Tag: Latin / Ballroom

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Oh Good Lord!!!!!!!!

Who saw it last night!!!!! I was DYING! They have studio socials once a month at Dance Times Square (the studio Tony Meredith and Melanie LaPatin own) and for part of the party, they’ll have the professional dancers / teachers take the floor and give a little performance. I swear, Melanie has to be begged and cajoled and pleaded with and begged some more to get her out on that dance floor just to do a teensy tiny little seconds-long routine with Tony (her former championship dance partner — they were the National Latin Champs in 1995). And now to see her have to dance on national TV with Pasha!!!!!

If you didn’t see it (SO YOU THINK YOU CAN DANCE that is), what happened was Jesse, Pasha’s partner, became very ill (she actually fainted) yesterday morning and couldn’t perform with him last night. So, in order for Pasha to remain in the competition, Melanie (whom the announcer called Tony’s “Assistant”!!!!!! — I’m sure she just LOVES that title 🙂 🙂 🙂 ) sweetly took Jesse’s place and danced with him! On national TV! Oh good lord, I was screaming, literally screaming at the TV! Did you see it, Parker? Where are you, Parker??? When they did that lift, I had to hold my hand up to the TV! And scream some more! And then cover my mouth so I’d stop screaming… I’m surprised my neighbors didn’t knock to see if something was wrong (or tell me to shut up).

Anyway, if you didn’t see it, my friend Michele sent me this link from SYTYCD website– to see Pasha and Melanie (just scroll down to Pasha). Thanks, Michele!

Aw, Melanie came through for him 🙂 And Pasha was so cute! He’s just so, he’s just such a great Latin dancer, especially Cha Cha! And his smile is so infectious! I just love him 🙂

I hope Jesse’s okay though. They said she had some kind of “heart abnormality” I think is the way (judge) Nigel put it? That doesn’t sound good at all…

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A Beautiful (and Emotional) Farewell to One of the Last of the Balanchine Ballerinas at NYCB

Last night marked the final performance of Kyra Nichols, the second-to-last still-performing ballerina to have worked directly with George Balanchine, and thus widely considered to be of the last of “the Balanchine ballerinas.” (The other Balanchine ballerina is Darci Kistler, also of NYCB). I’m relatively new to ballet and especially New York City Ballet, so I haven’t had many chances to see her dance, and I’m really feeling sad now, as I felt when I recently saw the legend Gelsey Kirkland perform (in a non-dance role) in American Ballet Theater‘s Sleeping Beauty, that I’ve missed out on an era. Ms. Nichols danced brilliantly last night; I was so overwhelmed and I wish so much I would have seen more of her over the years. Since I don’t know a huge amount about her, here’s an interview she gave recently to Gia Kourlas of Time Out NY, and here is Joel Lobenthal’s article in The Sun (I remember NYTimes’s Alastair Macaulay also wrote an article on the several retiring ballerinas but it’s impossible to link to because they only allow paying subscribers to access articles). Also, here is long-time NYCB fan Oberon’s review of last night.

Last night was breathtaking. Peter Martins (NYCB Director) put together a gorgeous program for her. First on was Serenade, what to me seems to be classic Balanchine — involving oodles of beautiful ballerinas in gorgeous flowing baby blue chiffon, and one or two men overwhelmed by them all! (which is largely, it seems, Balanchine’s take on ballet 🙂 ) It was mostly abstract but with a slight narrative in which Nichols poignantly danced the main character. (I will definitely be reading more on this splendid ballet in Terry Teachout’s book on Balanchine, but more about that in a minute…) Second was Balanchine’s “ballroomy” piece for four couples set to Robert Schumann’s “Davidsbundlertanze” (try saying that several times in a row!), which I’ve seen before and loved, and set to lovely onstage piano music. And, my favorite of the night (can’t help it, I’m a ballroom dancer!), “Der Rosenkavalier” from Balanchine’s Vienna Waltzes, a shortish piece in which the stage is overtaken with waltzing couples — the men in elegant black long-tailed tuxes and the women in long lavish white gowns — one of the most exquisite sights I think I’ve ever seen on a stage, and one that rekindled the passion I felt for Standard Ballroom upon attending my first competition. Not that several couples waltzing their own routine on a ballroom floor could look anything like this (even if those couples are at the level of Mirko Gozzoli and Alessia Betti or Jonathan Wilkins and Katusha Demidova…) — it takes a genius choreographer, not just a few great dancers, to create such a sublime spectacle. And one thing I love about ballroom is how it seems to convert little boys into mature gentlemen — Robert Fairchild and Tyler Angle looked so dapper whisking their ladies all around the floor — so charming! It just takes you to another time and place, to a fairytale land…

Anyway, although it was the end of an era in the ballet world, for me it was a time of new beginnings, of meeting new people and making new friendships. I met up with critic and writer extraordinare Apollinaire Scherr, who introduced me to the illustrious critic and writer and author of several books, Terry Teachout, who gave me a copy of his biography of Balanchine!!

