ROBERTO BOLLE MENTIONED IN SYTYCD REVIEW

 

Roberto Bolle (photo from here) is mentioned in a So You Think You Can Dance review in Entertainment Weekly. Kate Ward is a smart writer ๐Ÿ˜€

I agree with practically everything she says in that write-up. I watched this week’s show for the first time this season and I couldn’t believe how bored I was. I had to hop around my apartment downing Sauvignon Blanc in order to entertain myself and nearly didn’t make it through the hour-long episode. No dancing is right. It was an hourย of all these people sobbing at the screen (whether they made it through or not) and saying things like “It’s not just waaaa… about dance; it’s about waaaaa … so much more; it’s about life!”ย OH GAWD…

I also agree with her that it was rather shocking that Iveta Lukosuite got booted, and for no apparent reason. That’s what I hate so much about the audition period — you really don’t get to see what the dancers did wrong (since you really don’t see much actual dance); you just suddenly hear your favorite was knocked off. Well, if my blog stats are any indication, she was hugely popular for the time she was on the show. Not so wise of the judges to eliminate her imo…

Anyway, back to Bolle. I just feel like posting this:

ROBERTO BOLLE’S ROCK STAR PERSONA IN ROLLING STONE ITALIA

 

So one thing I’ll be doing this weekend is looking for the September issue of Rolling Stone Italia, in which, according to Opera Chic, Roberto Bolle is posed, by photographer Gian Paolo Barbieri, as several rock stars including Freddy Mercury, Axel Rose (above, photo taken from OC), Elvis, Mick Jagger, etc.

Why don’t more American mags feature ballet dancers??

Opera Chic has also posted links to videos of Roberto doing a radio show called Deejay Chiama Italia in Italy a few days ago. The vids are in Italian, but non-Italian-speakers can still hear the sound of his lovely voice and witness his ever so boyishly charming smile ๐Ÿ™‚

 

CRAIG SALSTEIN TO THE RESCUE

 

 

So last night I went to Christopher Wheeldon’s Morphoses at Central Park’s SummerStage, who were performing to live music by Martha Wainwright. Of course I would have gone no matter, but hearing that my favorite, Marcelo Gomes, was guest-performing with the company, made it all the more urgent.

Anyway, Morphoses events are often very well-attended and there was a bit of a mix-up with my tickets — they’d issued me a guest, rather than press pass and so my friend and I got ousted from the section up front. I understand these things happen, especially with very popular dance companies and it wouldn’t have been a big deal if I could see well at long distances at night (and if I hadn’t helped others get in whose tickets weren’t mixed up….) But whatever, I could deal I thought, even though I felt like a total loser.

So, my friend and I walked to the back dejectedly. But, then, when we got all the way to the back, it ended up our tickets weren’t for the reserved risers but for the skybox, a tent-covered, elevated section that put us far above the standing crowd. And in that elevated section, sat (among others) ABT soloist and one of my favorite dancers, Craig Salstein! He was sitting next to a really cute dancer-looking guy who turned out to be Marcelo’s bf ๐Ÿ˜€ Then a waitress came by serving us free wine and I knew this was THE place to be, not down there on the ground with those earthlings! I still couldn’t see tremendously well, but I can always see Marcelo from wherever I am and I kind of felt better being with the ABT peeps anyway.

So my friend Susan and I ended up chatting with Craig and Marcelo’s friend throughout the show and they are the sweetest guys! Craig seemed so different than he is onstage! For people who don’t know him, he’s the type of dancer who always gets the bravura roles that require a big personality, and very good acting (not to mention dance) skills, like Mercutio in R&J and the bespectacled nerdy guy who can nevertheless dance up a storm in Taylor’s Company B, and the poor guy who gets girls tossed at him from every which way in Tharp’s Baker’s Dozen, etc. etc. So because he has such a way with comedy I expected him to be cracking jokes every five seconds and acting all clownish and all. But he wasn’t like that at all – -he was really serious and calm, albeit gregarious and easy to talk to. I told my friends, who I went out with afterward, the same and one said, “well, he can’t be Mercutio ALL the time; he’d go crazy.” True.

