Tag: Jose Carreno

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No Red Carpet or Film Stars But Dancing So Breathtaking I Got All Depressed Again!

Funny there was no red carpet, no big showy movie stars, no former President of the United States, no big huge to-do at American Ballet Theater‘s opening night gala tonight, unlike at NYCB two weeks ago, but just walking into the Met Opera House amongst all of these hugely wealthy patrons wearing all manner of couture just made me feel so poor and ugly… like I NEVER felt last week or any time I’ve been in NYCB for that matter. ABT people can just be so intimidating…

Anyway, the program was excellent — at least the second half, though I have tons of miniscule criticisms to make, of course of course. First, Marcelo. Not because he was on first — he wasn’t on til the second half — but just because, he’s Marcelo!! He danced with Alessandra Ferri in the final scene of Othello. Ugh, they were both so good, I got depressed again — like I felt after watching Pasha and Anna last week… just a huge lump in my throat, just sad. Alessandra is so so so good, and it’s just so horrible she’s retiring — it really is tragic. I don’t mean to be melodramatic but I just feel like there’s never going to be another ballerina like her and it’s so terribly upsetting. She just has something no one else does. It’s just beyond words watching her. And Marcelo is such a big, huge, gorgeous man, such a star — he’s so perfect as her support. He is of course a great actor too, and that is so absolutely necessary for this scene. He was so frightening and powerful and uber-virile — as Marcelo always is, but so sadly broken as well. He could definitely have taken all of that a bit further, but he is just returning to the stage after a hiatus and you could see the concentration in his eyes. He’ll take it up a notch when he performs the whole ballet, I’m sure! That ballet is going to be THE BALLET to see this season — it’s gonna rock! Lar Lubovitch (the choreographer) is a genius … well Shakespeare was a genius so anything anyone does that’s based on his plays in my mind is superior to the other story ballets… But the choreography looks so engrossing — if anyone is kinda sorta an ABT fan and is thinking about maybe possibly going to see something this season, SEE THAT ONE!!!

So, the other stuff: Herman Cornejo and Xiomara Reyes did the balcony pas de deux from Romeo and Juliet, and to me, it ended up being an interestingly different take on that scene, but just not good enough. It was ALL ABOUT HERMAN — show-stealer that he is 🙂 It really was a bunch of bravura dancing from him, while Xiomara just kind of looked on sweetly — which was interesting, really in its own way: it was like, “Hey, Juliet, look how hot I am for you! I’m just flying all over the stage doing all these crazy-ass tricks!” And she, “Oh Romeo, Romeo, you’re sooo great, you’ve definitely won my heart now…” Cute take, but they totally watered down the choreography — they took out all those beautiful crazy big huge run and jump lifts — you CAN’T take those out!!!!! It’s plain and simply NOT MacMillan’s pdd without them!!!! And they just eased up on the choreography in general – -the partnering just wasn’t there for me. And that’s what the pdd is, after all, not bravura dancing for the man.

The Swan Lake excerpt was danced beautifully by Nina Ananiashvili and Angel Corella. A crowd pleaser as well that Angel is of course of course — it looked like he did about 10 pirouettes in a row. She did 30 fouettes — this is the first time I’ve EVER counted them and only did so because I know it is the balletomane thing to do. I’ll never do it again; it’s boring and takes away from enjoying the beauty of the dance. People who count are, to me, just silly… I didn’t count Angel’s pirouettes — I said they looked like there were about 10 in a row; I’m sure they weren’t; he just has that Angel way of … just being Angel… 🙂 And I’m happy I got to see Nina; she’s not dancing much this season and I don’t know if I’ll make it to anything she’s in.

And then there was a Manon excerpt, a pas de deux, with Julie and Jose — two of my favorite dancers. They did this pdd like the Romeo and Juliet should have been done. They are spectacular, they are beautiful and poetic, and I really think Jose is one of the very greatest dancers in the world right now. I’m so scared he is going to be retiring soon too… Julie is perfect; she’s flawless and she’s beautiful. But to me, artistically, she still doesn’t have that something undefinably extra that Alessandra has. But she still has time. There is something about her and Marcelo dancing together too — they just have something together that makes them both better than they are alone…