The three of us met up during intermissions, then all went out afterward and chatted all about the ballet world, and the dance critic world — so very interesting for newcomer me! Mr. Teachout is so brilliant. He’s a former jazz musician and has been writing for so long about the worlds of classical music, ballet, and now theater, he’s just like a walking encyclopedia of the New York arts scene. It’s so amazing. I can’t wait to start reading his book — which I’m going to begin this afternoon (in between trying to finish two briefs for work by the end of the month — I’m going to get it all done I swear…) Meeting him was so fun, and so educational, and I’m sure his book is going to open up a new world to me (and, he even said he liked my blog 🙂 :)) — thanks so much, Apollinaire!

There was so much going on last night, every ballet fan in the universe (or at least those lucky enough to have got tickets) must have been there — but somehow I was also able finally to meet Sarah, who frequently comments on The Winger as well as Philip‘s and my blogs, and Bob, who comments a lot on our blogs as well! That was fun, and I’m completely amazed that in that massive crowd people were actually able to recognize each other. I sat next to Susan, who also is a big blog and Ballet-Talk-commenter (and met her nice husband), and Philip and Wei (who I also met beforehand at the stage door and hung out with. Philip is great fun to lurk around the stage door with because he knows everyone and everything at NYCB … he should be a tour guide, if there was such a thing!) We all looked for Carbro at Ballet Talk, but couldn’t find her.

Anyway, it was a really amazing night, amazing experience. Oh, we also spotted Kristin Sloan onstage filming — so her video’s going to be a lot of fun to watch when she finishes it. I think it’s so magnificent that we now have this technology that enables us to preserve these monumental events in this way. First those excellent “Tragic Love” videos documenting Martins’s new Romeo + Juliet and now this — NYCB is just going to HAVE to expand it’s website’s broadband to make room for all these awesome videos Kristin’s making!

Okay, time for rest and relaxation (and brief-writing) until tonight … when a ballerina whose career I HAVE followed and whom I love, retires as well — there were many teary eyes in last night’s audience; tonight is going to be my night for being a hysterial wreck…

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Pasha and Anna on So You Think You Can Dance!!!!!!!!

I missed “So You Think You Can Dance” last week since I was in Blackpool, and now I’m just catching up and seeing that Pasha Kovalev and Anna Garnis were indeed on the show 🙂 Pasha’s sitting in the front row in the wait room 🙂 So exciting seeing my friends (and most excellent former teacher!!) on TV! Reminds me that I forgot to post pics of them in Blackpool. Sorry they’re so crappy — see what I mean about how crowded it was that I could not get a decent seat from which to take decent up-close pics?… Argh!

As you can see, she is wearing a wig in these pictures. Originally a blonde, she is now wearing her hair long and dark, but she often wears wigs for the comps.

I’m so psyched that they are on TV!!!!!

Did anyone see ballet dancer Danny Tidwell? Was he as pompous and arrogant as the judges are saying he was?

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Depressed, Missing Slavik and Sergey, and Suffering TAC Headache…

Sorry no posting for the last couple of days. It took me forever to get home, first because of a several-hour-long plane delay, then over an hour-long cab wait at Port Authority (to which I took a bus from JFK). And I’m still so tired. I didn’t get much sleep the entire time I was there (in Blackpool), and it’s now really catching up with me. I’m just kind of depressed, missing Slavik Kryklyvyy and Sergey Surkov and all of my favorite Latin people…

Slavik is such a ham, as I realized for the first time this competition. The only other time I’ve seen him dance live was at U.S. Nationals in Florida last September when he competed in the open-to-the-world category, and there, he didn’t play so to the crowd since it really wasn’t his people. Here of course, everyone went completely nuts screaming and cheering the nanosecond he stepped onto the floor so he really hammed it up. How do I choose these guys? Marcelo, Jose, now this one… guess I’m just naturally attracted to a certain dancer-personality type …

Although Sergey seems more quiet, like a David Hallberg. No hamminess, no crazed fanfare, just great dancing, near flawless technique, and intense passion for his very pretty partner… It’s funny because, at one point during finals, Joanna Leunis and Michael Malitowski were dancing very close to Sergey and Melia and I could see from afar that the way Michael threw Joanna out to his right into a lunge, she was going to brush Sergey’s left side. She kind of reached out and playfully petted his left shoulder to let him know she was there, and he was so focused, as he always is, on Melia, I thought oh no, Joanna’s totally gonna disturb his concentration! He did seem a little surprised, but not too much so — obviously he’s used to dancing on a very crowded dance floor after all! After the round was over, still close to Michael and Joanna, he kind of tenderly patted her on the shoulder as well. It was cute. He seems kind of shy. Very attractive 🙂