He’d just got back from vacation (in Italy, where he saw “Roberto Bolle and Friends” — hmmm, didn’t know there was a “Roberto Bolle and Friends”!), and was sporting a serious tan. We talked about ABT’s upcoming season at Avery Fisher Hall and Italy and his choreography and how much I liked it and how great Marcelo is and what I tweet about (you, tossing your mandolin into the wings instead of Jared Matthews’s hands during R&J I said; he seemed bemused) and other chit-chat. Fun fun fun to meet a favorite dancer and another favorite’s boyfriend ๐Ÿ™‚

Okay, I’m running off to another Morphoses performance today and have to get going but will write about the actual show tonight or tomorrow morning. Obviously Marcelo was god, Martha Wainwright was good but to me it was too much about her — too much music, almost a music performance with some dancing thrown in — highlights were Edwaard Liang’s premiere and Wheeldon’s Fools’ Paradise (which I saw anew thanks to Marcelo), Tiler Peck, Gonzalo Garcia, a duet between Maria Kowroski and Jared Angle, Wendy Whelan, Rory Hohenstein, a funny joke by Wainwright about lying down and having people do things to her and Wheeldon’s somewhat embarrassed response, and did I mention Marcelo Gomes…

ROBERTO BOLLE ET AL IN VANITY FAIR

 

If you haven’t already seen, there’s an excellent slide show of photos of dancers and choreographers that have appeared in Vanity Fair over the past decade or so on the magazine’s website. Of course you know I would have to post this one (by Bruce Weber by the way), but there are also some really beautiful ones of Darci Kistler and Peter Martins, Bill T. Jones, Alvin Ailey dancers, and some oldies from New York City Ballet, just to name a few. Check it out here.

MANHATTAN DANCESPORT CHAMPIONSHIP HIGHLIGHTS

Sorry I am so late with this post, now that it’s been two weeks since MDC. Once again, ballet season kind of took over…

 

One of the biggest highlights for me this year was Emmanuel Pierre Antoine dancing with his new partner, Lianna, in the Pro Rhythm championships (pictured above). I like the way the pictures came out in sepia better than color, but if you want to see dress colors, etc. you can see all the color photos here. Emmanuel is a longtime favorite of mine and I always enjoy watching him. He has such character and his routines are always quite original. He and Lianna placed second in all dances, behind the champions for several years now, Joanna Zacharewicz and Jose DeCamps, but I actually thought they outdanced Jose and Joanna in a couple of dances, particularly with their expressive, jump-heavy Mambo and their Bolero, which was really beautiful with some nice spins. Dance Beat felt the same. But, as I’ve said many times before and I’ll say again, it’s definitely not unusual for the judges to give the top award (with wins in all five dances no less) to the same couple year after year, until that couple retires.

Other highlights, as always for me were the Pro Latin and Pro Standard events, which Riccardo Cocchi and Yulia Zagoruychenko won rather easily in the former,

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and Katusha Demidova and Arunas Bizokas even more easily in the latter.

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Both couples who normally place second in these events didn’t compete: Anna Mikhed and Victor Fung in Standard didn’t attend, and Eugene Katsevman and Maria Manusova (photo below of their heated Paso) showed but had to withdraw after the first round because of an injury (hers I’m told).

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A shame since I always love watching Eugene and Maria.

Arunas and Katusha danced really really beautifully, as always, and according to Dance Beat, received perfect scores. Such an elegant couple, their dancing so radiant and rich and luxurious and full, you just can’t take your eyes off of them no matter what they’re doing, even when simply getting ready to take off.

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And Riccardo and Yulia are so much fun. His Jive is to die for, as are her Rumba walks.

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I kind of like this picture even though the light is obscuring Riccardo’s face because to me it shows the excitement of a competition, with the couples making full use of the floor, kind of darting across and seemingly coming right at you as such, no matter where you’re sitting. I think they’re doing Samba promenade runs here. Riccardo is a bit of a flirt, I noticed, flashing his cute smile, with raised eyebrows, at women sitting in the front seats. I think it’s an Italian thing, though. Maurizio Vescovo does the same thing (he dances for Hungary and so doesn’t come to these U.S. comps but I’ve seen him at Blackpool) and our fancy new ABT ballerino Roberto Bolle winks at audience members during curtain calls.

