SO YOU THINK YOU CAN DANCE WEEK 4

Ugh, how heartbroken am I that Alex Wong is injured and may have torn his Achilles tendon. If he’s out permanently I’m going to be so upset; he was the main reason I’m so into the show this season. I guess we’ll find out tonight…

I also can’t believe Nigel basically chastised audiences for putting Robert in the bottom three last week. I understand Nigel was only trying to tell people Robert’s not arrogant, as his internet research has led him to believe is why people aren’t voting for him. I’ve never thought he was arrogant but more that he just doesn’t have the expansiveness and breadth of other contemporary dancers. But people don’t like being told what to think and I think Nigel may have just made it more difficult for Robert.

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SO YOU THINK YOU CAN DANCE WEEK 3: GO ALEX!!!

So, I love that they focused on inspirations this week, allowing the dancers to talk about whom they look up to. It gives America some exposure to some of these great dancers.

Adechicke and Lauren’s hip hop to a Dave Scott routine. First, Adechicke says he’s inspired by Desmond Richardson! Yay! Says he liked him because he’s manly, nothing feminine about him. Well, I love that he loves Desmond since I do too ๐Ÿ™‚ I thought this routine was pretty good. He doesn’t completely blow me away for some reason (she didn’t either though – is she a hip hop dancer?), but I thought his form was excellent, he was really fun, had a real funk about him, and those kicks and that turning jump were awesome. Liked his solo – contemporary but with a little bit of breaking movement. It reminded me of someone else’s from a past show – maybe Will.

Ashley and Ade’s Dee Caspary contemporary routine:

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ALEX WONG WOWS JUDGES & AUD IN FIRST COMP ON SYTYCD

With this. Wow. He’s not just an excellent dancer with superb technique – which you’d expect of a Miami City Ballet principal of course! He just danced that with so much meaning. So much more than the rest of them. That was really wonderful. And thank you to Adam Shankman for getting the name of his company right ๐Ÿ™‚

So, as for the new format of the show: well, if it’s going to be this way throughout the season – where the returning dancers dance their specialty – then I’m okay with it. I really loved seeing Pasha and Anya dance Latin and Twitch hip hop, in particular.

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MORPHOSES REHEARSAL – JESSICA LANG MAKES ME WANT TO DANCE AGAIN…

Tonight I was invited by the Guggenheim Works & Process peeps to a Morphoses rehearsal. Funny, I kept expecting Christopher Wheeldon to be there… but of course he wasn’t. This was really special because it was a first rehearsal; the dancers were just meeting the two choreographers whose work they’ll be performing in September in Martha’s Vineyard, and in October here in NY. I’ve never been to a rehearsal that early before – usually the choreographers don’t want an audience until the work is complete or nearly complete.

The two choreographers were Jessica Lang and Pontus Lidberg. They’ve each been commissioned to set a dance to the same David Lang score. Always fun to see what different artists come up with to the same piece of music. This was very lyrical music, part of it choral, and they had the same five dancers to work with – three women, two men.

First we saw Jessica Lang, and her choreography was very lyrical, very classically balletic, very pretty.

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SO YOU THINK YOU CAN DANCE RETURNING 10 CELEBS ANNOUNCED

So You Think You Can Dance has announced its 10 returning star dancers, who’ll partner this coming season’s 10 contestants. They are: Twitch (big smile), Kathryn McCormick, Mark Kanemura (yay), Pasha and Anya (obviously yay), Allison Holker, Lauren Gottlieb, Neil Haskell, Dominic Sandoval, Ade Obayomi, Courtney Galliano, and Comfort Medoke. So obviously no Danny Tidwell. Interesting, there are no final winners, right? And there are several returning star dancers who didn’t make it to the finals.

PASHA KOVALEV TEACHING AT NY HUSTLE CONGRESS AND ON NY TV THIS WEEKEND

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If you’re in New York, I just received word that Pasha Kovalev (Broadway and TV star ๐Ÿ™‚ ) will be teaching a workshop at the New York Hustle Congress. The workshop is onย  Sunday, September 6th at 6:30 p.m. and lasts one hour. He’ll also be participating in the Congress’s “Hustle with the Hounds” event — to benefit animal rescue organizations — the prior Saturday night (Sept. 5).

Most fun! I’ve been to this Congress before, a few years ago, and it’s pretty happening. There are workshops, performances by pros, pro/am competitions, and lots and lots of social dancing. It coincides with the New York Salsa Congress down the hall in the same hotel, which has the same. Go here for more info.