Hehehe, do you think he’s mad at me for this pic?!?! I nearly dropped my camera when he shot me this look 🙂 Isn’t he cute — doesn’t he look kind of like Keanu Reeves?! He and Melia were meeting fans and autographing posters at the Chrisanne boutique in the shop pavilion, which I blogged about earlier, but here is a better picture. Sorry about the crappy cell phone pictures, by the way. It was the only way I could blog without worrying about an insecure wireless connection for my laptop. I’ll get a better cameraphone the next time!

Anyway, it was just so exciting to be there and I feel like none of my world favorites come to the U.S. competitions and so I don’t know now when I’ll see them again. I hate to think of having to wait another whole year… Now on top of being tired and depressed, or perhaps because of one or both of them, I have another one of these horrid headaches, which means, after the pain, days of being all woozy from the meds…

Anyway, I managed to get all of my pictures downloaded, although the captions are not all up and some names are spelled wrong and there are typos galore… all of which I plan to have fixed by this weekend, at the latest. Unfortunately the pictures this year are not as good as those last year, mainly because I couldn’t get a very good seat up close to the action, so everything is from afar, and pics of the finals in all competitions are from all the way up in the balcony, so you can hardly make out most of the dancers’ faces… It was insanely crowded, so it meant reaching up and over heads, snapping away haphazardly and hoping the picture came out okay… Another thing that kind of depressed me though I guess it shouldn’t. I should be happy that “Dancing With the Stars” and all of these shows have made ballroom dancing so popular that the number of amateur entries basically doubled and it was so crowded you could hardly move, but … I don’t know, it just meant I could hardly see any of the action.

I’m going to be talking about this likely for weeks to come, and posting things as I remember them, but here are a few more quick highlights:

bryan and carmen Bryan Watson and Carmen taking their final ballroom floor walk en route to the judges to receive their final first-place Latin champions trophy. So sad. So many retirements this year in dance in general…

Max Kozhevnikov and Yulia Zagoruychenko being called to the floor to receive one of their two finalist awards: they placed sixth in Rhumba I think fifth in Jive. Max was so cute when their number (198) was called as finalist! He ran out onto the floor and started jumping around pounding his fists into the air like a cute little kid. Yulia ran up behind him and grabbed him from behind. He then remembered her and turned around and hugged her.

Same EXACT actions from these two:

Victor Fung and Anna Mikhed

Victor Fung and Anna Mikhed who, for the first time, made finals in Standard Ballroom in three of the four dances (excluding waltz). He ran out in his tux and tails, jumped around pounding the air excitedly, then she ran out behind him in her ballgown, and had to tap him on the back before he turned around and remembered, oh yeah my partner, she helped too, really should include her in the euphoria… Ballroom men!!!!!

It was a great Blackpool for America this year. With Anna and Victor making finals in Standard and Max and Yulia in Latin, and Jonathan Wilkins and Katusha Demidova placed second overall in Standard.

jonathan and katusha

Okay, that is all for now… more later…

Also, I went to see ABT‘s Sleeping Beauty last night but will blog about it after I see it again, with another cast, later this week.

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Chunnels Chunnels Everywhere…

Ha ha, now that I’ve calmed down a bit, looking at my last post, I was pretty harsh! It’s fun to be angry though … the truth often comes out when you’ve just come from something that impassioned you and you’re writing at 1:30 in the morning all cranky because of all the work you have to get through the next day to go on your dance vacation the following day — under such circumstances you’re not bothering to edit yourself and you’re just more honest… Anyway, I was basically trying to ponder ways to make ballet more popular. I feel that some of the reasons young people are turned off is because of the melodramatic acting and the story-lines that they can’t relate to either because they are too silly and not relevant or because they’re too abstract and don’t make sense. Everyone knows Shakespeare, everyone can relate to Shakespeare, he is timeless… I feel that if you do Shakespeare you can’t go wrong, and, even though I would most definitely go see Lubovitch’s Othello again and again and again, because that’s just how I am, it was still far from perfect, and I don’t know that a non-obsessed ABT-o-mane would do the same…

Anyway, apropos of all this, I had asked Apollinaire Scherr why she thinks opera is so much more popular than dance, and she and some other critics and readers responded. Go here to see that discussion.