Speaking of Samba, interesting but Riccardo and Yulia actually messed up during the finals. He pushed her a little too far out at one point and she tripped. She didn’t fall but she was noticeably taken off balance. She recovered easily though and the judges apparently didn’t take any deductions, or else they did and it didn’t matter.

Second place couple was one of my favorites, a tall, thin pair from Bulgaria, Delyan Terziev and Boriana Deltcheva. Delyan is a really charming dancer and very personable too — he often wins awards for best teacher. And Boriana has such long limbs, she makes these really gorgeous, spidery lines. And, in my mind, she always wins the award for best costume ๐Ÿ™‚

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Even though it’s not centered, I like this picture. They’re married, they’re cute ๐Ÿ™‚

Other highlights were JT Thomas and Tomas Mielnicki, always snazzy, winning Pro Smooth, with the very popular Mazen Hamza and Lisa Vogel placing right behind them (wow, did they get lots of applause).

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(JT and Tomas above; Mazen and Lisa below)

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And of course the Amateur Latin was as always a blast. Valentin Chmerkovskiy and his new partner Daria Chesnokova took first, and I loved them. I’d liked his old partner Valeriya Kozharinova, but I always thought he was significantly better than she and that it looked like she wasn’t as emotionally involved in the dance as he (as if she was just going through the steps). But Daria is not at all like that — she is more his equal. I think they’re going to go far.

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And placing second were a couple I’ve long liked, Oleksandr Althukhov and Oksana Dmytrenko, who I’ve watched coached at my old studio, Dance Times Square. At first I didn’t recognize their names, since I’ve always heard him called Sasha ๐Ÿ™‚ Russian nicknames!

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Other highlights: Event founder (and former U.S. National ten-dance champion) Gary McDonald, dancing with two other guys, did a fun tribute to Michael Jackson complete with moon walks and floor spins. They also played Michael Jackson music in between the heats and during awards ceremonies, which was nice.

 

 

Judges and scorers and just people in attendance included Tony Dovolani, Mayo Alanen and Anna Demidova from Dancing With the Stars, which made me think of my friend Sharon Balik, who passed away several weeks ago and who I still think a lot about. She loved that show, especially loved Dovolani, and she so would have enjoyed this competition. Also partial to Maks Chmerkovskiy and so always very interested in hearing how his little brother placed, she would have loved to know how well he and his new partner are faring. I’m still so sad about her.

 

 

I missed watching Pavlo Barsuk — whose intensity is always mesmerizing to me — now that he has broken up with Anna Trebunskaya, but I saw him in the ballroom watching. I’ll look forward to seeing him and his new partner compete, when they are ready. I also saw Andrei Gavriline and Elena Kruschkova in the ballroom watching. They’re former US National Latin champs, now retired, and I miss watching them. And another favorite Latin couple of mine — Vaidotas Skimelis and Jurga Puplyte — he reminds me of my favorite ballet dancer, Marcelo Gomes — this is the second year they haven’t shown up for this competition. I know they’re based in California and traveling is expensive, but c’mon man, when am I going to get to see them again? I guess I really do have to go to Blackpool next year.

ROBERTO BOLLE IN THE LA TIMES

 

 

Here’s an article in the L.A. Times by NY writer Susan Reiter. It’s focused on Roberto Bolle, in anticipation of his debut there, in ABT’s season kick-off, which happened last night. There’s a sweet little interview with him that she conducted back here, in the Met. Aw, he pronounces “ballet” with the final “t”! My Argentinian tango teacher used to do that too.

But some of the words that most struck me in the article were:

“He admits to being stunned by the intensity of ABT’s eight-shows-a-week schedule during the eight-week Met season. He is accustomed to the less intense pace of the opera-house ballet companies of Europe, which share the theater with the opera, performing throughout a long season, but fewer times per week.”

I think that may be one reason why ballet is generally more popular in Europe than here; opera is popular in both places and in Europe it’s more integrated with ballet. With longer seasons, there would definitely be a bigger audience throughout — though ABT was pretty packed this season. Actually, VERY packed. But they would have that packed house all throughout the year, and there would be a “trickle down” effect on other ballet companies. Oh can’t you work something out with Peter Gelb, Mr. McKenzie? Please please.