The gala ended with La Bayadere excerpts, performed by David, Paloma, Gillian, and the illustrious heartthrob (so say his bizillions of adoring female fans) Ethan Stiefel — returning after a very long hiatus due to double knee surgery. He got a lot of applause, understandably so, and performed breathtaking jumps — he was really awesome. So cute! David seemed to be the only principal who didn’t get applause when he entered the stage. I think it’s because people are angry about his lack of contributions lately to the Winger … Just kidding of course 🙂 I think it’s because he entered kind of suddenly, albeit with a very loud manly clap 🙂 and people were a bit surprised and didn’t recognize him at first. I heard several voices around me going, “oh oh oh, that’s that David Hallberg, that’s who that is…” Plus, he was wearing a bright white turban, which, when I first saw it, I thought he’d gone and dyed his hair platinum now… I couldn’t see all that well from balcony…

In the first half — I know, I’m going totally backward — first piece was a Bayadere excerpt with all corps members. I’m not one for ensemble work with lots of people onstage at once — I’m a pdd (& occasionally bravura guy) girl — but Misty Copeland stood out to me in this first piece. Then Sleeping Beauty (excerpts from classic Petipa version, no new McKenzie version revealed yet! — that’s for later in the month), with Michele Wiles, Veronika Part, who slipped a bit in the Rose Adagio but nothing serious, Diana Vishneva, favorite of all the critics, and Irina Dvorovenko and Maxim Beloserkovsky. Personally, I love Irina. I know she is not favored by the critics, but she is still one of my favorite ballerinas. I think her dancing is breathtaking, she has gorgeous lines and beautiful extensions, and I think she’s a very good actress — she puts her heart and soul into everything she does, and she really loves and respects the audience. I just love her, and wish she’d dance once in a while with Marcelo and David! Diana was stunning, but one thing she did that was weird was she didn’t stay around and take her curtain call with the others. She took her bow right after she finished her part, then left, without waiting until Irina and Max were finished with theirs to take bows along with them, Veronika and Michele. It was noticeable to the audience as well — VERY noticeable. I hope she had a good reason for leaving early; I don’t think it sits well with fans if you don’t do as everyone else does — might make one look a bit superior. Just going by whispers I heard happening around me…

And then right before the intermission was “Lady’s Choice” a contemporary, ballroomy piece choreographed by Brian Reeder set to Chopin and danced by Stella Abrera and Sascha Radetsky. I didn’t think they worked very well together. He’s too small for her, for one, and for another, neither was very expressive.

After the first piece, Kevin came out and spoke, along with Caroline Kennedy, but the microphones weren’t set up well and I could hear hardly anything, so can’t tell you much of what was said. I do remember he said they were showcasing their corps members as well as their stars this time around — just reminded me of that difference between ABT and NYCB – the idea of having “stars.” Kevin seems like such a sweet man — I may be totally wrong, but he just seems like a really nice guy.

Looking at this picture on my wall made me realize who was missing — Carmen! (pictured with Marcelo of course!)

All in all it was a really lovely night even though I felt poor and ugly and then depressed??? Marcelo and Alessandra were just so beautiful together… He’s gay and she’s married, and I’m totally jealous of how great they were together. How much sense does that make?! It’s just like great dancing goes beyond great dancing sometimes, you know?… Ugh, it’s a good thing I don’t have a crush on Ethan or some other straight guy with a gorgeous and perfect paramour 🙂 I’m really sorry if I’m a bit slap happy here — it’s late and I’m tired! 🙂

Just one last thing, on a totally different note. I made it home just in time to see the end of “Dancing With the Stars” — think there was a humorous remark made by Kennedy about being grateful that some young people were pulling themselves away from the show to be at ABT tonight, but I’m not sure because, as I said, the acoustics were off — but I think I overheard the TV show’s hostess say that tomorrow night, they are having Joaquin Cortes on the show?!?! The brilliant, spectacular, not to mention HOT, flamenco dancer?! If I heard correctly that is simply awesome — a real high point for them — that, THAT is CLASS!!!

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ABT Fix Is Gone Gone Gone … What’s A Girl To Do?

 

ABT‘s fall City Center season ended yesterday, sadly. Above is the cast of Glow-Stop, with the ever-radiant David Hallberg in the middle, from this past Saturday’s matinee performance. I love the mixed repertoire that my favorite dance company performs during their fall season so much better than the full-length classical ballets they do at the Met in the summer. I generally like contemporary ballets better than classical because I find it fun and challenging to try to decipher the choreographer’s meaning, plus I get a little bored seeing the same classics over and over again, and who doesn’t like something new! And, I get to see a lot more of the corps dancers who are mainly relegated to the background in the classical ballets (most of which offer only a couple of large roles per ballet, given to principals and soloists). So, it’ll be another year til I see my favorites in my preferred season again, ho hum.