By the way, not a whole lot of people went to Othello. There’s hardly any chatting on BalletTalk, not many pro reviews. And where is Alastair Macaulay’s NY Times review? Shouldn’t it be online by now? The audience Tuesday night wasn’t very full — I’d say 1/2 to 2/3 seats filled, which upsets me, especially given that this was the NY debut… We have to make younger audiences understand how great ballet is, how relevant and exciting and profound and moving and beautiful and poetic…

Speaking of which … Apollinaire has great hopes for ABT’s Sleeping Beauty! (Yay!!) … the debut of which I’m unfortunately going to be missing because of my trip. But I’ll be back for one of the later performances… I will also, horribly, be missing “Essential Balanchine” at New York City Ballet …

why oh why oh why does Blackpool have to come at this time of year! Can’t someone re-schedule it to coincide with opera season for cry-eye????

And why oh why can’t I take some other form of transportation … I love travel, I love trains, I love cars, and I LOVE ships — can’t I take a ship across the Atlantic?… like in the Titanic? I mean, not the Titanic per se of course, but a big huge ship — so romantic to travel in 19th Century fashion! Or why can’t there be underwater Chunnels everywhere like that between London and Paris? That would be soooo cool to take a big long Chunnel train to England, or Australia or Thailand or Japan… chunnels everywhere… who decided to create air travel instead of underwater transit…

Anyway, packing is oh so much fun:

 

I’ve been packing all week little by little, as I always do so it’s not so overwhelming all at once… I tend to forget less this way. Everyone makes fun of me because I’m so anal, but who was the only American at the dance festival last year who could use her cell phone and palm pilot and re-charge her digital camera???? — because who was the only one who remembered to bring, not just all of her chargers, but U.K. / Hong Kong electrical converters as well! I was very popular last dance festival…

 

I always go through my money belts as well scrounging around for any pounds and pence I can find. England does still use English money, right; they didn’t switch to the Euro yet? Look at all this pre-Euro European money I have (on the right) — I hope it’s worth something someday!

And look at all this Russian cash. I have so much left over because when I was in St. Petersberg, I met up with friends who were going on to Moscow while I was (traveling alone) returning to Helsinki. Since I was planning on giving my leftover cash to them, I didn’t exchange or spend it, but then whilst trying to catch my train at Finlandia Station, I couldn’t find my proper track because I was spelling Helsinki with a Cyrillic first letter that looks like our “E” instead of the letter that looks like our “X” – (the Russian alphabet doesn’t contain our “H”). So, I almost missed my train and forgot to hand over my cash! What am I gonna do with it now?!…

Packing my Winger t, for dance-y comfort 🙂

Aw, a pic from packing last year. My dear little Najma passed away last October from congestive heart failure. I miss her so much. Packing is just not the same without her…

Anyway, on one last dance note:

hehehe, I was joking around earlier about a male Bayadere and Marcelo Gomes dancing the lead. Then I saw in this week’s Time Out New York Gay and Lesbian section that there actually are some gay bars with male bellydancers!!!

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Bellydancing Lessons For Paloma!: ABT’s Bayadere

So, last night was my first Bayadere of the season and I have mixed feelings. Everyone danced perfectly beautifully, I finally got my big huge sweeping overhead lifts that Herman and Xiomara left out of their “Romeo and Juliet” on Monday night, or just “Romeo,” rather 🙂 (thank you for those, David and Paloma and Gillian!), and all three aforementioned principals were just full of stunning virtuosity in their turns and leaps and partnering.

My main problem is with the, for lack of a better word, stylistics. This is a ballet set in historical Royal India and is the story of Nikiya, a bewitching temple dancer, (or bayadere) who is the object of infatuation of the High Brahmin but who falls hopelessly in love with Solor, a noble warrior whose war deeds have won him betrothal to the Radjah’s daughter. Paloma Herrera — the bayadere, as beautiful a ballerina as she is, completely lacked all of that gorgeous Indian or Middle-Eastern styling. Maybe it’s just that I’ve seen a lot of bellydancing lately, but I wanted so much for her to do something so much more with her wrists and arms, move her hips in a rounded, hula motion. I just wanted authenticity. At one point, I just wanted to get up and shout “wrists, wrists!” Indian and bellydancing is so amazingly beautiful, what those women do with their limbs and upper bodies, why couldn’t they have some of that here? Does ballet have to exist in this rarefied stratosphere where it can’t incorporate some of the sublime elements of other forms of dance? I mean, look at these gorgeous wrists here at Terpsichore Musings – and these are students!

