SO YOU THINK YOU CAN DANCE WEEK FIVE: GO JANETTE!

Fun seeing Pasha and Anya again, huh!

Janette is really becoming my favorite dancer. I love her because I don’t think there’s really anything she can’t do (except maybe a ballet routine on pointe, assuming she’s never had training in that, and I don’t think she has). She doesn’t seem to have any real training — she’s just Cuban, just born with dance in her blood and is working her butt off and excelling at every blasted thing that gets tossed in her way. I always like rooting for the underdog πŸ™‚ And we haven’t had a female ballroom winner on the show yet, right? It’s time, it’s time!

Okay, so I obviously loved both of Janette and Brandon’s routines — that kickass Argentine Tango (were those lightening fast, razor sharp kicks and flicks and hooks and gauchos not to die for? Not to mention her gorgeous lines in all the lifts and poses and just the power and passion of it all); and that killer Wade Robson Jazz dance (I love how both were very loose and rubbery but still had very solid form; it was very Rich Man’s Frug and now I see what we missed last week with Evan and Randi’s performance).

My other favorite couple is Melissa and Ade. That disco! Can Ade move or what?

Continue reading “SO YOU THINK YOU CAN DANCE WEEK FIVE: GO JANETTE!”

MANHATTAN DANCESPORT CHAMPIONSHIPS: A COUPLE OF WINNER PHOTOS, IN SEPIA

I’ve gotten no sleep for about the past 72 hours and have a big day ahead, so I’ll definitely write more about this weekend’s ballroom competition soon. But for now, here are a couple of photos I took and tried to doctor today. The ballroom’s ceiling lights are always turned down so low and the floorlights were mainly red, so everyone looks like they’ve got orange-peel-colored skin, when I can lighten the pics well enough that skin tone can even be seen. Someday, I’ll get a professional camera… Here are Riccardo Cocchi and Yulia Zagoruychenko (Latin winners), and Arunas Bizokas and Katusha Demidova (Standard champs).

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What do you think of the sepia anyway? Does it work? It kinds of makes them look historical, or timeless, no?

PROKOFIEV AND CLASSICAL BALLET ON SO YOU THINK YOU CAN DANCE!

 

 

Well, I am sad and surprised that Nigel Lythgoe did not give any kind of tribute to Pina Bausch last night, the way he did Michael Jackson, Farrah Fawcett and Ed McMahon last week. Pina Bausch is a legend in the dance world; how can you have a serious show about dance and not mention something as huge as her passing?

I did of course love that the show had its first ever classical ballet routine– performed by ballerina Melissa and her partner Ade to Prokofiev’s Romeo and Juliet, a version of the famous balcony scene choreographed by Thordal Christensen. It was more Peter Martins than Kenneth MacMillan, but I mean, come on! Am I complaining πŸ™‚ I keep forgetting what Ade’s dance style is, which is perhaps a testament to how well he excels at everything. But I do know it’s not classical ballet! She was beautiful it goes without saying. Those overhead lifts were difficult-looking and perfectly executed, the slide (that NYCB’s Robert Fairchild and Sterling Hyltin admitted they could never get down and so took it out when they performed πŸ˜‰ ) was likewise perfect, beautiful continuous super-charged chaine turns for her, really gorgeous lines and pointe work. She was really lovely. And Ade did quite well too. I mean, I don’t think he landed the jumps in perfect position and he wasn’t turned out, but come on, he’s not a ballet dancer and I don’t know if he even has any ballet training. He did miraculously well with all of those jetes and twisty turning jumps. And he was the perfect partner with those lifts. As Mia Michaels pronounced, “GORGEOIS!”

I also of course love the newly-established Dizzy Feet Foundation scholarship for dance training for underprivileged kids. Can’t wait to see Katie Holmes dance on July 23rd. Love how Judith Jamison appeared in an interview to talk about the scholarship. Just like her to be involved in something like this!

Okay, the other couples:

Janette and Brandon’s Cha Cha choreographed by Jean Marc and France Genereux was excellent, I thought. Particularly Janette. That one can do anything. Like Mary said, she’s a salsa dancer and, though people may not realize it, salsa technique is far different from cha cha. Salsa’s much more bent-kneed and free-form, less stylized. Cha Cha has to have the straight knees and the super quick leg action, the quick hip shifting. She did so well with it; I really thought she was a competitive ballroom dancer. I actually didn’t like Brandon as well as I liked her or as well as the judges did. He looked a bit robotic, he didn’t have enough hip action. It looked to me more like a hip hop version of cha cha.

