out in the Kindle version, so if you have a Kindle reader, it’s cheaper than the print version.

Anyway, happy New Year’s Eve, happy New Year’s Day! Will talk to you all again in 2010!

Above photo of Alvin Ailey’s Revelations by Andrew Eccles.

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NEW YEAR’S EVE AT ALVIN AILEY

 

If you’re in NY and you don’t yet have plans for New Year’s Eve, I highly recommend Alvin Ailey. They’re doing their Best of 20 Years program — a celebration of Judith Jamison’s 20 years as Artistic Director with the company that includes excerpts from the various ballets she’s commissioned in that time — including Ronald K. Brown’s beatific Grace, Lar Lubovitch’s intriguing North Star, Donald K. Byrd’s tantalizing disco-y Dance at the Gym, Jawole Willa Jo Zollar’s thought-provoking Shelter — the list goes on! Excellent excellent program. And then, they end with Hans van Manen’s by turns beautifully lyrical and energetically fast-paced Solo (for three men), followed by of course Revelations. Seriously — is there a better dance to celebrate a new (and hopefully, please God, better) year? This is all to be followed by a grand grand finale.

For tix, go here.

Unfortunately, I can’t go, and my Ailey season has now ended. I’m so sad — I always feel a hole in my stomach every time this year. No one combines balletic modern with African, with American social and street, with jazz and theater… no company’s dancers are more versatile (now if they were all to compete on So You Think You Can Dance, that would be a showdown!) , and no company’s product so far-reaching. I really love them. If anyone goes to the New Year’s Eve celebration, please report back!

Photo by Kwame Brathwaite.

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HAPPY HOLIDAYS EVERYONE!

 

Hi you guys. Sorry I’ve been so bad about posting lately. This book –argh! Took me a ridiculously long time to figure out my Kindle conversion! If I wasn’t so computer dyslexic…. Anyway, Kindle version should be up soon on Amazon. Will post when it is.

I have a few blog posts to write — about Alvin Ailey and about Rasta Thomas’s Rock the Ballet which, okay, I admit — I liked!!! — despite (or perhaps of) Roslyn’s almost hilariously scathing review! I liked it, but can definitely see how others wouldn’t.

And Alvin Ailey — they’re in the midst of their City Center season (which ends January 3rd). I’ve loved most of their season premieres — there are several — namely Hymn and Divining by Judith Jamison, and Dancing Spirit by Ronald K. Brown (photo above of Matthew Rushing in Dancing Spirit, photo by Paul Kolnik). Hymn is a really breathtaking tribute to Alvin Ailey — the man himself. It was made in 1993 right after he passed away. It’s with spoken word by Anna Deavere Smith, based on her interviews with Jamison and the company dancers from that time, and on Ailey’s words themselves; choreography is by Jamison. And, Divining and Dancing Spirit are both part African, part ballet / modern. Dancing Spirit starts slowly, then builds to a really beautiful crescendo. Audience went nuts with applause after it premiered, and justifiably so! Definitely do try to go see it before the season ends.

The “20 years” tribute to Jamison’s time with the company is also a great program. Exposes you to excerpts of many of the ballets she commissioned over the years, which I now want badly to see.

Oh, interesting tidbit: one of my friends told me she sat next to SYTYCD’s Tyce Diorio at one of the Ailey perfs, and he highly recommended to her Hymn and Divining. So, see, I know what I’m talking about 🙂

I also need to blog about Nine, the film, which I saw yesterday. Thought it was okay, not as good as I was expecting. The musical numbers were excellent — especially those led by Kate Hudson, Judi Dench, and Fergie. But the story line is rather boring and slow-moving. And I hate to say this but this is the first thing I haven’t loved Daniel Day Lewis in. He just didn’t become the character to me, like he normally does; just couldn’t inhabit this role. Weird because his Unbearable Lightness of Being character had many of the same flaws, and he was so much more believable as Tomasz than he was here as Guido. Anyone else seen it?

My website (and, thus, this blog) is going to be up and down a bit over the next couple days because I’m having some of the pages re-done. But I will resume blogging very soon. In the meantime, get thee to Alvin Ailey!

Oh, and happy holidays 🙂

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COMPLEXIONS RETURNS TO SO YOU THINK YOU CAN DANCE FOR SEASON SIX FINALE

 

Oh cool — Dwight Rhoden and Desmond Richardson, founders of Complexions Contemporary Ballet, are returning to  So You Think You Can Dance for this Tuesday’s finale. They’re to choreograph a piece for one set of finalists (press release doesn’t say who). Exciting! Press release doesn’t say Desmond will dance, like last time, but who knows!?

Well, if not, here’s a vid of him in Episodes (which, coincidentally, Alvin Ailey is also performing this season at City Center, and which members of that company performed earlier this season on this show).

Photo above by Heidi Schumann, from NY Times.

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ANNA DEAVERE SMITH TO APPEAR WITH ALVIN AILEY AT CITY CENTER THIS WEEK

 

This week, playwright and actor Anna Deavere Smith will perform with Alvin Ailey American Dance Theater, who are currently in the middle of their winter season at NY City Center. Deavere Smith (remember Twilight: Los Angeles 1992, about Rodney King, and Fires in the Mirror, about Crown Heights) will join the cast for a performance of Judith Jamison’s Hymn, Jamison’s 1993 Emmy award-winning homage to Alvin Ailey. Deavere Smith wrote the libretto and acts in the piece, which I haven’t yet seen live, but saw in a film. The excerpt I saw was excellent. A definite must-see (photo below by Andrew Eccles).

