Tag: Tony Dovolani

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THE MARK BALLAS SHOW: SEMI-SEMI-FINALS

Sorry, am compelled to call DWTS the Mark Ballas show now, because whenever he dances, it is so all about him. Mark! Can the man ever learn to be the frame? “Oh baby, what’s wrong?” he says to Shawn in practice, before hugging her. Oh Mark — just melt me. But it’s nice to see a pro not beating up on his amateur, unlike Cheryl, who gave Gilles more hard times this week… Anyway, I thought Mark and Shawn’s Quickstep was great fun, but again, was only watching him. The quintessential ham. Seriously, though, he’s an excellent performer, and an excellent dancer… which is rare I think. And I love that half-Texan half-British accent. Shawn seemed to do very well.

Chelsie’s taking over and making it all about her with Ty isn’t as bothersome, I guess, since the woman is supposed to be the picture.

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YET MORE INJURIES, RIDICULOUSLY DANGEROUS LIFTS AND JUDGMENTS BASED ON A MARKING REHEARSAL???

What is up with this show? Dancing With the Stars really made me mad this week. I’m kind of tired — have a big week (New York City Ballet begins, Stephen Petronio and Trisha Brown Dance Co’s open, and I have about 10,000 Tribeca Film Festival films to see, plus am trying to take computer skills classes since I virtually have none as well as schedule a visit to Bushwick, Brooklyn, where a new performance company which I’m a board member of  — first time being a board member for me!!! — is trying to rent a space) — so please forgive me if I’m cranky. But when I got home from a full day of craziness and watched my tape of the show, a few things just got on the only remaining nerve I have left right now.

First, we’re told Melissa can’t compete because of a fractured rib, which we later learn she sustained doing a crazy lift / back flip over Tony’s entire, standing body. Then, we see Cheryl being short and nasty with Gilles over his inability to do a lift, which he’s having real problems with because of a shoulder injury. He forces himself to go along with her, does an insane aerial-filled Lindy Hop, and does okay (although there was a timing flub on the first somersault lift thing; the one she was yelling at him over in practice), but, to me, you could see the pain on his face. And his kicks, his Charleston, everything was just lacking energy, though he tried to hide it, like a pro. Then, since Melissa can’t dance because of the rib injury, they judge her based on a previous practice rehearsal at which she and Tony are mainly marking the routine. I can’t believe they even showed that on live TV! Of course it was awful.

Ugh. The problem is that these lift-filled routines are too blasted hard for non-pros. Even regular ballroom dancers aren’t used to doing them — and that is mainly who is training these competitors. I mean, I’m kind of torn between wanting the pros to take the contestants as far as they can possibly go so TV audiences can witness the thrill of really virtuosic dance, and just wishing they’d put some professional ballet or exhibition dancers on the show for that kind of stuff. Let audiences ooh and aaah over the real pros at this kind of thing. It’s way too much for people who’ve never danced before in their lives. It’s honestly really shocking to me that there aren’t more injuries. I mean, when I was dancing, I really wanted to be challenged too, but you have to stop and realize what you’re risking if you’re not a pro dancer; you have to take care of your body.

And in the real world, I’m sorry, but Melissa would be off. If you can’t compete in the Prix de Lausanne, at Blackpool, then, you know, the judges don’t go basing your score a rehearsal tape you send them. That’s ridiculous. If the show would have real rules, then maybe the pros, the producers — whoever’s making the dance decisions here — wouldn’t push non-dancers way the hell too far so that they risk serious injury in the first place.

Anyway, no one really blew me away tonight. Gilles was good but looked fatigued and nervous about the lifts, Ty and Shawn’s routines were meant primarily to showcase Chelsie and Mark respectively — and they did, but I didn’t watch the contestants at all. Chuck’s Cha Cha was okay but generally underwhelming compared to his excellent Samba last week. And Lil Kim — well, she was pretty good. I thought it was a bit more about the facial expressions at first, but she came through on the dancing and did really well. Overall, she was my favorite this week.

The group dances: The group Mambo was cute though; the ending goofy corny fun. The pros totally outshone the amateurs but I still liked it. I kind of wish they’d have used real Mambo music though. But Wow, the group Tango was Excellent! The amateurs here — Ty, Gilles and Lil Kim — were better than those in the Mambo. The choreography was gorgeous and everyone danced perfectly in sync when dancing together, and all three amateurs looked really good out there — almost like pros. Ty blew me away. Completely blew me away. His footwork was excellent, his posture perfect, his handhold absolutely right — he was so polished! He looked like a real dancer out there! Len is right — he nailed it.

Okay, so overall, my faves of the night were Lil Kim’s main dance, and Ty in the group Tango.

I have NO IDEA what’s going to happen tomorrow night.