Kayla and Kupono’s contemporary Sonya Tayeh routine: so, they said up front she’s supposed to be trying to escape death and he’s trying to draw her to it? Wouldn’t it work better the other way? Like she’s attracted to the dark and he’s trying to help her out? Anyway, I thought it was so so. I thought she had very good lines and very good form. I don’t like Kupono though; I just don’t. I thought his lines in his jumps were clumsy, his form wasn’t good — especially compared to hers. They partnered well though, seemed comfortable together. And good in sync dancing.

I actually really liked Randi and Evan’s Broadway routine, choreographed by Joey Dowling. They danced to Rich Man’s Frug from Sweet Charity, which I love. I thought they did really well getting the character down, both of them. I thought the bent wrists were sufficiently pronounced; I thought the lines were all there; the character, the sexiness, the attitude, the sharpness — it was great fun. I don’t know what the judges were on about. Then again, I don’t see a lot of Broadway. Oh, my favorite part was when he lifted himself out of the chair. How did he do that like that? It looked like he used no leg muscles at all to get up! Like he raised himself straight from his center. Amazing!

I wasn’t into Jason and Caitlin’s Brian Friedman jazz routine. She was supposed to be an alien who’d blown up earth and destroyed all of humanity and was coming back to use him, the last remaining man alive, to impregnate her? Sounds fun! She was sufficiently robotic, great isolations for the both of them. I love when she was smacking him about, and his face reacted to her imaginary slaps of the hand. He had a good jump and she an astounding gymnastic flip. Not sure what the flip was doing there though. Like the judges, I wasn’t so into the choreography — sounded a lot more fun than it was. But the dancing was good.

Phillip and Jeanine’s hip hop routine choreographed by Tabitha and Napoleon. So, they’re supposed to be chained together by the ankles and said chain is to show how on the show you’re locked into a partnership — for better or for worse. I thought they had some great isolations — especially with the shoulders and chests, which I think the judges pointed out. I thought the chain could have been used to better effect, actually. It was so long, they really didn’t seem chained together. I just remember a ballroom routine — I think it was performed by Max Kozhevnikov and Yulia Zagoruychenko way back when and they were connected by their costumes, which wrapped around each other. They could unwrap themselves to an extent, but the fabric was connected, so they could only unwrap so far. It was mesmerizing watching how they worked that fabric, doing lifts even, connected the way they were. This was just not at that level, in terms of the prop.

And Karla and Vitolio’s Quickstep, choreographed by Jean Marc and France. I agree with the judges on this — one of Jean Marc and France’s best pieces on the show ever. Wow! That had everything — a couple of balletic jumps performed side-by-side with the batting of the feet (one of my favorite jumps in ballet), beautiful lifts, traditional Quickstep with all its fast, super-charged footwork with some fun social Charleston thrown in, excellent concept of him being a statue at a museum, she bringing him to life, and he placing her on the pedestal at the end. And of course excellent costume trick with one dress changing into another with the simple pull of a spaghetti strap. I thought they did very well with it too.

Except for the lack of a Pina Bausch tribute, I really enjoyed the show this week.

THIS WEEK: BALLET AND BALLROOM EXTRAVAGANZA

 

 

My main recommendations for the week are American Ballet Theater’s Sylvia at the Met Opera House, beginning tonight and running through Saturday afternoon; and the Manhattan Dancesport Championships at the Marriott in Brooklyn Heights. MDC begins tomorrow night and runs through Sunday.

Sylvia is choreographed by Englishman Frederick Ashton. I haven’t yet seen it, but have heard it’s a wonderful ballet, and have heard Michele Wiles basically owns the lead. She is dancing Wednesday night with none other than that Italian superstar Roberto Bolle! The amazing Daniil Simkin and my new favorite Cory Stearns are also in that cast.

Again, though, I’m sure all casts are good. Gillian Murphy dances the lead tonight and Thursday, Diana Vishneva dances with Ethan Stiefel Wednesday matinee and Friday night, and Paloma Herrera and Marcelo Gomes are on Tuesday night and the Saturday matinee. (No performance Saturday night because of the holiday). Read more about the ballet here.