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Also — this just in — Pasha and Anya are going to be on television several times this weekend with Burn the Floor‘s creator Jason Gilkison. They’ll be on NY-1’s “On Stage” program, which airs four times throughout the weekend: Saturday, August 29th (today) at 9:30 a.m. and 7:30 p.m., and Sunday Aug. 30th at the same times — 9:30 a.m. and 7:30 p.m.

Finally, Pasha and Anya will appear on Channel 11’s Morning News Show this Monday, August 31st. The show airs 7-9 a.m.ย  They’ll perform a number from Burn the Floor.

PASHA & ANYA TAKE BROADWAY!

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I remember several years ago — maybe five now — sitting in another, much smaller theater on Broadway watching a Dance Times Square teacher / student showcase and nearly falling out of my chair during the all-pro part when my teacher, Pasha (Kovalev), and his partner, Anya (Garnis), danced a West Coast Swing-turned Jive to Tina Turner’s Proud Mary. They also danced a Samba and, if I remember correctly a Rumba and though I’d started lessons with him, it was the first time I saw him dance with her. It was one of those performances where you feel kind of sick afterward because you don’t have a DVD or any kind of recording and you fear you’ll never see dance like that again. I also remember thinking how they should really be on Broadway. I mean, real Broadway, like in a regular theater.

So this is, to make a massive understatement, Surreal!

Several of my friends from Dance Times Square and I went to the Longacre Theater tonight to see our friends made their Broadway debuts in Jason Gilkison’s Burn the Floor. Of course we had to go to the (insanely packed) stage door afterward.

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Pasha’s about to give me a hug here ๐Ÿ™‚ I guess I repaid him by flashing my camera right in his face. Oh the endlessly annoying paparazzi…

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How gorgeous is Anya?! Posing with my friend Steve and his wife, Ina.

They took over the roles of Maks Chmerkovskiy and Karina Smirnoff and of course they were radiant. I think they worked better with the show size-wise because of that small stage (which Maks was too large for — I love him, but he made it look all the more crowded up there).

If you didn’t read it, see my earlier review of the show here.

I think the dancers got used to the small floor; everything went much more smoothly. My favorite parts remain the extended Swing / Jive section that ends the first half and the two Rumbas in the second half (Peta Murgatroyd’s classic, dance-hall Rumba, and the more contemporary, sensual, half-dressed Rumba by the leads — although I noticed Pasha and Anya wore more clothes in that number than Maks & Karina did ๐Ÿ™‚ ). But … I also like the Tango- turned dual Paso Dobles in the second half. Okay, I like the whole second half (mainly devoted to Latin).

In my earlier review, I don’t think I mentioned Sasha Farber as one of the dancers who most stood out to me. He’s a character dancer, kind of like Craig Salstein, and he has a rather fun part early on during a Jive where he’s trying hard to get the girl and gets carted off, kicking madly, by two men. He’s lively, actorly, and can really move quite fast. And Murgatroyd, which I wrote about in the earlier review, captivated me again, with her long limbs and gorgeous balletic lines. I mean, I really liked everyone; it’s hard even to single people out.

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Here is Peta Murgatroyd exiting the stage door, on a bike! Actually, almost all of the dancers were on them. Apparently the show’s producers or someone from the company had given them the bikes so they could get around town more easily. Peta was popular with autograph-seekers too.

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Ooh, wonderful night. I miss them…

Oh and this seems to be making headlines.

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The Walter Kerr Theater across the street from the Longacre is advertising the show as well. See the arrow in the sign on the right side of the street. It’s pointing across the street. It’s the first time a Broadway theater has ever advertised for another show!

SO YOU THINK YOU CAN DANCE WEEK FIVE: GO JANETTE!

Fun seeing Pasha and Anya again, huh!

Janette is really becoming my favorite dancer. I love her because I don’t think there’s really anything she can’t do (except maybe a ballet routine on pointe, assuming she’s never had training in that, and I don’t think she has). She doesn’t seem to have any real training — she’s just Cuban, just born with dance in her blood and is working her butt off and excelling at every blasted thing that gets tossed in her way. I always like rooting for the underdog ๐Ÿ™‚ And we haven’t had a female ballroom winner on the show yet, right? It’s time, it’s time!

Okay, so I obviously loved both of Janette and Brandon’s routines — that kickass Argentine Tango (were those lightening fast, razor sharp kicks and flicks and hooks and gauchos not to die for? Not to mention her gorgeous lines in all the lifts and poses and just the power and passion of it all); and that killer Wade Robson Jazz dance (I love how both were very loose and rubbery but still had very solid form; it was very Rich Man’s Frug and now I see what we missed last week with Evan and Randi’s performance).

