An old friend from graduate school whom I recently re-connected with on Facebook sent this to me. Fun! Needs a little more ballet though 🙂 Anyway, happy Labor Day everyone!
PURO DESEO, PNB AT THE GUGGENHEIM, BALANCHINE LEOTARDS AND ROBBINS & ASTAIRE
Photo of Luciana Achugar’s Puro Deseo, from NYTimes, taken by Chad Batka.
You guys, I am really sorry but there are several things I’ve seen lately that I don’t have time to write about. So, I’m linking to other writers’ reviews. The first is Luciana Achugar’s exploration of the occult, Puro Deseo, which premiered recently at the Kitchen. I generally agree with NYTimes’ Gia Kourlas that Achugar needs to go a bit deeper with this piece, but this is a strong start, and parts of the performance I found very compelling, such as when, toward the beginning, Achugar is wearing a large black cape and moving back and forth in a diagonal pattern across the stage, and every time she backs up, toward a light projector, she casts an ominous shadow that eventually eats up the entire theater. Very cool lighting effect that achieved the result she was aiming for. At points her partner, Michael Mahalchick, would contort his body in ways that were both creepy and unsettling but also ultimately human. At times her movement would mirror his, and at times she’d react off of him, sometimes writhing on the ground seemingly in erotic pleasure. This is what I thought needed to be developed a little further – the connection between eroticism and the occult, but regardless, ever since Tere O’Connor’s Nothing Festival a couple of years ago, Achugar has become one of my favorite experimental artists and I always love seeing her new work.
Second, is Pacific Northwest Ballet’s Works & Process event at the Guggenheim over the weekend. I loved seeing James Moore and Carla Korbes again, and especially Seth Orza. Moore’s performance of a beginning excerpt of Balanchine’s Prodigal Son, and Korbes and Orza dancing an excerpt from Balanchine’s Apollo were, to me the highlights of the evening. But here is Oberon with far more detail on the evening than I can provide right now.
Also, last week I saw two NYCB programs – one comprised of some of Balanchine’s most famous leotard ballets (Symphony in Three Movements is always a favorite of mine, especially in contrast with Concerto Barocco), and an evening of Robbins during which I was blown away, once again, by Gonzalo Garcia as the poetic figure in his Opus 19 / The Dreamer. And, call me a goof (because everyone else seems to hate it), but I always love to see Robbins’ I’m Old Fashioned, with the dancers performing a balletic interpretation of Fred Astaire and Rita Hayworth as a movie excerpt of the latter two dancing plays on a screen erected at the back of the stage. Anyway, here is Macaulay on the Balanchine program and Roslyn Sulcas on the Robbins.
Review coming soon of Wayne McGregor’s new Outlier, although I said some of what I have to say already on Twitter. I’m actually really enjoying tweeting about performances. I find Twitter a useful device for paring down sentences to the essentials. Of particular use to verbose people like me anyway 🙂
SO YOU THINK YOU CAN DANCE SEASON FIVE FINALE
I know this will come as a surprise to everyone (not!), but I really agree with Mary when she commended Evan for having introduced young audiences to a dance style that was in danger of dying: good old fashion Broadway / classic MGM — Fred Astaire, Gene Kelly and all that. To me that has been the highlight of the season. To me, none of the dancers really had the sort of overall star power that Danny Tidwell, for example, had a couple of seasons ago, but Evan shone for what he excelled at. And I really believe audiences went for that — not for his cute face, as Nigel put it, or his good guy-ness, but for the way he brought that classic Broadway / Hollywood style of the ’40s and ’50s charmingly to life with character and intelligence — and with very good technique.