 

And if you’re a fan of ballroom — or even if you’re not, it’s ridiculous fun — the MDC, the most prestigious comp in the mid-Atlantic region, begins Tuesday and runs through Sunday at the Marriott Hotel at the Brooklyn Bridge. The best nights to go are Friday and Saturday night. Friday night are Professional Latin and American Smooth, and Saturday night is Professional Standard and American Rhythm. Also on Saturday night are the Professional Exhibitions. The other nights are fun too — the consist of all the pro/amateur comps, the seniors and the juniors, etc. (and are cheaper than the Pro comps) but if you really want to see great ballroom by the country’s top pros, Friday and Saturday nights are the sessions to attend. Tickets for those two nights are $55 (and between $25 and $45 for other sessions). Night sessions will last from 7pm until about 1 or 2 in the morning. Go here for the schedule and more info.

 

SURPRISE SURPRISE … NOT

 

Joanna Leunis and Michael Malitowski won the Latin Pro Championship tonight at Blackpool (for the second year in a row now). Riccardo Cocchi and Yulia Zagoruychenko came in second, Franco Formica and Oxana Lebedew in third, Sergey Surkov and Melia fourth, Maurizio Vescovo and Melinda Torokgyorgy fifth, Markus Homm and Ksenia Kasper sixth.

Am fairly pleased with the results I guess… though unsurprising of course. At least Michael and Joanna didn’t win across the board; Riccardo and Yulia placed first in Jive. I like Joanna and Michael and think they’re an excellent pair; I just don’t want the judges to make all others wait until they retire to advance.

 

Expecting a bit of commentary from Eleanor and Becca soon!

Update: Eleanor says:

“Last night was the best comp I have ever been to! Although the result is never gonna be what I want it to, there is something that made me very happy! Riccardo and Yulia placed 1st in the Jive! If I were to have my way then Maurizio wouldn’t be there but what can you do? The only other bad thing about the whole thing was that Riccardo and Yulia were in the same heat as Sergey and Melia so I usually had to choose between the two! Otherwise it was absolutely the best comp I have ever seen. Now I have to drag myself out of bed and hope I still have a voice. Xx Eleanor.”

[I personally like Maurizio though he can be a real ham πŸ™‚ Not my favorite, but I am always very entertained by him. I haven’t seen him and Melinda dance in a while. And I don’t think I’ve ever seen Markus Homm and Ksenia Kasper?… Also, I wonder what happened to Peter and Kristina Stokkebroe? I guess that’s how Homm and Kasper got a place on the winners podium. Will be very interesting to see what happens next year when Slavik and Anna join the fracas!]

SLAVIK MAY HAVE A NEW PARTNER AND DANIIL DEBUTS CORSAIRE

 

Blackpool update: Anna Melnikova and Stefano DiFillipo from Italy (above photo by Andrew Miller from Dance Beat World) won the highly coveted Amateur Latin, placing first in all five dances, then announced their breakup. “I hate it when couples split just when they’ve won something major,” says Eleanor. “It’s like Max and Yulia all over again!”

I can’t find anything on Dance Beat confirming this but another friend told me it’s now been announced that Slavik and Anna will compete together — which would be a good reason for her breaking up with Stefano (and would make me very happy … for Slavik I mean).

Dance Beat reports that Valentin Chmerkovskiy and Daria Chesnokova (US champs in Amateur Latin), disappointingly, didn’t even place in the semi-finals.

 

(photo from Dance Beat)

Also, Hanna Karttunen (now broken up with Slavik) has announced that she will return to competing with her former partner, Victor DaSilva (who was on that TV show Superstars of Dance) in the exhibition category. Yes! I was so hoping that would happen!

Latin pro comp is tonight!

 

 

In the ballet world (or my ballet world, rather), the incredible Daniil Simkin debuted last night in ABT’s Le Corsaire (his Met stage debut anyway), dancing the role of Lankendem, the harem owner. (Herman Cornejo was supposed to dance and Daniil’s debut was supposed to be tomorrow night, but Herman is out with an injury, which I’m told isn’t expected to last long, thankfully). I think Daniil did more continuous barrel turns than I’ve ever seen before, traveling around the stage about one and a half times, doing his signature thing by making the very last one high off the ground, super fast, and straight-legged. (I don’t know the ballet term). He also goes up really high on releve (balls of the feet) when lifting his ballerina, which gives her a great deal of height. He danced beautifully with Yuriko Kajiya last night. She looked really weightless in his arms. During curtain calls, he got almost as much applause as Angel Corella’s Ali the slave!