My other favorite couple is Melissa and Ade. That disco! Can Ade move or what?

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Superstars of Dance Finale

Well, I was going to say it didn’t bother me this week as much as last, but then I watched the first 15 minutes (I had a legal seminar tonight and didn’t get home until after the show had already begun, so had to watch the first 15 after the rest). The Flatley number was horrendous. What was up with that girl in the bikini walking around playing Yankee Doodle Dandee with a flute at the beginning? What is this, a boxing match? Soft-core porn? I actually thought this whole show was kind of porn-ish — generally more about flaunting bodies than artistry.

Except for Maria Kochetkova — the Russian ballerina who competed — and WON thankfully! — in the solo category. I think that’s probably why I liked tonight better than last week — she was on, just about the show’s only saving grace. And I’m not just saying that because I’m a ballet fan. I would really have loved to have seen some wonderful ballroom, but, I’m sorry, I’m just not into that Australian couple. I thought the same of their Jive tonight as I did their Samba last week — fast footwork but just lacking in precision and clarity with an overall sloppy look. At least compared to the Latin I’ve seen at the big competitions.

I liked Victor DaSilva and Claudia Sawidesย  — the South African duo — tonight better than the last time we saw them. The routine was still about the lifts — those exhibitions always are — but this one had a bit more narrative and emotion, passion to it. I felt like they connected better this time than last. I also liked the Argentine couple. Their Tango was very polished with sharp footwork. Lovely! I pretty much agreed with the couples results.

And I agreed with the solo results too, but only because I liked ballet. I’m sure Robert the popper is excellent at that kind of dance style, as was the Indian dancer at classical Indian dance. As I and others have said repeatedly, you just can’t judge these wholly different styles of dance next to each other.

I’m again annoyed at camera guy though. Camera person, I should say — don’t know why I think it’s a guy. S/he kept homing in on the Indian woman’s face and we couldn’t see some of her beautiful hand and foot gestures. You don’t dance with your face! I felt like she must have been going very fast with her feet at one point because of all the applause, and I think I heard the sound of the bells she wore around her ankles, but I’m not sure because the show’s acoustics weren’t so great. I also think I saw Maria Kochetkova do continuous fouettes with some double pirouettes thrown in, and at one point changing feet right in the middle — which is marvelous! But because of the camera panning in and out, then down to her feet, then a faraway shot, etc., I’m not exactly sure if that happened.

Sorry, by the way, to keep calling most of these dancers by their nationalities and dance styles. The show’s website doesn’t seem to have their names, only those of the judges and team leaders.

I didn’t think any of the group routines were anything to write home about, and both the intro to the American team and that silly Yankee Doodle Dandy number by Flatley and crew up front were ridiculously chauvinistic (I mean in a nationalist way). Why the need to celebrate America and proclaim it the nation with no boundaries, encompassing all the world, etc. on a supposedly international show like this? And is anyone surprised that our team, and our country, won the gold? The whole thing was just so corny. When Flately said at the end to his co-host, “I know, I’ve never seen anything like this on television!”, it looked like he was trying hard not to burst out laughing. At least he should have been.

And what happened to Pasha and Anya? Who knows. According to the website, team Russia was supposed to have two soloists from the Bolshoi, one pair of ballroom dancers, and a Cossack team. I saw two pairs of ballroom dancers and one soloist from San Francisco Ballet. But I missed the first night, so I might have missed the “other” Bolshoi soloist? I don’t know; I’m not a huge fan of the show’s website.

I think the idea behind this show is a good one. I like having dancers from a variety of countries dance different styles — some native to their country, some not, giving audiences wide exposure to the art. But there were just so many cheesy, corny, porn-esque moments, the camera work seriously frustrated my ability even to see what I was supposed to be seeing, and the judging was downright ludicrous.

Superstars Night 2

Okay, so I made sure I saw it tonight. Eh, yeah agree with people saying it’s rather boring (see comments on first post, below). Something about the television just kills some forms of dance, unfortunately.

I loved Maria Kochetkova (who is currently with San Francisco Ballet) dancing the Kitri solo from Don Quixote, but it was so disappointingly short! And somehow ballet doesn’t always translate so well to the screen. But I loved that the judges recognized what a great technician she is and all gave her high scores. I thinks she was second of the solosists.

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