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DWTS: MIXED DANCES, GROUP DANCES, AND CONTESTANT-DESIGNED COSTUMES MEAN THE WOMEN ARE ACTUALLY CLOTHED FOR A CHANGE

So the contestants have designed the costumes this time. For the most part, they look better. I really like Julianne’s snazzy red fringe — her boyfriend dresses her well 🙂 And I love Edyta’s floor-length robe, although I’m sure it’s going to come off at some point…

Tony and Melissa’s Argentine Tango: That was really quite nice. There was a lot of basic dancing with a lot of intricate footwork, and a few flashy lifts thrown in here and there, but it wasn’t about the lifts. And she had excellent leg lines on those lifts. And I like how Tony varied those lines — the first had a clean split, the second both legs in attitude. Very good choreography and very good dancing.

Lawrence and Edyta’s Waltz: Aw, I love Journey’s Open Arms!

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DANCING WITH THE STARS, WEEK WHATEVER: JIVE AND RUMBA — Update With Marcelo Photos

Sorry, I think I’m a little off on the weeks! Probably because of the double elimination week.

I’m late with my post tonight because I went to an event at Barnes & Noble. Francis Patrelle is a SWEETHEART! I can’t wait to see his company later this week now; such an endearing personality. Seriously, one of the most personable choreographers I’ve heard speak!

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(I wasn’t able to take any pictures because my camera battery went dead, but Scott Schlexer, Marcelo’s representative, who was also there, kindly sent me some of his!)

Marcelo was there, Maria Riccetto, Cynthia Gregory — looking very regal! — I love how she holds herself — and several Dances Patrelle dancers and people involved in the upcoming production at Danny Kaye Playhouse. Writers of books dances are based on, composers, and even the songwriter of the Judy Garland song that Come Rain / Come Shine is danced to. He even played piano and sang, and he was very good!

 

 

Marcelo didn’t talk much, but when he did I could hardly focus on what he was saying because … who told me he had no accent! Haha, he TOTALLY has an accent! And his voice is a bit higher-pitched than I expected. He actually kind of sounds like Pasha, except with a Latin, not Russian accent. Not an American accent! Anyway, I remember him saying he liked dancing with Maria — that she’s very light. Oh gawd, Francis Patrelle introduced Marcelo by saying he dances with all these huge ABT women! At first I thought he meant in stature, and then he made it clear he meant in size! I was dying, though no one else seemed to be. Patrelle is a total joker anyway — he says he loves to joke around in rehearsal, and it’s clear. So, he said, Marcelo’s used to dancing with all these large women, so I gave him tiny Maria, and he really throws her around that stage with ease — something to that effect. So then Marcelo nicely said something about how wonderful Maria was to dance with. Aw.

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(from right to left: Marcelo, Maria, Cynthia, and Francis Patrelle)

Marcelo also said his favorite ballet is Giselle. I know he really meant to say Romeo and Juliet though, and Swan Lake. Not Giselle! No, again Patrelle set him up for it by introducing him as just having guest danced in St. Petersburg with the Kirov, dancing Giselle with Diana Vishneva 🙂

Maria seemed rather soft-spoken. But very sweet. And definitely tinier than Veronika Part and Stella Abrera and Michele Wiles and most of the other larger-than-life ABT ballerinas. Funny she doesn’t look that tiny onstage though.

And Cynthia Gregory (retired ABT prima ballerina, who staged the piece Marcelo and Maria are performing with DP this weekend), sat in the middle of the group, exhibiting excellent ballerina posture and stately demeanor 🙂 I want to be Cynthia Gregory.

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(Marcelo saying something very important 🙂 )

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(Marcelo and Maria “waiting in the wings” while children dance and others have the stage. Thanks again to Scott for the photos!)

Okay, on to Dancing With the Stars. Anyway, this will be a bit out of order because I started watching during Derek and Lil Kim’s Jive. So:

Derek and Lil Kim Jive: Hmm. That song: Elvis’s Jailhouse Rock; when I first heard it, I thought, that’s the hardest song to Jive to — it’s way the hell fast for an amateur; is he nuts? But now I see why it worked: Len’s right — they didn’t dance a lot of Jive! A lot of posing and posturing, a lot of too grounded step kicks with no proper snap and jump — they hardly came off the floor! But that opening set of pivot spins was gorgeous. Those are hard and she deserves major kudos for doing those perfectly!

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DANCING W/ STARS S8,W4: VIENNESE WALTZ AND PASO DOBLE

Well, I love Viennese Waltz and I actually like Paso Doble but just hate watching the latter on this show for some reason. Probably because they usually completely destroy the Latin flavor and set it to heavy metal music or something ridic. Anyway, here goes:

Chuck and Julianne’s VW: Aw, sweet! Love how it ended with him on one knee before her 🙂 I guess lifts are now allowed?

