Sophie is Depressed…

Ugh. Last night my agent sent me another editor’s rejection on my novel. They’re all saying the same thing: ‘I liked it but didn’t love it enough to take it on.’ The vast majority of novels I’ve read I’ve liked but didn’t love — some I didn’t even like at all — but definitely most fall into that first category. The last ‘rejector’ said she thought I was intelligent and at points the book was laugh out loud funny, but she just didn’t fall enough in love. Last night’s said she liked the plot very much but wasn’t “head-over-heels immersed” enough to fight for Sophie “in-house and out in the world.” It sounds like Sophie’s going off to war or something! I guess it is kind of a war to get the average person to pick up a book, particularly if that book is fiction. Which then makes it a war to get the publishing house to invest money into producing it.

Ugh. I guess I’ve spent enough time away from it that I should re-look and make some changes. Or maybe I should just resign myself to the fact that a good many writers never get their first novels published and throw myself into the second… It’s just so daunting because I really think a novel has to be, if not the hardest piece of art to make, then at least the one that takes the longest.

In any event, Cedar Lake Ballet is holding a shindig for dance bloggers tonight and I’ve already told a friend he’s going to have to take notes on the ballet for me because I intend to get thoroughly plastered at the pre-show cocktail party!

Dance Times Square Showcase Review Up

My review of the Dance Times Square student / professional showcase is now up on Explore Dance. The first without Pasha & Anya. Sad indeed, but, still, a fun-filled night with a lot of great dancing that succeeded in its aim: to propel spectators to want to get up and Mambo, Swing, and Foxtrot the night away themselves.

I’ve spent the weekend sprinting like a madwoman back and forth between 44th Street, where the Small Press Book Fair happened, and City Center, where Alvin Ailey season is currently underway. Yesterday I saw a wonderful program including one of my favorite dances of all-time, “Revelations,” which everyone should see at least once in their lives, along with a cute new western-y piece, “Saddle Up!” and the very jazzy, even samba-y (yes, Alvin Ailey knew Samba very well!), “Night Creature,” a tribute to Duke Ellington. And tonight will be more of the same. Ailey is simple the best. I love this company so! I plan to blog about both performances at some point tomorrow, after a sure to be grueling morning oral argument in court. Grueling because the case law is contradictory and perplexing, and because I have an extremely formidable adversary who is known for eviscerating his opponents alive. I know, all lawyers are scary (except me 😀 ) but no, this one is worse worse worse! Help!

Specialized Social Networking Sites Are Becoming All The Rage…

Thanks to reader Sharon for alerting me to this new social networking site, Ballroom Dance Channel. Founded by Dancing With the Stars pro dancers Maksim Chmerkovskiy, Tony Dovolani, and Elena Grinenko, it is geared toward, as the name implies, fans of ballroom dance, and of the show. It’s similar to Kristin Sloan’s The Intermission (for all dance aficionados but mainly ballet), and Ken Davenport’s BroadwaySpace.com (for those involved in theater). Perhaps these more specialized social networking sites can avoid some of the pitfalls of their mammoth brethren.

Ironically, as internet technology allows people better ways to connect with each other in virtual time, it works to hamper that connection in real time. Of all the talk about Amazon’s new Kindle (basically an ipod for books, blogs and online mags), Meghan Daum’s critique is my favorite. She basically says that glancing at the cover of a fellow airplane traveler’s book was a perfect conversation starter. A fellow book lover, I agree with her — not just on planes, but in cafes, the park, the subway — recognizing a favorite book in the hands of another is a sure point of connection. I guess there’s always Shelfari though, which likely can be accessed from one’s Kindle…

In other news, it appears that Elizabeth Berkeley is to host Bravo’s new reality dance show, “Step It Up And Dance.” I knew she had some connection to dance, since I saw her on the red carpet. Also, Pasha & Anya are scheduled to perform in Stamford, Connecticut later in December (thanks to Laurel for that info!), in a ballroom dancing extravaganza called “Rhythm of Love,” which also stars some of my other favorites, new national American Smooth and Rhythm champs respectively, J.T. Thomas & Tomasz Mielnicki, and Jose DeCamps & Joanna Zacharewics. If you love ballroom and you’re not too far from southern CT, this should be a fabulous night. Book-wise, if you’re in NY, this weekend is the (free) Small and Independent Press Book Fair in midtown. Go here for a schedule of events.

Junot Diaz is a Chatty Character, Who Knew?!

Look what Maud Newton found. Apparently, Google has a whole series of authors reading from their books and giving little lectures available for viewing on YouTube. The video embedded in Maud’s post is of Junot Diaz, whose collection of short stories, Drown, I loved, and whose new novel, The Brief Wondrous Life of Oscar Wao, I’m dying to read. Funny how chatty he is; often authors are so shy and introverted. He reads very slowly too, so you can get all the details. Many authors read fast, probably because of the shyness… There are other authors too: Jonathan Lethem, Jeffrey Toobin, Alex Ross… The series makes me very happy because I used to go to a lot of readings, but since I’ve taken to spending my evenings for the past couple of years at either dance performances or dancing myself, I’ve really missed them.

A couple of other things on the net recently: Laura Jacobs has an article about ABT dancer Veronika Part’s “Sleeping Beauty” out in The New Criterion, which isn’t available online for free, but James Wolcott has substantial quotes from it on his Vanity Fair blog. I’m currently reading Jacobs’s Landscape With Moving Figures, a collection of her dance writing in New Criterion covering about a 10-year period, and the first thing I noticed is how poetic she is when speaking about individual dancers. She talks about them so beautifully; it’s like they’re her muses. She has a chapter called “Assoluta,” which is about then current (2004) ballerina assolutas, or prima ballerinas, and she has a lengthy section on Part there. She describes Part as “a snow princess… (with) white white skin, black hair, a young Ava Gardner, a big white rose … (with) lotus-blossom aplomb, … (an) ivory-sceptor extension … pacific delicacy in the wrists and hands” and she calls Part’s developpe (slow lift of the leg, first by the thigh, then extending up and out as the knee straightens) as “not a step … but a glory,” that “comes up like a law of nature, almost animal, and stays like light.” Anyway, go here to read her writing on Part’s Sleeping Beauty.

Also, Ariel has posted several interviews she conducted with four New York City Ballet dancers when they guested recently with her hometown company, Mobile Ballet. The interviews are here and here and here and here.

Finally, there’s an interesting discussion going on between writers, bloggers, and readers about what the internet means for the future of dance journalism. See the comments section here.

And speaking of such, Doug has begun a new blog within his Great Dance blog devoted to dance reviews for each region. He’s started with New York. Anyone who’s written a review may submit.