I’ll write more after seeing the next two Corsaire casts, but last night’s opening-night cast for that ballet was excellent: tall, blonde god David Hallberg was perfect as the hero Conrad, by turns romantically tormented over thwarted attempts to get — and keep —Β  his love, then fearsome and commanding as head pirate (more fearsome and commanding than I think I’ve ever seen David!) Carlos Lopez as Birbanto, Conrad’s friend-turned traitor, and Paloma Herrera as Conrad’s love interest, Medora, were both excellent. I’ve sometimes seen Lopez have some trouble landing jumps solidly, but he seems to have overcome that. He was perfect last night.

BLACKPOOL DISPATCH #3: Final Day of Congress Lectures and Karina Smirnoff is in the House!

Or Garden, I should say…

A brief note from Eleanor regarding today’s final series of Congress lectures:

“Best lecture today by far was by Riccardo and Yulia. They did Paso, which I’m usually not a big fan of, but it was incredible. Also enjoyed Jukka and Sirpa — they actually spoke about stuff that was appropriate to my level of dancing! Just saw Karina Smirnoff eating dinner and was quite starstruck, which is quite unusual for me! Xx Eleanor”

I can imagine Riccardo and Yulia were great — they’re both very personable and they give quite entertaining lectures as well as, obviously, great demos. Jukka Haapalainen and Sirpa Suutari are former world Latin champions from Finland. They give good lectures as well. They are trying to take ballroom to the proscenium stage and have choreographed and performed a Latin version of Bodas de Sangre, based on the Federico Garcia Lorca play, which I desperately want to see someday (to my knowledge it’s only shown in Finland).

And interesting that Karina is there! I didn’t see her the past two years. Now that she and Maks are engaged, she may be there to support his little brother Valentin, assuming he is competing this year.

Anyway, Amateur Rising Star Latin was today; the next few days will consist of the Under 21s, the over 35s, and Rising Star pros. Wednesday is the next big day — the pro Latin. By the way, if you’re so inclined, you can check continuously updated comp results and follow Tweets here.

BLACKPOOL DISPATCH #1: Congress Lectures Day 1

Eleanor writes:

“Just a little something about today for you. Best lectures [see post below for definition] were given by Max [Kozhevnikov] and Beata, and Sergey and Melia. Max spoke about how he gets his ideas for showdances and they performed their Charlie Chaplin number.

Sergey and Melia spoke about Rumba and did some gorgeous demos to different pieces of music showing the different interpretations. Then there was the Chrisanne one, which I featured in … am just thankful that 99.9% of the dance world don’t know who I am because I have a feeling the DVD is going to be embarrassing.

Also the World Exhibition champions, Greg and Natalie, gave a fab final lecture.

Just waiting for the team match to start now, Germany instead of Japan. US will win by miles in my opinion!

Eleanor x”

Thanks Eleanor!

So, I haven’t seen Max Kozhevnikov and Beata’s Charlie Chaplin dance, but looked it up on YouTube here. Look at that fancy footwork for Max! I seriously love Max in this! I didn’t know they were dancing together (and I think it’s only for showdances not for competition) but I like them together!

So sorry I missed Sergey and Melia’s lecture. I love Rumba, and I love theirs and would have savored seeing their different interpretations. I think I will try to buy the DVD this year if it’s not too expensive — also to see the Chrisanne show (which I’m sure won’t be embarrassing to anyone πŸ™‚ )!

And so tonight is the team comp (see prior post for more info on that too). I guess the four teams are the UK, the US, Germany and Italy. The way the team match works is that each country’s two best couples in each dance style – -Standard and Latin (so four couples total) take turns dancing two rounds of each individual dance (Rumba, Cha Cha, etc., and same for Standard). The scores are then added together and the country with the highest scores win that dance. Then, the scores for all nine dances are added together and the country with the highest score overall wins. I agree that the US will probably win, since we have two of the top couples in the world in each dance style — Riccardo & Yulia in Latin and Katusha & Arunas in Standard, whereas none of the other countries have top dancers in both (just one or the other). Last year was the first year the US ever won, by the way. We’ll see.

MISSING BLACKPOOL

The Blackpool Dance Festival has begun and for the first time in four years I’m missing it. So sad. I felt like I needed to save on expenses this year with the recession and all, and I was disappointed that my favorite, Slavik Kryklyvyy, likely wouldn’t be competing again, and I was aggravated with the predictability of last year’s results and figured I’m going to get frustrated all over again. So, I decided to take a year off.