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DANCING WITH THE STARS WEEK 3: LINDY HOP AND ARGENTINE TANGO

Okay, at the very beginning you saw a clip of someone (I think it was Denise from last week) doing a crazy Jitterbug aerial (Jitterbug is a form of Lindy, or East Coast Swing). That is how people are fracturing tibia, etc. — not doing straight ballroom! I know Jewel was injured early on, but I’m sure they were practicing everything that was to come just to give the competitors an introduction. I don’t really know how I feel about the inclusion of these dances with rather difficult lifts and tricks in a show like this, where the vast majority of contestants are well into adulthood and have little dance and / or athletic training. We’ll see how this week’s dances go…

Kym Johnson and David Alan Grier Lindy Hop: Cute. That’s all I can really say though.

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Dancing With the Stars, Week Two: Samba and Foxtrot

Maks and Denise’s Samba: Okay that was awful. Sorry but it was. She was hopping and running and skipping and doing just about everything but Samba. It is the hardest of the Latin dances — Len’s right, but still. I agree with Bruno that it wasn’t so hot, but don’t know if I’d call if flat as a “waffle”. And I agree with Carrie Ann– how frightened and stiff did she look?! During those Samba rolls, it looked like he was pulling her on top of him, then pushing himself onto her. Like she was the cat being forced to dance with Pepe le Peu. Interesting choreography from Maks — the one-legged hops, the waving his chest toward hers, flirtatiously. Extremely corny having him come to practice dressed as a Carmen Miranda-esque sambista to get her to stop being so serious. And don’t tell adults to feel and not think, Maks! Can’t be done. You learn by feeling as a child, as an adult you have to think; you’ve lived too much of your life by using your brain by then.

Chuck and Julianne’s Foxtrot: That was pretty good. Fairly suave, though he looked a bit of a goof on those side by sides in the middle. A little too much on his toes, I think was what it was. And it was pigeon-toed at that. He just looked a little Pee Wee Herman-ish. But overall, very sophisticated and he looked fairly comfortable in the close hand-hold. Yeah, Carrie Ann just said on the grapevine it looked like he hunched over a bit — maybe that’s what made it Pee Wee-like to me. He’s better at Standard than Latin.

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DANCING WITH THE STARS, SEASON EIGHT, WEEK TWO

Steve-O’s injured, but they’re going to wait until later to let us know what that means.

Holly Madison and Dmitry Chaplin Quickstep: Well, she’s cute. It looked a lot like he was kind of pulling her around the floor and she was just hopping without really having the steps down pat. But she hasn’t had as much training as the rest, so there’s that to consider. I agree with Len that her frame was part of the problem — she didn’t have a firm center and that’s why it looked like he wasn’t leading, but dragging her. I don’t think she’ll get kicked off first. I think she can improve.

David Allen Grier and Kym Johnson’s Salsa: Uh, it was okay. I mean, it’s so hard to judge amateurs learning to dance in adulthood. He looked uncomfortable — I mean with the dance form, with the rhythm and speed. But he looked like he was having fun, which is part of the battle. Hmmm, he might be first to go tomorrow night, depending on how audiences feel.

Denise Richards and Maks Chmerkovskiy’s Quickstep:

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LIVE BLOGGING DANCING WITH THE STARS SEASON EIGHT PREMIERE

Yay, tonight is here! I’m ridiculously excited, even though I wasn’t in love with last season. So, have decided to live blog. Upstairs Godzilla unfortunately just came home and is whacking her tail all about, crashing into walls, thundering down on my ceiling / her floor. She must be excited about the show too.

Oh well; I’ve turned on the closed-captioning.

Shawn Johnson trips on her way down the stairs during introductions. Doesn’t fall or anything. Kind of funny.

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TWO DANCING WITH STARS CELEBS PULL OUT WEEKEND BEFORE SHOW

Katrina alerted me to this. Apparently, two Dancing With the Stars celebrity contestants have had to pull out of the show due to injury, and just the weekend before season eight is to premiere. It was first rumored that singer Jewel had to pull out due to tendinitis, but now, according to ABC’s press release, her injuries are much worse: fractured tibia in both legs. I know from covering the Sean Bell trial that fractured tibia are extremely serious. Two men who were in Sean Bell’s car during the shooting sustained fractured tibia from bullets and a doctor testified it would have been impossible for the one to walk or run on the injured leg and that he would be (and he most definitely was, judging by video footage) in howling pain. Both underwent surgery to have permanent metal rods implanted to hold the bones together. I guess the seriousness of a fractured tibia can vary — I mean obviously, but good lord, you’d think to sustain a fracture in each leg, she would have had to have fallen from an overhead lift or something. Anyway, no wonder she’s pulling out.

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