 

This made me think of that now infamous article written by Lewis Segal for the LA Times. It was an overarching and pretty harsh criticism of Ballet in general, which I personally think was mainly a tongue-in-cheek effort to wake up the ballet world and get people thinking about why box office sales were dwindling, but I think one decent point he had was about the “Orientalist” ballets (click here for a definition of that term), of which Bayadere is one. I disagree with Segal that these ballets are too inherently goofily Orientalist to speak to young people today, who are much more worldly than previous audiences, because I think the themes they deal with — doomed love, class issues, fate and justice — are timeless, but I do think they need to be authenticated and updated. Dance being the essence of a ballet obviously (as opposed to a play), the ideal way to do that is to incorporate some of those beautiful Middle-Eastern movements. Perhaps the story-line needs to be made a little more sophisticated as well, and the costumes, such as those used in the ensemble “Kingdom of Shades” parts, pictured above (copyright Gene Schiavone) should be made more Indian-looking as well, but the movement is a start…

Jennifer Dunning reviewed the same female cast in the NY Times, here. Interestingly, she says, a bit critically, that these dancers exhibit what she calls a “21st Century” method of showing character more through movement than “acting.” Maybe that is what I was inadvertently reacting to when I saw the opposite at NYCB, which I characterized as overacting and melodramatic; perhaps I’m just a 21st Century dance-goer and am used to seeing more sublelty in the facial expressions and the drama located more in the movement than in traditional ballet “miming.” Dunning also said she liked Paloma’s back arches, but I’ve seen Latin dancers do far more pronounced ones.

 

The best part for me was David Hallberg as Solor. I just can’t say enough good things about him. He takes my breath away just with his walks alone, forget all of those amazing jumps (which he did plenty of); he can just walk all over the stage for an hour and I’ll sit there completely mesmerized. He’s so regal, so noble, such a beautiful man, and such a classic male ballet dancer. And he certainly doesn’t do any overacting. He also doesn’t make a big huge pompous stink when he comes onstage (and there’s NOTHING in my mind wrong with those who do, by the way 🙂 — they’re some of my favorites of course of course — like this one, and that one, and of course him 🙂 🙂 ); he’s “just” all about stellar, captivating dancing. I would go see anything he’s in just because he’s in it.

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Joaquin Cortes on Dancing With the Stars!!!!

Omigod omigod — did everyone see him on DWTS?!?! He was soooo amazing! I think it totally came through what a stellar, world-class dancer he is on TV — at least the studio audience could tell, judging by their cheers. I believe this is a new high for this show – Cortes is one of the greatest dancers in the world. Did you see that footwork — hello?!!!!! And Joaquin is also an ambassador to the European Union representing the Roma people, flamenco being a dance that emanated from the Gypsies. For more about that, visit Root Magazine, here. Pretty cool having a dancer as ambassador 🙂 I really think this proves mine and Dean Moss‘s points about Dancing With the Stars — that watchers of the show are, in Moss’s words, “developing an aesthetic for viewing dance,” and that its popularity can lead to increased popularity of other forms of dance such as ballet and modern…

So, Ian and Cheryl just got booted. I didn’t really like the Elvis look on him — particularly the wig, and I thought even in his last jive he was trying so hard to dance like “a guy,” to not be “girly” (which he had earlier complained about Latin seeming to him) that it really hindered his learning technique and acquiring proper dance skills. Virility in dance, as in life I suppose, is something that, if it is there, is just going to come out naturally, certainly not from stomping around on the floor consciously trying to look macho. He could have benefitted from watching Herman and Marcelo and Seth, and Cortes too!

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No Red Carpet or Film Stars But Dancing So Breathtaking I Got All Depressed Again!

Funny there was no red carpet, no big showy movie stars, no former President of the United States, no big huge to-do at American Ballet Theater‘s opening night gala tonight, unlike at NYCB two weeks ago, but just walking into the Met Opera House amongst all of these hugely wealthy patrons wearing all manner of couture just made me feel so poor and ugly… like I NEVER felt last week or any time I’ve been in NYCB for that matter. ABT people can just be so intimidating…

Anyway, the program was excellent — at least the second half, though I have tons of miniscule criticisms to make, of course of course. First, Marcelo. Not because he was on first — he wasn’t on til the second half — but just because, he’s Marcelo!! He danced with Alessandra Ferri in the final scene of Othello. Ugh, they were both so good, I got depressed again — like I felt after watching Pasha and Anna last week… just a huge lump in my throat, just sad. Alessandra is so so so good, and it’s just so horrible she’s retiring — it really is tragic. I don’t mean to be melodramatic but I just feel like there’s never going to be another ballerina like her and it’s so terribly upsetting. She just has something no one else does. It’s just beyond words watching her. And Marcelo is such a big, huge, gorgeous man, such a star — he’s so perfect as her support. He is of course a great actor too, and that is so absolutely necessary for this scene. He was so frightening and powerful and uber-virile — as Marcelo always is, but so sadly broken as well. He could definitely have taken all of that a bit further, but he is just returning to the stage after a hiatus and you could see the concentration in his eyes. He’ll take it up a notch when he performs the whole ballet, I’m sure! That ballet is going to be THE BALLET to see this season — it’s gonna rock! Lar Lubovitch (the choreographer) is a genius … well Shakespeare was a genius so anything anyone does that’s based on his plays in my mind is superior to the other story ballets… But the choreography looks so engrossing — if anyone is kinda sorta an ABT fan and is thinking about maybe possibly going to see something this season, SEE THAT ONE!!!