But, thankfully, two wonderful young ladies from England, Eleanor and Becca, who I met from this blog, are going to do some little write-ups on the goings on later this week. They are fans of Sergey Surkov and Melia, so they’re rather perfect for this blog πŸ™‚ In fact, today, they are modeling in the Chrisanne ballgown show in the pavilion, along with Melia!

(Here’s a picture I took in the past of the runway)

Chrisanne boutique in the pavilion.

I’ll also be keeping up via Dance Beat.

Today and tomorrow are the increasingly popular daytime Congress lectures on things like technique, performance quality dancing, and ballroom dance history by the top pros of today and yesterday, and tonight is the ridiculously exciting but somewhat goofy country team competition. The two most important nights of the week will be Wednesday and Friday, Wednesday being the Pro Latin and Friday the Pro Standard. I’ll be rooting for Sergey and Melia of course, along with the top U.S. couples Riccardo Cocchi and Yulia Zagoruychenko in Latin, Katusha Demidova and Arunas Bizokas in Standard.

Standard champion Mirko Gozzoli from Italy giving a Congress lecture,

after giving a demo of mouthwatering splended perfection with partner Alessia Betti.

Former champs the charmingly funny Luca Baricchi, with his partner Lorraine, doing the same.

American team’s elegant team comp intro from two years ago.

And last year’s. Still not sure where we were going with that what goes on in the teepee theme…

I’m excited though to be in NY for all of ballet season, for the first time in a long time this year. Between ABT and NYCB I don’t think I’ve missed a day of ballet in the past week.

But, still, it’s always nice to go away. Some of my favorite pics from the past:

(an unusually warm May day in the northern sea-side town)

Riccardo Cocchi rocking it out with his former partner, Joanne.

Karina Smirnoff when she last competed.

Sergey and Melia the first time I saw them dance and the first time they placed in the finals. Kind of funny, it looks a bit like he’s spanking her here πŸ™‚

On the train ride from Manchester toΒ  Blackpool. Sheep! I know, why do Americans always take such pictures? It’s like we don’t have any such animals here…

Curry dinner from Taka Dance’s Japanese restaurant, which they set up in the base of the Winter Garden for the duration of the festival.

Slavik with Elena Khvorova, last time I saw Slavik compete.

Max and Yulia’s advert page in the program the year they made the top six.

The nearby beach. Pretty but cold.

Cheesy, Vegas-y “Eiffel Tower” that houses a lot of casinos and pinball machines, along with pseudo-Vegas-type shows.

Day trip to Liverpool, in between Latin and Standard finals.

The always happening Ruskin Hotel where people like Maks Chmerkovskiy can often be found.

Arunas and Katusha in last year’s finals.

America’s Ballroom Challenge

 

 

So, what did you guys think about the show?

I was worried I’d be mad about the new format but I really ended up thinking this one worked better, at least for TV, even if it is fake. For people who’ve never been to a regular ballroom dance competition before, the competition is really the first parts, the group dances (as shown in the picture above) — that they severly truncated here, showing only a small part of one dance for each of the four categories. But I do think the showdances work so much better for TV. On TV the excitement of the group dances is really lost. But it’s so stunning to see, to feel, all these couples whizzing by you, spinning, shaking their hips at lightening speed, to hear the crowds cheer, scream really, while all the couples try to look so glamorous and graceful, the raucous audience making it seem more like a boxing match. I encourage everyone who hasn’t been to go to a real competition.

Anyway, it wasn’t much of a surprise that Riccardo Cocchi and Yulia Zagoruychenko won — they’re second in the world in Latin, and I’m wondering, after watching them in November (which is when this show was taped), if they could overtake the current champs, Poland’s Michael Malitowski and Joanna Leunis, at some point. I loved their Cha Cha tonight (with her in the sizzling red and him in the open tux jacket), their Samba, and their combo routine to the pure percussion (which I love — I love that they’re not afraid to use that kind of music). I love how they vary the rhythms in an often unpredictable way, I love his speed and how she makes original shapes with her body, especially when she tucks in her stomach, rolls her shoulders, and curls her pelvis, looking almost like a cobra. Or is it a python? The snake that lifts its front part and expands its head, ghost-like, before attacking?… (I don’t really want to do a google image search) Anyway, I really really love them– Yulia and Riccardo.