I don’t understand why all the judges kept harping on him. I actually thought he outshone Brandon in the Laurieann Gibson routine (at the beginning, they both jumped and his was sky high, with better lines than Brandon’s). I thought both he and Brandon did well at the more hip hop-y parts, but Evan outshone Brandon with the jumps and turns. But people will probably disagree with me on that…
And I thought he was technically better than Kayla in Tony and Melanie’s Jive. I thought her arms were way too busy. In jive your arms aren’t supposed to be swinging about wildly; your legs and mid-section are supposed to be doing the work. I feel that if you use your arms too much, it’s like your center and legs are weak — it’s like using your arms to haul your body up during sit ups or something. Outwardly you’re doing the movement pattern, but you’re not using the proper muscles. Anyway, I thought his legs were fantastic — those jive kicks had so much strength. And the lifts were spectacular — I love how they slowed them down mid-air to keep in time with the music. They almost looked like they were in slow motion. Difficult! I honestly thought that jive — and Evan’s performance in particular — was one of the best I’ve seen on the show. And how much do I love the audience chanting for him when the judges were being harsh 😀
I do think overall, though, my favorite dance of the night was Jeanine and Brandon’s Paso Doble. What a triumph for Louis van Amstel — holy cow! Normally I don’t like non-traditional Paso music, but this (from The Matrix) worked well — can you say intense?! Great razor sharp movement for both of them, he had some gorgeous turning jumps, and what a beautiful jete into an assisted slide for her. I totally agree with Adam Shankman’s comment that the reason this worked so well is because they focused on the transitions — the movement between the tricks — and not only the flashy things. As my former teacher, Luis, always used to say to me, the actual dancing takes place between the tricks. Nowhere was that better demonstrated than with this Paso. Kudos to everyone involved.
My other favorite moment of the night was Jeanine’s solo — by far the best of the night, I thought. That modern-y tango was so original — part Latin, part American Modern with the staccato, angular movement, the sharp stops, the isolations. And, contrary to Adam, I loved the rose stem held between her teeth. I thought it gave the dance character, and was a bit humorous to boot. And those pirouettes — totally agree with Adam there — WTF! Those were incredible! She began with a group of fouettes to give herself speed, then wound down into a combination of pirouettes that she somehow slowed to a perfect stop at the end, holding her balance after the last one ended, in perfect form. Astonishing — that was like something you’d see from Gillian Murphy and it made me think she’s been holding back all season…
But then … when she danced the Mia Michaels routine side-by-side with Kayla, I thought Kayla outshone her. I thought Kayla had greater height on her kicks and jumps, and overall more precision in her body. I think Kayla has the best modern dance technique of anyone on the show, and it really shows in the way she is able to dance with so much expansiveness, so much breadth, yet still keep such a tight form. In the group routine I found her to be the most expressive, to have the greatest range of movement in her head, neck and torso. And she’s got such stunning leg extensions. That Tyce DiOrio routine she did with Brandon — she really blew me away when she swung her right leg up, held it nearly to her ear, and then he threw her over his head in a split.
I wasn’t as in love with Brandon’s solo this week as I was last (and as the judges were), but I did love how he ended in that sudden straddle split. That is kind of his thing — making these sudden and intense lines. And his solo last week was to die for — so he’s definitely had his moments on the show.
Again, I have no idea who will win tonight. I feel that everyone has something: Kayla’s a great mover, Brandon has strength and intensity and can really blow you away at times, Jeanine excels with original solos and really brought it on this week and did something astounding, and Evan I love for bringing back Gene Kelly. Maybe Evan’s popularity on the show will lead to increased appreciation of Jerome Robbins?… Okay, I can dream 🙂
SO YOU THINK YOU CAN DANCE TOP 8: JANETTE, EVAN AND KAYLA SHINE
Sorry I’m late in posting again. Another problem with Godzilla last night — our run-ins are slowly coming to a head…
Anyway, one highlight to me last night was Mia Michaels echoing my love of Janette! She pronounced Janette “my favorite, favorite, favorite this season”! I of course love Janette too. There’s nothing she hasn’t been able to do. I don’t think she’s really received a single criticism yet on the show. Since this show honors versatility, at this point she is my favorite to win.
I also think though that Evan and Kayla are two of the best things to come out of this season. I honestly feel that the past two seasons generally have been duller than the first three, and sometimes I wonder what good this show really does for the dancers who appear on it. American Idol contestants go on to do huge things — acting in movies (and winning awards for their work), going on Broadway and becoming sensations, and of course becoming recording superstars — but I haven’t seen the dancers from this show reap those kinds of rewards. I do think with Evan and Kayla, Broadway could have found some new stars. I could see both of them up there on the Broadway stage, especially if, as Mia Michaels told Kayla, they can sing and act. I thought Kayla and Jasons’ Broadway routine was the hit of the night. The judges didn’t all agree with me and I think Nigel said they were “flat” but I thought it was fantastic. I thought Kayla in particular showed real star potential.