So, the other stuff: Herman Cornejo and Xiomara Reyes did the balcony pas de deux from Romeo and Juliet, and to me, it ended up being an interestingly different take on that scene, but just not good enough. It was ALL ABOUT HERMAN — show-stealer that he is 🙂 It really was a bunch of bravura dancing from him, while Xiomara just kind of looked on sweetly — which was interesting, really in its own way: it was like, “Hey, Juliet, look how hot I am for you! I’m just flying all over the stage doing all these crazy-ass tricks!” And she, “Oh Romeo, Romeo, you’re sooo great, you’ve definitely won my heart now…” Cute take, but they totally watered down the choreography — they took out all those beautiful crazy big huge run and jump lifts — you CAN’T take those out!!!!! It’s plain and simply NOT MacMillan’s pdd without them!!!! And they just eased up on the choreography in general – -the partnering just wasn’t there for me. And that’s what the pdd is, after all, not bravura dancing for the man.

The Swan Lake excerpt was danced beautifully by Nina Ananiashvili and Angel Corella. A crowd pleaser as well that Angel is of course of course — it looked like he did about 10 pirouettes in a row. She did 30 fouettes — this is the first time I’ve EVER counted them and only did so because I know it is the balletomane thing to do. I’ll never do it again; it’s boring and takes away from enjoying the beauty of the dance. People who count are, to me, just silly… I didn’t count Angel’s pirouettes — I said they looked like there were about 10 in a row; I’m sure they weren’t; he just has that Angel way of … just being Angel… 🙂 And I’m happy I got to see Nina; she’s not dancing much this season and I don’t know if I’ll make it to anything she’s in.

And then there was a Manon excerpt, a pas de deux, with Julie and Jose — two of my favorite dancers. They did this pdd like the Romeo and Juliet should have been done. They are spectacular, they are beautiful and poetic, and I really think Jose is one of the very greatest dancers in the world right now. I’m so scared he is going to be retiring soon too… Julie is perfect; she’s flawless and she’s beautiful. But to me, artistically, she still doesn’t have that something undefinably extra that Alessandra has. But she still has time. There is something about her and Marcelo dancing together too — they just have something together that makes them both better than they are alone…

The gala ended with La Bayadere excerpts, performed by David, Paloma, Gillian, and the illustrious heartthrob (so say his bizillions of adoring female fans) Ethan Stiefel — returning after a very long hiatus due to double knee surgery. He got a lot of applause, understandably so, and performed breathtaking jumps — he was really awesome. So cute! David seemed to be the only principal who didn’t get applause when he entered the stage. I think it’s because people are angry about his lack of contributions lately to the Winger … Just kidding of course 🙂 I think it’s because he entered kind of suddenly, albeit with a very loud manly clap 🙂 and people were a bit surprised and didn’t recognize him at first. I heard several voices around me going, “oh oh oh, that’s that David Hallberg, that’s who that is…” Plus, he was wearing a bright white turban, which, when I first saw it, I thought he’d gone and dyed his hair platinum now… I couldn’t see all that well from balcony…

In the first half — I know, I’m going totally backward — first piece was a Bayadere excerpt with all corps members. I’m not one for ensemble work with lots of people onstage at once — I’m a pdd (& occasionally bravura guy) girl — but Misty Copeland stood out to me in this first piece. Then Sleeping Beauty (excerpts from classic Petipa version, no new McKenzie version revealed yet! — that’s for later in the month), with Michele Wiles, Veronika Part, who slipped a bit in the Rose Adagio but nothing serious, Diana Vishneva, favorite of all the critics, and Irina Dvorovenko and Maxim Beloserkovsky. Personally, I love Irina. I know she is not favored by the critics, but she is still one of my favorite ballerinas. I think her dancing is breathtaking, she has gorgeous lines and beautiful extensions, and I think she’s a very good actress — she puts her heart and soul into everything she does, and she really loves and respects the audience. I just love her, and wish she’d dance once in a while with Marcelo and David! Diana was stunning, but one thing she did that was weird was she didn’t stay around and take her curtain call with the others. She took her bow right after she finished her part, then left, without waiting until Irina and Max were finished with theirs to take bows along with them, Veronika and Michele. It was noticeable to the audience as well — VERY noticeable. I hope she had a good reason for leaving early; I don’t think it sits well with fans if you don’t do as everyone else does — might make one look a bit superior. Just going by whispers I heard happening around me…

And then right before the intermission was “Lady’s Choice” a contemporary, ballroomy piece choreographed by Brian Reeder set to Chopin and danced by Stella Abrera and Sascha Radetsky. I didn’t think they worked very well together. He’s too small for her, for one, and for another, neither was very expressive.