 

She’ll be performing December 16, 18, 19, and in the matinee on the 20th. She’s taking a break from her latest one-woman show, Let Me Down Easy, to perform with Ailey.

In addition to Hymn, Ailey’s also putting on several premieres this season: Jamison’s breathtaking Divining and Ronald K. Brown’s equally wondrous, African-based Dancing Spirit (which received loads of applause the other night, well deserved!), dancer Matthew Rushing’s sweet Uptown (a tribute to the Harlem Renaissance), Jamison’s Among Us (which I haven’t yet seen but will soon), and Robert Battle’s In-Side (ditto).  In addition they’ve spiced up last year’s Festa Barocca, they’ve got a Best of 20 Years program — a compilation of the best work Jamison has commissioned during her time with the company, and company classics like Night Creature, Love Stories, Suite Otis, and of  course the always uplifting, quintessentially American (probably the best American dance ever made, imo) — Revelations.

If you’re in NY (or anywhere else in the world where they tour), definitely don’t miss them. Go here for more info on the City Center season.

Above photo of Deavere Smith from University of Chicago.

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"PRAISE THE LORD!"

 

Alvin Ailey audiences are always so fun! Last night was their “Target night” (tickets were severely discounted, sponsored by Target), and these kinds of audiences are the best — people screaming and cheering throughout; yelling “yeah” and “go girl!”, unable to help themselves from taking pictures — with the flash (!), and this one guy kept yelling out “Praise the Lord” during Revelations.

I have no time to write — am off to Art Basel for the weekend — but it was an excellent night. In addition to the always moving Revelations (I will never tire of seeing that), they’ve done something to Bigonzetti’s Festa Barocca — it’s so much better now; they captured the humor this time, and they’ve really amped up the passion / sensuality / struggle in those pas de deux. The audience went wild for it, including myself.

And Judith Jamison’s Divining was so magnificent. It’s a beautiful combination of ballet and African and the music is fascinating. She made it in the 80s but they’ve restaged it. Don’t miss it!

ABT may have the world’s top ballet dancers, but this company has the best all-around dancers who can do just about anything and look like the best in the world at it. And does Antonio Douthit have a skeleton? That man’s body moves in ways I’ve just never seen a body move before!

Go see them — they’re at City Center through the very beginning of January.

More when I get back (and the interviews with Bell and Tayeh as well). Now off to Miami!

Photo above of cast in Jamison’s Divining, by Nan Melville.

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ALVIN AILEY ON SO YOU THINK YOU CAN DANCE TONIGHT!

 

Tonight three dancers from Alvin Ailey American Dance Theater will be on SYTYCD! My favorite modern dance company 😀  Linda Celeste Sims, Clifton Brown, and Constance Stamatiou (above, left to right, in photos by Andrew Eccles) will perform excerpts from Ulysses Dove’s Episodes, which, if I remember correctly, I found very intense and rather haunting.

 

(Linda Celeste Sims and Matthew Rushing in Episodes, photo by Paul Kolnik)

If you’re in New York, it’s almost time for Alvin Ailey season here. They open at City Center December 2nd. The season lasts for a month and this year they’re celebrating Judith Jamison’s 20th anniversary as artistic director (last year they celebrated the company’s 50th anniversary).

I so love it when great dancers are on TV!

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CEDAR LAKE CONTEMPORARY BALLET OPENS ITS FIRST JOYCE SEASON

 

 

 

(Two top photos by Julieta Cervantes, third photo by Karli Cadel)

Small company Cedar Lake Contemporary Ballet opened their first season at the relatively large Joyce Theater in Chelsea Tuesday night to a nearly packed house. (Big kudos to them!) They performed an evening-length work by Sidi Larbi Cherkaoui, called Orbo Novo, which translates to “the new world” and kind of takes off from the book My Stroke of Insight by Jill Bolte Taylor, about her experiences suffering a stroke.

Large chunks of text are taken from parts of the book where Bolte Taylor talks about the onset of the stroke — feeling the searing pain behind her left eye, suddenly speaking gibberish while still understanding everything going on around her, hearing only gibberish out of the mouths of others (though she recognizes their voices over the phone), not being able to operate her right arm, seeing her body change form before her eyes, etc. etc. Immensely interesting — and frightening, and read very well by the dancers.

The dance, which (I assume) like the book, becomes a kind of meditation on right-brain versus the left. It is bookended by the dancers being trapped within a red structure (designed by Alexander Dodge), like prisoners, then eventually finding ways of crawling through the holes. At times the dancers wrap their legs around the holes in the structure, their bodies dangling down, hanging limply. At times, the structure is wheeled away and dancers take center stage — sometimes dancing in solos, sometimes in ensemble — their bodies at times writhing in a contorted manner, at times moving more fluidly to music (composed by Szymon Brzoska and performed live by the Mosaic String Quartet) that is at times mellifluous, at times sharp and discordant.

All of the dancers were wondrous, but as usual with this company, those who impressed me the most were the astounding  Acacia Schachte (in center of middle photo, and in bottom), Jason Kittelberger (top and bottom photos), and Ebony Williams. Fun too to see some faces that are familiar from other companies but new to Cedar Lake: Gwynenn Taylor Jones from Alvin Ailey and Manuel Vignoulle from Ballet du Grand Theatre de Geneve.

The company performs at the Joyce through October 25.