Anyway, highlights for me were:

1) Marcelo Gomes doing Sinatra in Tharp’s Sinatra Suites, Marcelo dancing the part of the cocky macho sailor in Robbins’s Fancy Free, and Marcelo and Julie Kent making that insane-looking never-ending lift in Lar Lubovitch’s Meadow look completely effortless. Marcelo has such a huge personality, larger-than-life stage presence, great acting ability, and sincere appreciation for American culture, that he brings so much more than the others to the Tharp and Robbins roles. If he was not a ballet dancer, I think he would be a very successful actor!

2) David Hallberg in everything I saw him dance — Clear, In The Upper Room, Drink to Me Only With Thine Eyes, Afternoon of a Faun … and he was definitely brilliant, expectedly, as Death in Kurt Jooss’ both timeless and timely, Post-WWI antiwar piece, The Green Table. He is such a beautiful man; his dancing is like watching poetry in motion. With his height and long limbs, he just fills up the entire stage whenever he is on it and makes spectacular lines. And his luminous, wispy blonde hair accentuates the fluidity of his movement. He is, I think, the quintessential lyrical dancer, and has definitely become, along with Marcelo and Jose Carreno, one of my favorites: David is the most sublime, Marcelo has the most endearing personality, and Jose is, quite simply, the greatest dancer in the world right now 🙂

(P.S.: David hasn’t been writing so much on The Winger this season, but, from what I’ve seen at City Center, that is likely because he’s been dancing every single night, so we’ll forgive him for momentarily neglecting us Wingers 🙂 )

3) Other principals I enjoyed were: Jose (like always) was perfect in everything he did; Angel Corella was wondrous in Clear, Max Beloserkovsy was beautiful dancing alongside David in Clear, Irina Dvorovenko was dazzling dancing Tharp, as she always is (and, as I think I’ve said before, to me, is currently the quintessential Tharp ballerina); Julie and Gillian were powerhouses in Meadow maintaining those shapes in mid-air practically on their own, supported only by what, Marcelo’s pinkies???

4) And a lot of the corps members I haven’t seen much of before: Misty Copeland stood out (at the beginning of the season, before she was injured anyway); both women who performed the Sinatra Suites — Sarah Lane acted the part very well and was so sweet receiving her many bouquets during curtain call the night she danced it with Angel 🙂 , and Luciana Paris had absolutely gorgeous extensions; Craig Salstein was a blast in Fancy Free and Rodeo; Jared Matthews is so damn cute you just want to pick him up and squeeze him!; Isaac Stappas did Death just as well as David I thought; Blaine Hoven seemed to be in just about everything and was very strong; Kristi Boone was remarkable in Glow-Stop; Marian Butler rocked in Rodeo, and Yuriko Kajiya was so sweet in Upper Room … and that’s just a few off the top of my head…

On a completely different note, one final thought about what we all had damn well better be doing at some point tomorrow, said much more compellingly and humorously by my very favorite political blogger. Please click here to read her raucous mad fun words of infinite wisdom.

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Marcelo Gomes = the Consummate Sinatra

Marcelo Marcelo Marcelo! Marcelo Gomes was soooooo amazingly wonderful last night in Tharp’s “Sinatra Suite” (performed by ABT, whose City Center season I have now been to four times in only … a little over a week now?…) He was the best Sinatra yet — and I’ve NEVER liked ANYONE better in any role than Jose Carreno. I think Marcelo excels in parts where he can really ACT as well as dance his big huge heart out! He really got into the role, and it showed, and not just to me, little Miss Mad Crazed Crush-Ridden Marcelo Fan; the whole audience — at least in orchestra — was ooohing and aaahing throughout, so he OBJECTIVELY rocked! And he knew it: during curtain call, he emerged from the stage with a leap (albeit a tiny one) — the first dancer I’ve seen to do that during this relatively low-key season. I guess dancers know when they’re on and when the crowd is really into them and when they can get away with hamming it up 🙂 Interestingly, he danced with the same ballerina as Jose did, Luciana Paris, and Marcelo worked so much better with her. So weird how two dancers sometimes do not form a good partnership even if both are excellent separately…

AND, I sat next to a fun gay man. Great night for that since the evenings’ works consisted of: 1) cute shirtless guy (David Hallberg), cute shirtless guy (Max Belotserkovsky), cute shirtless guy (Angel Corella), in ‘Clear’; 2) cute shirtless guy (Jose), in ‘Afternoon of a Faun’; 3) gorgeous dapper gentleman / sleek sexy bastard Marcelo, doing Sinatra; and 4) three cute macho-shithead sailor-guys (Jose again, Sascha Radestsky, and Isaac Stappas — I think?), in ‘Fancy Free’… Gay guy and I were moaning and groaning and sighing and giggling in ALL THE SAME places 🙂 He he he he; silly fun!

