There’s an interactive feature with my friend, dancer Taylor Gordon, in the New York Times today. She talks about her career as a freelance ballet dancer – from performing in Radio City Music Hall’s Christmas Spectacular to taking extra work in ABT Met season productions, to venturing into jazz and contemporary roles. Yay Taylor!
And here is the full article by Claudia La Rocco.
Photo above by Rosalie O’Connor, taken from Explore Dance.
I don’t know what I’d do without my Facebook friend and longtime reader Jonathan! He sent me this link announcing the schedule for the upcoming SYTYCD tour. (Thank you, as always, Jonathan, and so nice to meet you the other night at ABT!)
So looks like they’ll be at Radio City Music Hall for one night, which good because if I decide to go I don’t have to schlepp all the way out to Nassau Coliseum again.
UPDATE: Here’s another website where you can keep updated on tour dates.
Some more photos of Natalia Osipova and David Hallberg in Osipova’s Romeo and Juliet debut at ABT Saturday. Both photos by Gene Schiavone. The second one shows one of the moments I wrote about loving in my review. So sweet!
I was just about to suggest – to beg rather – Kevin McKenzie to try to lure Carlos Acosta back to ABT since, in light of this season’s slew of principal injuries, we clearly need more big men; plus, I’ve never seen Acosta dance and am really dying to! But then my friend Susan sends me this.
Here are a couple of photos of Natalia Osipova and David Hallberg at curtain call yesterday after her debut as Juliet, taken by Len Zernov from The Faster Times. I’m hoping to receive more photos soon and will post them asap! Read Marina Harss’s review of Osipova (she compares Osipova with Paloma Herrera) here.
According to this online newspaper, ABT is to perform in the Havana Festival in October. And according to this blog post, some members of New York City Ballet will join them. I can’t remember if I’ve heard this news before, but it sounds familiar. It doesn’t seem to be posted on ABT’s website though. Anyway, ABT hasn’t toured Cuba since 1960. It’s all part of the 90th birthday of Alicia Alonso celebrations. Wow. Lucky dancers – I’m so jealous! I’ve wanted to go to Cuba for a long, long time.
According to the Korea Times, Hee Seo has (finally!) been promoted to soloist at ABT! 😀
So, this is the last week of ABT’s Met season, and they are closing out with my favorite, Kenneth MacMillan’s Romeo and Juliet. My recommended casts are both performances on Saturday – Natalia Osipova is debuting as Juliet in the matinee, dancing opposite David Hallberg, and that evening is the lovely Diana Vishneva (who has really been blowing me away this season), with Marcelo Gomes as her Romeo. (Angel Corella was originally scheduled to be Vishneva’s Romeo but he is injured). Also, the Wednesday afternoon cast is good — Hee Seo, who is one of my current favorite Juliets, dances with Corey Stearns. Tonight is your only chance to see Herman Cornejo as Mercutio — he’s my favorite for that part. The leads are Marcelo and Juliet Kent. Go here for the full schedule.
Here is a recently-added YouTube of various clips of La Scala’s production of the same ballet, starring Corella and Alessandra Ferri (my favorite ballerina ever in that role).
Photo at top of David Hallberg as Romeo and Herman Cornejo as Mercutio, by Fabrizio Ferri.
(Middle photo of Fancy Free – with Sasha Radetsky and Herman Cornejo – taken from Ballet.co; other photos from ABT website)
Jose Carreno is my dancer of the season this ABT season, mainly because I love him and am trying to see him in everything possible so in case, as people are surmising, he retires next year or the year after. I’m trying to get my fill. Not that you can ever really get your fill of a dancer like him. But it seems to be what everyone is doing — I’m hearing, “Oh, I’m trying to see Jose as much as I can!” everywhere around the Met right now.
This season, I’ve seen him in La Bayadere with Julie Kent, Sleeping Beauty with Alina Cojocaru, of course Don Quixote with Natalia Osipova (twice if you include the night honoring Alicia Alonso) and a host of mixed rep fare including Fancy Free — he’s by far my favorite cocky Latin sailor EVER, Tharp’s Brahms-Haydn Variations which would have been a great deal more boring without him, he was still a real standout among a cast full of huge principals the day I saw it, and what else have I seen him in? Seems like something else, but maybe it’s just that I’m looking forward to tomorrow night’s Manon pas de deux with Diana Vishneva.
If and when he retires I’m going to be a hysterical wreck. He’s 42 this year and dancing, in my eyes, as well as he ever has, so I don’t know why it even needs to be an issue at this point. But he’s said years ago that he planned to retire at 40, and it seems most ABT men stop dancing in their early 40s at the latest (Julio Bocca was only 39) so … whatever… He’s the most advanced artist at ABT, the most advanced artist I know of currently dancing; he’s a legend. And he’s the only dancer who’s ever brought me to tears (with his Romeo).