After the first piece, Kevin came out and spoke, along with Caroline Kennedy, but the microphones weren’t set up well and I could hear hardly anything, so can’t tell you much of what was said. I do remember he said they were showcasing their corps members as well as their stars this time around — just reminded me of that difference between ABT and NYCB – the idea of having “stars.” Kevin seems like such a sweet man — I may be totally wrong, but he just seems like a really nice guy.

Looking at this picture on my wall made me realize who was missing — Carmen! (pictured with Marcelo of course!)

All in all it was a really lovely night even though I felt poor and ugly and then depressed??? Marcelo and Alessandra were just so beautiful together… He’s gay and she’s married, and I’m totally jealous of how great they were together. How much sense does that make?! It’s just like great dancing goes beyond great dancing sometimes, you know?… Ugh, it’s a good thing I don’t have a crush on Ethan or some other straight guy with a gorgeous and perfect paramour 🙂 I’m really sorry if I’m a bit slap happy here — it’s late and I’m tired! 🙂

Just one last thing, on a totally different note. I made it home just in time to see the end of “Dancing With the Stars” — think there was a humorous remark made by Kennedy about being grateful that some young people were pulling themselves away from the show to be at ABT tonight, but I’m not sure because, as I said, the acoustics were off — but I think I overheard the TV show’s hostess say that tomorrow night, they are having Joaquin Cortes on the show?!?! The brilliant, spectacular, not to mention HOT, flamenco dancer?! If I heard correctly that is simply awesome — a real high point for them — that, THAT is CLASS!!!

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Not Strictly Ballroom: The First Ever 5-Boro Dance Challenge For Same Sex Ballroom Couples

Last weekend my friend invited me to this new ballroom dance competition held here in NY: the 5-Boro Challenge, a competition for same-sex ballroom dance couples. I couldn’t go and now I’m kicking myself because it looks like it was a total blast. And, it got a write-up in the City section of this Sunday’s New York Times!

I can’t seem to find a link to the Times — they don’t seem to have their City section online. But if you’re in the New York area, look for the article in hard copy at your local newsstand 🙂 (Edit: Jennifer found the link – it’s here — thanks Jen!) And, read about the Challenge at the above link. Also, I am told that this photographer was at the event — it doesn’t look like she has pics up yet from the 5-Boro, but she has some other great photos from Hungary, where there is apparently the largest same-sex ballroom dancing comp in the world!

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Pasha and Anna Return to the Stage!

I know it is near impossible to see, but here is the great, the amazing, the beyond talented, the bewitching, the captivating, the truly wonderfully incredible — not enough superlatives to describe her! — Anna Garnis, taking her bow after performing in the pro part of the Dance Times Square pro / am showcase last night in Hunter College auditorium. Pasha Kovalev, my former teacher, who is of course all of the same and more(!), is to the left of her.

It was actually really nice not to perform, to just sit and relax and watch everyone else — especially them. My studio friends and I — a bunch of us sat together up in the balcony — were worried they weren’t going to show. Pasha’s just coming out of a long, weird illness, but is finally, thank Heaven, fully recovered. They didn’t appear until the last quarter of the show. When Pasha walked out onstage, my heart fluttered, and my friend grabbed my arm and squealed, “that’s him!”

I don’t know what it was, but tonight — just like after the first time I ever saw them perform, at the first DTS showcase two years ago, before I actually began my lessons with Pasha — I just felt this huge lump in my throat watching them. After they left the stage, I felt like I couldn’t concentrate for the rest of the night — all I could do was stare into space. After the show completely ended, I just felt like crying, but not out of sadness, out of … I don’t know what. My friend tried to get me to go to the studio, to the after-show party, but I hadn’t planned on it since I had to get home and get rested up for my hectic work week ahead. But even if I would have decided to go just for a little while, I knew I wouldn’t be able to have fun and be social. I don’t mean to sound ludicrously melodramatic; I just felt like I have when I’ve just finished a novel or seen a movie or play that drove me to tears, that I could only come straight home and just … be. I don’t know what it is — it’s definitely not jealousy — I know I’ll never be Anna and I can definitely appreciate her greatness without thinking how horrible I am; it’s something else entirely … just like something you just can’t talk about for a while.