I did realize with all the shirtlessness, however, that David and Jose seem to be more built than the others — perhaps a reason why they seem to have an easier time with the lifts…

Speaking of which … In other news (ie: my own life), on Wednesday night, I did my first real overhead lift! 🙂 ! With Jacob! He he he he he… Fun, and scary, but not really as frightening as I would have thought. Of course, he didn’t really tell me he was going to hoist me up high and lock his elbows once I was sitting on his shoulder — I thought his shoulder was as far up as I was going, but maybe it was better that way, so I couldn’t prepare to freak out. And I felt totally secure in his hands! But, seriously, I really really really need to get rid of the spaghetti factor. You have to make your own line up there; his hands are only holding you in two small places, and if you’re a spaghetti and can’t hold your own form, you’re, at best, not going to look very good, and, at worst, are going to fall. So, it is high time to get some real strength in my little piddly body! I do miss Luis (miss his sneaking up behind me in the deli adjacent to the studio making me check out some guy he thought was hot, miss his exposing me to all manner of new things with his unique names for some of our mishaps — ie: teabagging, and I miss our mad fun butt-smacking, boob-shaking, body-rolling, ball-busting routine…). But I think Jacob and I will work really well together, and I’m excited to get started on my next theater arts showcase, which we can possibly turn in to a competition show piece (if I have any money left to pay comp fees, that is…). He has a background in ballet and jazz, and was a former national cheerleader, so definitely knows lifts (obviously; he can lift a spaghetti after all 🙂 ) Now, I just have to decide what style of dance to do?….

One final thought: I found Jerry Springer’s reaction upon being booted off ‘Dancing With the Stars’ very interesting. He was expecting to get kicked off, but he actually cried when asked to give his little going-away speech. As did Rachel Hunter. And Stacy Keibler gave a sweet farewell speech about fulfilling her dance dreams “like every little girl who’s ever put on a pair of ballet slippers or tap shoes”… It’s remarkable to me how everyone takes this kind of dancing so seriously — I mean, it’s not at all like anyone’s trying to be a drama queen; it all seems completely honest and heart-felt. And I totally understand, as do all of my ballroom friends, I’m sure. It’s inexplicable, but for some inscrutable reason, it’s a genuinely big deal to learn to dance, and to dance well, as an adult…

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Gorgeous Latin Guys Doing Big Huge Jumps, Oh My!

Last two nights I’ve been at the ABT — Monday night was their opening night gala, and they performed several smaller ballets and parts of ballets the company is going to be performing this season. What a dream 🙂 Angel Corella is just the king of charisma, and Jose Carreno is so amazing he completely steals the show whenever he’s onstage! And, Marcelo!! And, last night was called “Noche Latina” — they did Le Corsaire, a silly ballet but one with loads of cute guys dressed as pirates and donning goatees doing enormous jumps… And they had all the Latin dancers in the main roles to showcase the amazing Latin talent. But, horrendously, no Marcelo… I guess not enough roles for all of that Latin talent…

I love going to these ballets — and seeing all kinds of dance performances — because I think it is so important for dancer wannabes, like me, to watch the dancers very carefully. You pick up so much just really looking closely at them. But the ABT is so theatrical (I guess, hence their name — American Ballet Theater) and they put on such a show, I tend to get carried away in the spectacle of it all. So, I think it’s easier to focus on the dancers when I go to the New York City Ballet. You can get a Fourth Ring Society membership to the NYCB and sit up in the fourth ring for only $15 a performance, which is an amazing deal. And, if you sit on the sides you’re practically right on top of the dancers — I mean, way way on top, but I find I can see them very well, even without opera glasses.

I love this time of year because both ballets are in season simultaneously, and there’s never a dull moment. But, ugh, I’ll have to tear myself away for a bit soon, because I’m going to …. Blackpool!