So, since this is a long weekend, here are some videos so you can enjoy him too:
Dancing with Irina Dvorovenko in Le Corsaire:
In Coppelia:
Diana and Acteon:
With Gillian Murphy in Don Quixote:
And rehearsing for a Kings of Dance performance with David Hallberg, Joaquin De Luz and Nikolai Tsiskaridze:
Happy 4th everyone!
And I almost forgot… Friday night is the pro Latin competition, meaning Yulia Zagoruychenko and Riccardo Cocchi will be dancing, but I have a ticket to ABT and I really, really need to see my fave Marcelo Gomes dance Oberon in The Dream and Jose Carreno and Diana Vishneva in the pas de deux from MacMillan’s Manon. I may go to MDC Saturday night for the pro Rhythm and Standard, and the professional showdances. I always like Rhythm and you don’t get to see that in the international competitions. Anyway, here’s the info if you’re in NY and want to go. This is the most prestigious ballroom event in the Northeast; all of the top dancers usually compete. I highly recommend it if you want to see great ballroom.
Swallow has received another positive blog review 🙂
I was out at ABT last night (Sascha Radetsky and Hee Seo’s Thais Pas de Deux is, I think, the most beautiful thing I’ve seen all season. I’d seen them in rehearsal and it was well worth waiting for, and I enjoyed this cast of The Dream – David Hallberg as Oberon, Gillian Murphy as Titania and Herman Cornejo as Puck – much better than the first, and Maria Riccetto for the first time really caught my eye in both The Dream and Ashton’s Birthday Offering – she was really lovely).
Anyway, I was out late last night (actually was working all night on this, which was unbelievably hard to write, that case is so complicated). Am just now getting around to watching So You Think You Can Dance. I’ll post a review as soon as I’ve watched it. I hope it was good!
Here are some fabulous curtain call pics from last night’s Swan Lake at ABT. They’re taken by the wonderful Kokyat, and were sent to me by Oberon.
Thanks so much, you guys!
Veronika was divine in the role, as always. She and NYCB’s Sara Mearns are most definitely my favorite Odettes. Cory replaced Marcelo Gomes as Prince Siegfried, who was out due to injury (I don’t think serious; he is still listed for upcoming performances this season). So it was kind of a double replacement since Roberto Bolle was originally supposed to dance the role but he is also out with injury.
This is my first time seeing Cory in the role and I thought he did a fine job. He acted the part very well. I really believed he was a prince. He was very regal yet personable and boyish at the beginning. He conducted himself like royalty but also like a friend to his buddy Benno and to the villagers as they danced for him. He visibly became more angsty as his mother, the queen, told him he must choose a bride, and then he was clearly smitten with Veronika’s swan when he ventured upon her at the lakeside. I believed he was falling in love with her. The way he’d lay his head on her shoulder was so endearing. At one point it even looked like he kissed her neck! And then in the second half I believed he was seduced by her Odile and was devastated when he found out it was all an evil trick. He really acted it perfectly, in my opinion. He was charming, sweet, innocent, taken advantage of, in love, seduced – all of that, and he showed everything clearly.
I think he still has a ways to go as a dancer though. He didn’t have the power of Marcelo or the beautiful shaping of David Hallberg. He does have the potential to make beautiful lines though. I was talking about that with several other balletomanes afterward. But I think he gets nervous and tired. In the first scene his dancing was brilliant. His jumps had great height and were majestic and really emanated “prince.” But as the ballet went on he seemed to wear out a bit, and I can’t be sure since I’ve never had a reason to memorize the male choreography, but it seemed like at points (especially during the Black Swan Pas de Deux in the second half) that he took out some jumps and simplified some of the steps. Which was smart if he was concerned about being too tired to do some of those difficult lifts and assisted turns.
But as a commenter (and new Veronika fan!) just remarked in a comment on one of my previous posts (scroll down to bottom of comments), it’s a women’s ballet anyway. It’s more important that Odette / Odile be compelling. And Veronika never fails with that! She seemed a bit more confident on opening night dancing the Black Swan with Marcelo, but she still seemed pretty trusting here and they partnered well together.
Overall, very good performance!
Oh, also, Jared Matthews replaced Daniil Simkin as Benno. Not sure why. Hopefully Daniil is not injured because I’d really like to see him dance this part. Swan Lake continues through this Saturday. I’ll probably go once more. Maybe more 🙂