Since the two top Standard couples — Arunas Bizokas and Katusha Demidova and Victor Fung and Anna Mikhed — were at another competition (I think in the U.K.) at the same time as the Ohio Star Ball and didn’t compete, it was really a toss up who would win. I thought Linas Koreiva and Liene Apale would win — I thought they danced the best — though I loved the balletic look to Mikhail Avdeev and Anastasia’s beautiful waltz. I love how in all their routines

— oooh, Oscar Hijuelos (one of my favorite writers, author of Mambo Kings Play Songs of Love) is on Larry King, PBS! He is WAY the hell younger than I thought… —

sorry,Β  just had to say that. πŸ™‚ Anyway, I love how Mikhail and Anastasia’s dances were all basic, yet so well done, so beautifully executed. Shows how dance is more about excellent technique and lush, expansive movement than tricks. And I love that they used classical music instead of going for the modern and poppy.

Totally predictable of course that Joanna Zacharewicz and Jose DeCamps would win Rhythm — and how much do I love that there are Joses in the world — how hot was that mambo! And that John Travolta! He is truly one of the most charismatic dancers in all of ballroom.

And Jonathan Roberts and Valentina were lovely. I do believe she is the powerhouse of that partnership. She really shines and her form is so splendid. His is less so (and I caught him pigeon-toed a few times), though he is a solid support for her, which is mainly what the man is supposed to be. I liked J.T. Thomas and Tomasz Mielnicki’s snazzy Foxtrot, though I’ve seen both couples in competition before and can see how Jonathan and Valentina took the whole without winning the showdance portion.

Oh, before I forget, what did you guys think of that Swan Lake dance at the beginning of the program, by Mikhail Zharinov and Galina Detkina in the American Smooth division? It was one of the very first ones, if you can remember. If you didn’t notice — and the announcers didn’t point it out — she was wearing a long white glove on her right arm, with a swan’s face and beak painted on the thumb and fingers. So, the way she was holding that arm up and bending her wrist like she did, when you see it up close (as I did at Champions of the Dance recently here in NY at Town Hall), her whole body really does look like a swan, with her hand the head, her arm the neck, and her skirt — when pulled out and held to the back (either by him or by her) — the body. I couldn’t figure out how I felt about it when I saw it live — whether I thought it was cheesy or pretty, and, after seeing it from further afar, on TV, I choose the latter.

Other things: I love my Vaidotas Skimelis πŸ™‚ Dressed as Mozart! Or was it Louis the XVI and Jurga Pupelyte Marie Antoinette? What a big fun charming goof. But an excellent dancer. Their dance was rather humorous but they still had very nice form and some creative choreography and he had some jumps and stylized runs that showed he really could be a balletic, graceful dancer, large as he is.

And why do I have no problem envisioning Boriana Deltcheva as a cat! She’s so feline already; I love the way she climbed on Delyan’s back and wrapped her legs around his waist. She’s such a tall, thin thing, she looked just like a sleek black catwoman. She has the ideal body. She put a note up on Facebook a while ago advertising that she was selling some of her costumes and I had to laugh — like everyone the planet over wishes they could fit into them πŸ™‚

Another highlight: Gherman Mustuc and Iveta Lukosiute’s Carmen tango in the Standard. They always come up with such creative showdance ideas. Such great music, and her red dress was gorgeous.

Pavlo Barsuk and Anna Trebunskaya: how insanely intense was that Paso! I love intense Pasos! And he is the ultimate in the intensity department, believe me – -if you even see him dance live, he does this thing where his eyes grow really wide; he looks like he could devour you for lunch — or his competition anyway. Such a funny contrast to her sweet face and toothy chipmunk smile.

And of course Eugene Katsevman and Maria Manusova — sorry, I’m really into the Latins, obviously. They recently danced at the Dance Times Square showcase and I totally fell for them. He is so damn fast and slick and precise. And they ended one of their dances at the DTS show with that ending trick they did tonight in the Cha Cha, if you remember it — where he flips and drops her, catching her right before she’s about to hit the floor, face down. DTS audience went WILD.

Anyway, enough from me. What did you guys think?

U.K. Championship Results are In!

Results from the UK National Championships, held this week in Bournemouth (and one of the most prestigious in the world) are now up.

Sergey Surkov and Melia, Blackpool Congress 2008, photo Tonya Plank
Sergey Surkov and Melia, Blackpool Congress 2008, photo by Tonya Plank

Sergey and Melia take third in Latin!!! Woo hoo! They must have been so happy! And I’m so happy for them!

Slavik and Hanna didn’t do so hot though — they received a disappointing 6th place. Oh well, better next time.

Other placements were predictable:

Continue reading “U.K. Championship Results are In!”