To me, Evan always shows that star potential. Another great Gene Kelly-ish solo from him last night. He reminds me so much of ABT’s Craig Salstein.
Continue reading “SO YOU THINK YOU CAN DANCE TOP 8: JANETTE, EVAN AND KAYLA SHINE”
AND CONGRATS TO ANNA DEMIDOVA!!!
(Above, a couple of pics of her and her partner, Igor Mikushov, I took at, it looks like, the Manhattan Dancesport Championships)
I’d gone to ABT last night and got home right before the DWTS winner was announced and so didn’t have to watch the whole show to see who won. I was so high on my night at ABT I’d totally forgotten about the DWTS pro results!
EEEEE, Anna! I’m so happy for her. I’ve long admired her, watching her dance at Blackpool and the US Nationals here and the other comps. And of course her sister is the reigning Queen of Standard. I actually hope this can bring greater recognition to Katusha Demidova and her partner Arunas Bizokas.
They are a contemporary Fred and Ginger. I’m not exaggerating one smidgeon. I’m not. I truly believe anyone who has the chance to see them dance will think the same. The only reason they’re not as famous is because those MGM movies aren’t around these days. Otherwise, they’d be stars.
I really thought everyone would go for a hot, sexy Latin dancer. (Not that I’d blame them if Slavik Kryklyvyy or Sergey Surkov was a contender!) But I’m beyond thrilled America went for elegance and romance and sophisticated, high-end glamour. Maybe there’s hope for ballet to make a mainstream comeback…
THE GIRL NEXT DOOR? NO, MELISSA RYCROFT IS MORE LIKE A GLAMOROUS OLD-TIME HOLLYWOOD STARLET!
Well, I was on a train late last night and missed watching the Dancing With the Stars semis on TV. Now I realize how hard the show makes it for you to catch re-runs. Geesh. Rickey doesn’t have everything posted, so I went to YouTube, and they have most of the competition routines, but the sound quality is crap and subtitles (in, for example, Gilles’s visit to his hometown, Cannes, with the French interviews with his mother and friends) are cut off. And they didn’t have the full episode. The YouTube clips re-direct you to this website, but once there, they just keep making you take these ridiculous quizzes, telling you, eventually the site will be unlocked. Well, it never unlocked for me — instead they redirected me to more and more quiz websites. I hope that site’s not a scam that unleashes some kind of virus or something. Anyway, people beware: don’t try to watch re-runs on watchdancingwithstars.com.
Anyway, I at least saw the routines. I only saw the bio on Gilles. Were there bios on the rest of the competitors? If not, that’s kind of silly, interesting as his little trip to Cannes was.
So, semis consisted of: Mark and Shawn dancing Jive and Argentine Tango; Melissa and Tony Quickstep and Cha Cha; Ty and Chelsie Samba and Viennese Waltz; and Gilles and Cheryl Salsa and Waltz (although one YouTube clip called it a Quickstep).
My favorites were Mark and Shawn’s Argentine Tango and both dances by Melissa and Tony.
New York City Ballet: Robbins, Chiaroscuro, and Sebastien Marcovici
Methinks with Seth and Nikolaj now gone, Sebastien Marcovici has kind of taken over as NYCB’s hunky male dancer. He shone in two of my favorite ballets from the past week anyway.
I went to City Ballet’s all Jerome Robbins program mid-week and today’s “Four Voices” — featuring ballets by four different choreographers (Lynne Taylor-Corbett, Peter Martins, Alexei Ratmansky, and Balanchine).
Both programs were excellent. My favorite ballet from today was Chiaroscuro by Taylor-Corbett, whom I’d never heard of before but whom I now won’t be forgetting.
Continue reading “New York City Ballet: Robbins, Chiaroscuro, and Sebastien Marcovici”