Anyway, it’s also so amazing, just such an experience, to watch people being exposed to dance for the first time witness truly great dancers. I hardly recognized any of the student performers from the studio, and, since I’ve spent so much time there over the past two years, I knew many of them were new. Being primarily a student showcase, most of the audience was comprised of students’ families and friends, who were, judging by their comments about dance, likely similarly inexperienced in the ballroom scene, or any other dance scene for that matter.

Before Pasha and Anna danced, the crowd was laughing and cheering on the students, having a great time and really enjoying themselves. One of the professionals, Lauren, did a three-quarter splits in her Rhumba routine, and I guess because she went down so quickly — speed being a key element in Latin — this guy up in our section who was being pretty vocal throughout, shouted, “Whoa! Man!” like it was the coolest thing he’d ever seen! The theater’s small and everyone heard him and laughs abounded — Lauren couldn’t help but be affected by his hilarious enthusiasm herself — and she even cracked a smile up there on the stage.

Well, Lauren and Fred, her partner, finished and Pasha walked out. I heard vocal guy say, understandably, “Who’s he?” Every other pro had been on at least once already, if not a few times. My friend and I exchanged glances and giggled. We both wondered if vocal guy and the rest of the crowd would recognize that these two were on a completely different level than everyone else up there. You never really know with a crowd that’s new to something, if they will recognize greatness, you know? A guy in orchestra called out, “Pashaaaaa!” Women down below began cheering. My friend and I clapped. After their music began and Anna took about two Rhumba walks toward him, the crowd went completely still. And remained so throughout. After they finished, slowly the crowd came to its feet. Vocal guy screamed “Oh my God, oh my God,” and several others started a chant of “Bravos” — the first I think I’ve EVER heard for a ballroom performance. It was the most breathtaking Rhumba I’ve ever seen. I really felt like crying. My friend squeezed my arm ever harder. I guess when you’re out for a while, sick and recovering, you just naturally come back with a bang. A huge one.

It’s well known in the studio and the ballroom world in general now that Pasha and Anna tried out for and got pretty far on “So You Think You Can Dance” — the TV show. They’re sworn to secrecy now and cannot reveal what happened in the final cuts until the show airs at the end of this month. I hope so much they did well. They so deserve it. They are true performers. And this is the cruelty and travesty of ballroom. They’re currently stuck in fifth position in the U.S. National Latin championships and basically will be until the four above them retire. Because that is The Rule of the ballroom world: The Rule is that couple number one is Andrei Gavriline and Elena Kruyshkova, couple number two is Max Kozhevnikov and Yulia Zagorouychenko, and so on down the line, and the judges never forget it, those are The Ranks, set in stone. Perhaps I’m being unfair and Pasha and Anna don’t really do that well in competition; perhaps they just excel in performance. Some dancers are like that. And when I see other dancers competitively ranked above them do a solo showcase, they’re nothing compared to Pasha and Anna. But maybe that couple is just better at competition. Maybe competing and performing take two completely different sets of talents, who knows. But I do know that Pasha and Anna deserve to be better than Number 5 in the country for the rest of their careers.

Anyway, here’s my friend Parker taking her bow. Yes, that’s the same Parker from the previous night’s bellydance showcase — this one does practically every kind of dance imaginable 🙂 ! Yes, she’s actually worse than me in that department 🙂 She did a very sweet, very fast fun cha cha, and got a lot of applause!

And here’s the whole “cast.”

Of course I’m sad I didn’t perform as well. But on the other hand, I saved about $2,000, and I got to see Pasha and Anna’s emotionally moving return, from the audience, from their perspective, instead of cramped in the wings.

And … Just one week — ONE WEEK NOW — till my other favorite returns to the stage!!!!!!

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Tonight

Ugh, it’s only 1:58 p.m. When it is going to be tonight??? I just can’t wait!

Since I’ll be at the premiere of NYCB’s Romeo & Juliet tonight, and since I forgot to set my VCR before leaving this morning, I’ll have to miss Dancing With the Stars, which means when I get home, I’ll be forced to consult the dreaded message boards… I don’t have much to say about the show at this point other than that I hope Laila sticks around for a while! And, I wish they would use real Samba music for that dance once in a while! I know it’s difficult since they have a live band and all, and it’s definitely much easier for American singers to scratch their way through “Besame Mucho” than try their hand at Portuguese, but, it’s like a 10 bizillion-dollar show; you’d think they could have a real Brazilian band play for once… With all of those cool pulsating drums — it just makes me mad that Americans are so missing out!